BIBLIOGRAPHY

Bibliography This is the bibliography of the SMT Global Interculturalism and Musical Peripheries interest group.  

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Pls enter the bibliographic items in alphabetical order by author’s last name. Pls use the citation format for the bibliography in Music Theory Spectrum, but slightly altered. For articles: Author’s last name, First name. Year of publication. “Article title.” Journal title in italics, Journal volume[period]issue: Beginning page-Ending page. [Country of origin of composer(s)/Country of residence and Composer(s)’s name. Limit to three composers.] For books: Author’s last name, First name. Year of publication. Book title in italics. City, State: Publisher. [Country of origin of composer(s)/Country of residence and Composer(s)’s name. Limit to three composers.] For book chapters: Author’s last name, First name. Year of publication. “Chapter title.” Book title in italics, edited by [name of editors in normal spelling], beginning page-ending page. City, State: Publisher. [Country of origin of composer(s)/Country of residence and Composer(s)’s name. Limit to three composers.] For dissertations. Last name, First name. Year. “Dissertation title.” University. [Country of origin of composer(s)/Country of residence and Composer(s)’s name. Limit to three composers.]   Contents

1. EAST ASIAN MODERNISMS
2. SOUTHEAST ASIAN MODERNISMS
3. SOUTH ASIAN MODERNISMS
4. MIDDLE EASTERN MODERNISMS
5. AFRICAN MODERNISMS
6. LATIN AMERICAN MODERNISMS
7. NORTH AMERICAN AND EUROPEAN PERIPHERIES

  PART 1: EAST ASIAN MODERNISMS Deguchi, Tomoko. “Significance of the Parts in Music of Tōru Takemitsu.” Global Musical Modernisms (Jan 14) https://globalmusicalmodernisms.hcommons-staging.org/2020/01/14/global-perspectives-significance-of-the-parts-in-music-of-toru-takemitsu/ [Japan. Tōru Takemitsu.] Everett, Yayoi Uno and Frederick Lau, eds. 2004. Locating East Asia in Western Art Music. Middletown, CT: Wesleyan University Press. [see individual entries] Hara, Kunio. 2016.  "1 + 1 = 1: Measuring Time's Distance in Tōru Takemitsu's Nostalgia: In Memory of Andrei Tarkovskij." Music and the Moving Image 9.3: 3-18. [Japan. Tōru Takemitsu.] Kim, Jeongmee.  2004.  "Musical Syncretism in Isang Yun's Gasa." in Locating East Asia in Western Art Music, edited by Yayoi Uno Everett and Frederick Lau (q.v.): 168-192. [Korea/Germany. Isang Yun.]   PART 2: SOUTHEAST ASIAN MODERNISMS Lee, Gavin. 2015. “Postcolonial Affect: Ambiguous Relationality in Robert Casteels’ L’(autre) fille aux cheveux de Bali,” Journal of the Royal Musical Association 140.2: 417-443. [Belgium/Singapore. Robert Casteels.] Lee, Gavin. 2019. “Postcolonial Bifurcation: On John Sharpley’s Emptiness,” Music Analysis 38.3: 316-357. [USA/Singapore. John Sharpley.] Tenzer, Michael. 2003. "José Maceda and the Paradoxes of Modern Composition in Southeast Asia." Ethnomusicolgy 47.1: 93-120. [Philippines. José Maceda.]     PART 3: SOUTH ASIAN MODERNISMS PART 4: MIDDLE EASTERN MODERNISMS PART 5: AFRICAN MODERNISMS Seachrist, Denise. 2003. The Musical World of Halim El-Dabh. Kent, OH: Kent State University Press. [Egypt/USA. Halim El-Dabh.] Uzoigwe, Joshua. 1992. Akin Euba: An Introduction to the Life and Music of a Nigerian Composer. Bayreuth: Bayreuth University. [Nigeria. Akin Euba.] PART 6: LATIN AMERICAN MODERNISMS     PART 7: NORTH AMERICAN AND EUROPEAN PERIPHERIES Bauer, Amy. 2020. “The Music of Helena Tulve.” Global Musical Modernisms (Jan 14). https://globalmusicalmodernisms.hcommons-staging.org/2020/01/14/the-music-of-helena-tulve/ [Estonia. Helena Tulve.]