This essay explores Dante Alighieri’s notion of projectile motion in relation to spiritual fulfillment in the first canto of Paradiso. The notion of impetus, or projectile motion, stood at the confluence of Greek philosophical rationality (mediated by a substantial Arabic corpus) and Christian thought, and it provides a unique window through…[Read more]

This chapter examines the plight of Fra’ Alberigo in light of philosophical questions of personal identity and embodiment. I argue that Fra’ Alberigo’s individuality and his punishment in Tolomea provides insight into Dante’s unique interpretation of the complex relationship between body and spirit and the issue of material continuity in the…[Read more]

Review of Medieval Dublin XVII (Dublin: Four Courts, 2019) in Óenach Reviews, 11 (2021-22), pp 27-32
https://oenach.files.wordpress.com/2022/02/2021-hewer-pp.-27-32.pdf

This chapter details the efforts of the kindergarten educator, Elizabeth Harrison, to introduce Dante’s Divine Comedy to children in the midwestern United States during the late nineteenth century.

The Gulf Stream gained scientific prominence in the nineteenth century as a test case for theories about the dynamics of ocean currents and the equilibrium of transatlantic climate. Discourse about the current supplied descriptions, analogies, and myths that persist into the present. Triangulating oceanic, ecological, and transatlantic approaches…[Read more]

This article analyses the agency of merchant capital and taxation in processes of urbanisation. The case study is Ani, now abandoned and straddling the Turkish-Armenian border, in the long thirteenth century c.1200-1350. This global-historical conjuncture is defined by the height of the medieval Commercial Revolution and its central Eurasian…[Read more]

Melus, rendered “Meles” in Greek sources, first appears in 1009 when he and a relative named Dattus rebelled against the east Roman governor-general, the katepano, taking Bari, Ascoli and Troia, before being defeated by a new katepano in 1011 and fleeing to the prince of Salerno. This chapter looks at the evidence for identified Armenians in eas…[Read more]

Thijs Porck, “Gerontophobia in Early Medieval England: Anglo-Saxon Reflections on Old Age”, in Sense and Feeling in Daily Living in the Early Medieval English World, ed. Maren Clegg Hyer and Gale R. Owen-Crocker (Liverpool: Liverpool University Press, 2020), 219-235, 278-282, 287.

Thijs Porck, “Gerontophobia in Early Medieval England: Anglo-Saxon Reflections on Old Age”, in Sense and Feeling in Daily Living in the Early Medieval English World, ed. Maren Clegg Hyer and Gale R. Owen-Crocker (Liverpool: Liverpool University Press, 2020), 219-235, 278-282, 287.

Few studies in medieval and Renaissance cartography focus on race, in part owing to the genealogical issues discussed above, and in part owing to the racist origins and practices of the disciple of art history that normalizes seeing whiteness as both default norm an universal ideal. Johann Joachim Winckelmann, the founder who gave the discipline…[Read more]

Como homenaje a Fernando González Ollé se realizó esta presentación de notas y correcciones a la edición de FMM en Biblioteca Nueva, 1997, como un modo de ampliar el diálogo y abrirlo al conjunto de participantes en el homenaje, fueran autores o lectores.

El primer objetivo de esta edición es la reconstrucción crítica del texto, llevando hasta sus últimas consecuencias las hipótesis lingüísticas, porque un texto es, primero, la lengua en que fue escrito. Para esta reconstrucción crítica podremos recurrir a la ayuda del ordenador, pero lo que contará fundamentalmente serán los datos obtenidos…[Read more]

The object of this research is divided among phenomena observed in al-Andalús, in North Africa, with the peculiarity that data from America and its languages can help to clarify certain points and, finally, in Palestine. There is therefore a historical journey and a synchronous investigation. This has given rise to reflections that relate…[Read more]

Juan Carlos buscó decididamente un modelo común mediterráneo que permitiera explicar que muchas de las características de los llamados tradicionalmente “arte visigodo” o “arte mozárabe” eran independientes de la instauración de la dinastía Omeya en al-Andalús y, de manera mucho más profunda, cómo esa importancia e influencia que se concede al art…[Read more]

Edited Collection of essays on music in Buffy the Vampire Slayer, Angel, Firefly, and Dr. Horrible’s Sing-Along Blog