t

Bibliography This is the bibliography of the SMT Global Interculturalism and Musical Peripheries interest group. Pls enter the bibliographic items in alphabetical order by author’s last name. Pls use the citation format for the bibliography in Music Theory Spectrum, but slightly altered. For articles: Author’s last name, First name. Year of publication. “Article title.” Journal title in italics, Journal volume[period]issue: Beginning page-Ending page. [Country of origin of composer(s)/Country of residence and Composer(s)’s name. Limit to three composers.] For books: Author’s last name, First name. Year of publication. Book title in italics. City, State: Publisher. [Country of origin of composer(s)/Country of residence and Composer(s)’s name. Limit to three composers.] For book chapters: Author’s last name, First name. Year of publication. “Chapter title.” Book title in italics, edited by [name of editors in normal spelling], beginning page-ending page. City, State: Publisher. [Country of origin of composer(s)/Country of residence and Composer(s)’s name. Limit to three composers.] For dissertations. Last name, First name. Year. “Dissertation title.” University. [Country of origin of composer(s)/Country of residence and Composer(s)’s name. Limit to three composers.]   Contents

1. EAST ASIAN MODERNISMS
2. SOUTHEAST ASIAN MODERNISMS
3. SOUTH ASIAN MODERNISMS
4. MIDDLE EASTERN MODERNISMS
5. AFRICAN MODERNISMS
6. LATIN AMERICAN MODERNISMS
7. NORTH AMERICAN AND EUROPEAN PERIPHERIES

  PART 1: EAST ASIAN MODERNISMS Deguchi, Tomoko. “Significance of the Parts in Music of Tōru Takemitsu.” Global Musical Modernisms (Jan 14) https://globalmusicalmodernisms.hcommons-staging.org/2020/01/14/global-perspectives-significance-of-the-parts-in-music-of-toru-takemitsu/ [Japan. Toru Takemitsu.] Lee, Jungmin Mina Lee. 2020. “The Story of Unsuk Chin’s Cello Concerto.” Global Musical Modernisms (Jan 16). https://globalmusicalmodernisms.hcommons-staging.org/2020/01/16/the-story-of-unsuk-chins-cello-concerto/ [Korea/Germany. Unsuk Chin.] Wiener, Barry. 2020. “The Woman in the Dunes for Solo Percussionist (2012).” Global Musical Modernisms (Jan 14). https://globalmusicalmodernisms.hcommons-staging.org/2020/01/14/akemi-naito-japan-ny-the-woman-in-the-dunes-for-solo-percussionist-2012/ [Japan/USA. Akemi Naito.]     PART 2: SOUTHEAST ASIAN MODERNISMS Lee, Gavin. 2015. “Postcolonial Affect: Ambiguous Relationality in Robert Casteels’ L’(autre) fille aux cheveux de Bali,” Journal of the Royal Musical Association 140.2: 417-443. [Belgium/Singapore. Robert Casteels.] Lee, Gavin. 2019. “Postcolonial Bifurcation: On John Sharpley’s Emptiness,” Music Analysis 38.3: 316-357. [USA/Singapore. John Sharpley.]     PART 3: SOUTH ASIAN MODERNISMS PART 4: MIDDLE EASTERN MODERNISMS PART 5: AFRICAN MODERNISMS PART 6: LATIN AMERICAN MODERNISMS     PART 7: NORTH AMERICAN AND EUROPEAN PERIPHERIES Bauer, Amy. 2020. “The Music of Helena Tulve.” Global Musical Modernisms (Jan 14). https://globalmusicalmodernisms.hcommons-staging.org/2020/01/14/the-music-of-helena-tulve/ [Estonia. Helena Tulve.]