Publications

Monographs

The Corporation in the American Imagination, 1819-1905 (manuscript complete)

The Presence of the Past in the Novels of Toni Morrison. Heidelberg: Universitätsverlag

Winter, 2013.

Edited Volumes

Financial Times: Competing Temporalities in the Age of Financial Capitalism. Co-edited with Christian Kloeckner. Special Issue. Finance & Society. 4.1 (2018) http://financeandsociety.ed.ac.uk/issue/view/237

Violence and Open Spaces: The Subversion of Boundaries and the Transformation of the Western Genre. Co-edited with Christa Buschendorf and Katja Sarkowsky. Heidelberg: Universitätsverlag Winter, 2017.

Poetry Imagines the Law. Co-edited with Birte Christ. Amerikastudien/American Studies: A Quarterly. Special Issue. 62.2. Summer 2017.

Articles

“Corporate Personality and the TruYou in Dave Eggers’ The Circle.” Law and Culture: Methods, Concepts and Approaches. Sabine Meyer and Peter Schneck, eds. Berlin, Boston: De Gruyter. (accepted)

“Financial Times: Competing Temporalities in the Age of Financial Capitalism. An Introduction.” (co-authored with Christian Kloeckner). Financial Times: Competing Temporalities in the Age of Financial Capitalism. Co-edited with Christian Kloeckner. Special Issue. Finance & Society. Finance & Society. 4.1 (2018): 1-14. http://financeandsociety.ed.ac.uk/article/view/2735

“The derivative condition, an aesthetics of resolution, and the figure of the renegade: A conversation.” Interview with Gerald Nestler (with Christian Kloeckner). Financial Times: Competing Temporalities in the Age of Financial Capitalism. Co-edited with Christian Kloeckner. Special Issue. Finance & Society. 4.1 (2018): 126-143. http://financeandsociety.ed.ac.uk/article/view/2744

“Black Women’s Business: Female Entrepreneurship and Economic Agency in Toni Morrison’s God Help the Child.” Power Relations in Black Lives: Reading African American Literature and Culture with Bourdieu and Elias. Christa Buschendorf, ed. Bielefeld: Transcript, 2018. 145-165.

“Exceeding Determinacy in the Language of Personhood: Citizens United, Corporations, and the Poetry of Timothy Donnelly and Thomas Sayers Ellis.” Poetry Imagines the Law. Birte Christ und Stefanie Mueller, eds. Amerikastudien/American Studies: A Quarterly. Special Issue. 62.2. Summer 2017. 301-322.

“National and Economic Incorporation in HBO’s Deadwood.” Christa Buschendorf, Stefanie Mueller and Katja Sarkowsky, eds. Violence and Open Spaces: The Subversion of Boundaries and the Transformation of the Western Genre. Heidelberg: Universitätsverlag Winter, 2017. 167-186.

“Violence and Space in the Post-Western.” (Introduction, co-authored) Christa Buschendorf, Stefanie Mueller and Katja Sarkowsky, eds. Violence and Open Spaces: The Subversion of Boundaries and the Transformation of the Western Genre. Heidelberg: Universitätsverlag Winter, 2017. 7-30.

“Towards a Legal Poetics.” (Introduction, co-authored) Poetry Imagines the Law. Birte Christ und Stefanie Mueller, eds. Amerikastudien/American Studies: A Quarterly. Special Issue. 62.2. Summer 2017. 149-168.

“State, Law, and Violence in Charles Chesnutt’s The Marrow of Tradition.” Southern Studies: An Interdisciplinary Journal of the South, 24.1 (2017): 51-75.

“House of Lies and the Management of Emotions.” Sieglinde Lemke and Wibke Schniedermann, eds. Class Divisions in Serial Television. London: Palgrave Macmillan, 2016. 143-158.

“’A man is whatever room he’s in’ – Identity, Home, and Nostalgia in AMC’s Mad Men.” Caroline Rosenthal, Stefanie Schäfer, eds. Fake Identity? The Impostor Narrative in North American Culture. Campus Verlag, 2014. 192-209.

“’Standing Up To Words’ – Writing and Resistance in Toni Morrison’s A Mercy.” Black Studies Papers (May 2014): n.p.

“Corporate Power and the Public Good in Sloan Wilson’s The Man in the Gray Flannel Suit.” COPAS Vol. 14, 2013: n.p.

“The State Nobility? The Power of the Academic Elite in Donna Tartt’s The Secret History.” Laurenz Volkmann, ed. Education and the USA. Heidelberg: Universitätsverlag Winter, 2011.133-141.

“Book Review: Stephanie Li, Playing in the Dark.” ZAA – Zeitschrift für Anglistik und Amerikanistik 65.2 (2017): n.p.

“Book review: Anne Mihan, Undoing Difference?” ANGLIA 132/4 (2014): n.p.