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Christiane Wagner deposited Art Style, Art & Culture International Magazine, no. 9 in the group
Film Studies on Humanities Commons 3 years, 10 months agoThe focus of this issue is on environmental aesthetics, with the aim of exploring the various aspects of aesthetic appreciation. Environmental Aesthetics: Socio-Territorial Conflicts throughout Media is part of a session that I organized at the IV International ISA Forum, Porto Alegre, held on February 23–27, 2021, for the Research Committee on S…[Read more]
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José Angel GARCÍA LANDA deposited Escoptofilias terminales: ‘Peeping Tom’, artefacto reflexivo in the group
Film Studies on Humanities Commons 3 years, 11 months agoSpanish Abstract: ´Peeping Tom´ (dir. Michael Powell, 1960), un clásico del cine de culto, nos sumerge en una intensa experiencia metafílmica. A base de acumulación mediática, repetición, inserción semiótico-perceptual, marcos dentro de marcos, y reflexividad casi hasta el infinito, saca la película un partido extraordinario a la semiótica…[Read more]
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Derek Johnston deposited Reading Past Reception: A Case Study of the BBC Nineteen Eighty-Four (1954) in the group
Horror on Humanities Commons 3 years, 11 months agoThis paper draws on the letters and messages and newspaper clipping held by the BBC Written Archives Centre in relation to the 1954 adaptation of Nineteen Eighty-Four as a case study for considering how we understand the historical reception of programming. This production is particularly useful in this regard because it achieved a certain…[Read more]
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Derek Johnston deposited The Folk of Folk Horror in the group
Horror on Humanities Commons 3 years, 11 months ago‘Folk horror’ has often been considered, following Mark Gatiss’ description of the genre, as centrally focused on a particular ‘obsession with the British landscape, its folklore, and superstitions’. While these elements are clearly significant, they become more problematic when opening up the genre to include texts from beyond Britain. Not only…[Read more]
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Derek Johnston deposited The Folk of Folk Horror in the group
Film Studies on Humanities Commons 3 years, 11 months ago‘Folk horror’ has often been considered, following Mark Gatiss’ description of the genre, as centrally focused on a particular ‘obsession with the British landscape, its folklore, and superstitions’. While these elements are clearly significant, they become more problematic when opening up the genre to include texts from beyond Britain. Not only…[Read more]
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José Angel GARCÍA LANDA deposited ‘Ayat-Ayat Cinta’ (Verses of Love): Versículos de amor in the group
Film Studies on Humanities Commons 4 years agoEnglish abstract: ‘Verses of Love’, an Islamic film on the extended couple, features a melodramatic plot in which love triumphs after many difficulties, and the virtuous protagonists Fahri and Aisha are happy in their marriage, having shown the value of their Islamic faith amidst the trials of life—accepting these with sumbission, which is the s…[Read more]
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José Angel GARCÍA LANDA deposited Contagio (De virus y rumores) in the group
Film Studies on Humanities Commons 4 years agoSpanish abstract: La película ‘Contagio’ (dir. Steven Soderbergh, 2011) pertenece al género ‘catástrofe – multiprotagonista’, aquí potenciado por varias circunstancias. La catástrofe es mundial y creíble, una epidemia de una gripe mortífera, como la Peste Negra, o como la Peste Escarlata de Jack London. Y la catástrofe se difunde por las relacione…[Read more]
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José Angel GARCÍA LANDA deposited ‘Love for Share’: Historias de mujeres y de sumisión in the group
Film Studies on Humanities Commons 4 years, 1 month agoSpanish Abstract: Una película indonesia sobre la pareja heterosexual en el ambiente social indonesio, sobre el patriarcado atmosférico—y sobre el Islam (valga la redundancia). Poner tierra por medio, o mejor no casarse si aún estás a tiempo, es la recomendación de la directora para las mujeres. Ay, si fuera tan fácil… Pero en su context…[Read more]
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José Angel GARCÍA LANDA deposited La Oreja (y la cámara) in the group
Film Studies on Humanities Commons 4 years, 1 month agoSpanish abstract: ‘Ucho’ (La oreja), película de Karel Kachyňa (1970) es una prefiguración de ‘La vida de los Otros’ sobre la Cheka checa, pero con una estética peculiar—una película entre el realismo documental y lo grotesco, algo así como un cruce entre ‘1984’ y ‘Quién teme a Virginia Woolf ‘, combinando la sátira política con la cinematogr…[Read more]
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Irina Schulzki deposited The Genealogy of Gesture: From Kira Muratova to Renata Litvinova in the group
Film Studies on Humanities Commons 4 years, 2 months agoThe long-term creative collaboration between Kira Muratova and Renata Litvinova began with the film “Uvlechen’ya” (“Pastimes”, 1994), in which Litvinova took part both as an actress and a screenwriter. Since then, Litvinova has become one of the most striking personifications of Muratova’s ornamental film style, which brings about a specific re…[Read more]
