Topic: The memory landscape of the Cowpastures in memorials, monuments, and murals.
Lecture by Dr Ian Willis OAM.
Abstract
All around the community in the Macarthur region are cultural artefacts that are representations of the settlercolonial narrative of the Cowpastures, which was variously a colonial frontier, a government reserve, and a…[Read more]

The Camden Historical Society has published a new anthology of the Camden History Journal. There are many stories of events and local personalities from the Camden area.

In 1964, the Campbelltown-Ingleburn News ran a banner headline on its front page, Symbol of Progress, over a story about opening a new council administration building as part of a proposed civic centre precinct in the town centre.
The newspaper headline expressed confidence in Campbelltown’s planned declaration as a satellite city by the state…[Read more]

Rhetorically savvy course descriptions, because they speak to multiple audiences, stand as a demonstration of your teaching excellence. The well-crafted description acts as a snapshot that attests to your ability to attract students and teach your disciplinary ways of knowing beyond your disciplinary context. Whether your context is the job market…[Read more]

This newspaper article examines the history of the teamsters that operated on the Yerranderie Road between the Yerranderie silver mines in the Burragorang Valley and the railhead at Camden NSW. The carriers’ teams of horses supported an ecology of farmers growing hay and corn for stock feed, blacksmiths at The Oaks and Camden, horse breeders, w…[Read more]

This blog post discusses the mid-century houses of the Camden NSW area that were built as part of the economic growth and development created by the Burragorang coalfields. These houses were built between the Second World War and the early 1970s, have a variety of residential architectural styles and are located south of the town centre, in…[Read more]

The comic adaptation of La vida es sueño by Calderón de la Barca (2018) emphasizes the emotion of anger as one of the forces that guides the plot. The protagonist, Segismundo, displays aggression through two main gestures: the clenching fist and the frown on his face. This article aims to answer the following questions: Why did the comic artist d…[Read more]

The comic adaptation of La vida es sueño by Calderón de la Barca (2018) emphasizes the emotion of anger as one of the forces that guides the plot. The protagonist, Segismundo, displays aggression through two main gestures: the clenching fist and the frown on his face. This article aims to answer the following questions: Why did the comic artist d…[Read more]

En cada una de estas [identidades] hay almacenado un conocimiento implícito y arraigado sobre valores y comportamientos apropiados, gustos y disgustos, formas de ser.
R. Se identifican tres formas principales de autorregulación automática: un efecto automático de la percepción sobre la acción, la búsqueda automática de una meta y una evaluac…[Read more]

ویتمن ایرانی: فراتر از پذیرش ادبی ــ که به پذیرش والت ویتمن، شاعر نامدار آمریکایی، در یک دورۀ تقریباً صد ساله در ایران معاصر می‌پردازد ــ دارای نُه فصل، مقدمه، مؤخره و ضمیمه است. کتابِ حاضر تحقیقی بینارشته‌ای است: از سویی ادبیات تطبیقی (پذیرش ادبی، تأثیرپژوهی و تصویرشناسی) و نقد ادبی (تاریخ‌گرایی نو)، و از سوی دیگر مطالعات ترجمه (ترجمه و ای…[Read more]

A pesar de lo frecuentemente que se menciona el nombre del escritor cubano
Virgilio Piñera (1912-1979) en las publicaciones literarias y académicas del continente,
puede decirse que el autor es todavía poco conocido. Estudiado principalmente como
dramaturgo y narrador –con la excepción de La isla en peso (1944)– su obra poética
ha recibido…[Read more]

¿Por qué es importante la conciencia social? Recientemente, desde aproximadamente el año 2000, han surgido una serie de comportamientos antisociales importantes.
1. Ha habido 396 tiroteos en escuelas en Estados Unidos.
2. CDC: Las tasas de suicidio aumentaron aproximadamente un 36 % entre 2000 y 2021.
3. Máximo histórico de tiroteos masi…[Read more]

This chapter examines how twentieth century Iranian readers situated Jane Eyre within the classical genre of romance literature (adabiyāt-i ʿāshiqāna), originating from the tradition of love narratives in verse (ʿishq-nāma) pioneered by the twelfth century Persian poet Nizami Ganjevi. While romance is only one among several of the original Jane…[Read more]