The essay discusses Maya Rao’s Walk and The Mothertongue Project’s Walk: South Africa to explore the languages of transnational and embodied feminist politics that these performances conjure. The two performances are instances of artistic responses to sexualized violence in India and South Africa as they engage with the politics of walking in the…[Read more]

I discuss the walking practice of Delhi-based artist Mallika Taneja in the context of its engagement with, and intervention in, the contemporary conversations on sexualised violence, gender, space and mobility in India. Taneja’s work is part of a variety of feminist activism to take place in India since the horrific gang rape of Jyoti Singh in D…[Read more]

The past inability to translate Etruscan texts has meant that the interpretation of Etrucan art has been mostly speculation. This interpretation has been made even more difficult because this was the time when new demon imagery (Cyclops, Skadi) not seen in the past was being introduced as Etruscan religious culture was changing from the magical…[Read more]

This paper explores the methodological and discursive transition in Aurel Voina’s theoretical conceptualisation of cosmetic science. The primary focus is the rewriting of personal and professional identity, assessing how Aurel Voina negotiated his conceptual and practical expertise from his role as eugenics ideologue and policy maker in the i…[Read more]

This paper re-examines the question of the presence of distinct sociolects in Classical Athenian tragedy (Aeschylus, Sophocles, Euripides). While the general idea is that all characters in tragedy spoke a similar language, without much distinction between sociolects that could have marked their socio-political status, some recent research has…[Read more]

Spanish abstract: La teoría y la práctica del complejo de Edipo, y otros episodios relativos a la vida de Freud y a su relación con la figura de la esfinge, suponen un curioso caso de enigma irónico o de profecía autocumplida, que por otra parte ya está anticipado en el mito clásico de Edipo o es invitado irresistiblemente por él. Un retropo…[Read more]