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Marcelo R. S. Ribeiro deposited Cosmopoéticas da desobediência informe: leitura contra-colonial do regime da extração no catálogo Lumière in the group
Film Studies on Humanities Commons 4 years, 3 months agoConsiderando o catálogo Lumière como experiência inaugural do cinema mundial, este artigo propõe uma leitura anarquívica de algumas de suas imagens. Diferenciando a operação do cinematógrafo como dispositivo cosmotécnico de arquivamento do mundo e aparelho cosmopoético de invenção de mundos, exploro as formas de inscrição da diferença no…[Read more]
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Christiane Wagner deposited Art Style, Art & Culture International Magazine, no. 8.1, part 2 in the group
Film Studies on Humanities Commons 4 years, 4 months agoArt Style | Art & Culture International Magazine is an open access, biannual, and peer-reviewed online magazine that aims to bundle cultural diversity. All values of cultures are shown in their varieties of art. Beyond the importance of the medium, form, and context in which art takes its characteristics, we also consider the significance of…[Read more]
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Christiane Wagner deposited Art Style, Art & Culture International Magazine, no. 8.1, part 1 in the group
Film Studies on Humanities Commons 4 years, 4 months agoArt Style | Art & Culture International Magazine is an open access, biannual, and peer-reviewed online magazine that aims to bundle cultural diversity. All values of cultures are shown in their varieties of art. Beyond the importance of the medium, form, and context in which art takes its characteristics, we also consider the significance of…[Read more]
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Steven Swarbrick deposited “The Violence of the Frame: Image, Animal, Interval in Lars von Trier’s Nymphomaniac” in the group
Film Studies on Humanities Commons 4 years, 4 months agoBuilding on the film philosophy of Gilles Deleuze and Jacques Rancière, this essay develops a queer naturalist account of film form centered on the ontogenetic dimensions of Lars von Trier’s film Nymphomaniac (2013).
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José Angel GARCÍA LANDA deposited ‘Never Let Me Go’: El sujeto en la sociedad orgánica in the group
Film Studies on Humanities Commons 4 years, 5 months agoSpanish abstract: Artículo sobre algunas implicaciones ideológicas de la película ‘Never Let Me Go’ (Mark Romanek, 2010), basada en la novela de Kazuo Ishiguro. Ofrece un retrato de la sociedad como un sistema educativo manipulador, que mantiene a los niños ignorantes de las cosas más importantes que se pueden saber sobre el poder y la expl…[Read more]
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José Angel GARCÍA LANDA deposited ‘El interrogatorio’ (‘Przesluchanie’): La corrupción del sistema corrompe al individuo por dentro in the group
Film Studies on Humanities Commons 4 years, 5 months agoSpanish abstract: Una reflexión sobre la representación de la resistencia, la resiliencia, y las tácticas totalitarias para domeñar a los disidentes, tal y como se representan en la película polaca ‘El interrogatorio’ (‘Przesluchanie’, dir. Ryszard Bugajski, 1989). La construcción inconsistente de la personalidad de la heroína testifica las dificu…[Read more]
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Marcelo R. S. Ribeiro deposited Tarzan, um negro: para uma crítica da economia política do nome de “África” in the group
Film Studies on Humanities Commons 4 years, 6 months agoDesde 1912, inúmeros textos – romances, programas de rádio, histórias em quadrinhos, seriados de televisão, filmes – produziram e articularam representações da África em narrativas envolvendo Tarzan, criado pelo estadunidense Edgar Rice Burroughs (1875-1950). Tomando o nome de “África” como referência, os textos que orbitam e habitam o nome d…[Read more]
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José Angel GARCÍA LANDA deposited “Ghost in the Shell (2): Innocence” — Nostalgia de la experiencia inmediata in the group
Film Studies on Humanities Commons 4 years, 6 months agoSpanish Abstract: De la conjunción de ‘Neuromante’ y de ‘Blade Runner’, con un toque de ́Matrix ́, surgen el manga y serie de películas de animación ‘Ghost in the Shell’. El dilema de ‘Ghost in the Shell (2): Innocence’ versa sobre la identidad personal: si es replicable, si es imitable, si consiste en signos, ¿dónde está la esencia de la humanid…[Read more]
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José Angel GARCÍA LANDA deposited Encerrados en Shutter Island: Un delirio coherente in the group
Film Studies on Humanities Commons 4 years, 6 months agoSpanish abstract: Análisis de la estructura narrativa de ´Shutter Island´ (Martin Scorsese, 2010), una película en la que el espectador se introduce en el mundo ficticio de una isla prisión / institución total, sólo para descubrir más adelante que no se trata del mundo social efectivo del protagonista, sino del mundo de su visión alucinat…[Read more]
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Kathryn Anne Everly deposited Destabilizing Gender and Genre: Queering the Body in Libertarias and Land and Freedom in the group
Film Studies on Humanities Commons 4 years, 6 months agoLibertarias (1996) and Land and Freedom (1995) explore the complex situation
of women militia during the Spanish Civil War. A queer reading of the female
body in these films highlights wartime female masculinity (Halberstam) and
female solidarity. In renegotiating worn expectations of sexuality and gender,
the films question and ultimately…[Read more] - Load More