This chapter argues that cultural appropriation can be an exploitative act but need not be; it all depends on what users do with Shakespeare. Due to the unequal status of the parties engaged in appropriative exchange, some appropriations deploy Shakespeare to protect conventional power structures. Appropriations are rarely negotiated on a level…[Read more]

How do we know if animals can think? In extension of the previous debate on human-animal relations, this book analyzes the conditions and contexts of the scientific acquisition of our knowledge of animals. The current discussions within animal philosophy revolve around the three central questions of whether we can attribute a mind to animals, what…[Read more]

In current debates about the relationships between humans and nonhuman animals, knowledge about animals is often adopted from the sciences. However, this largely ignores the fact that relationships of this kind also exist in empirical animal research and that these constellations between researchers and the researched have both ethical and…[Read more]

Collaborative learning as a pedagogical method effectively reflects the communal character of the performing arts. By creating knowledge about Shakespearean performance collaboratively, students and educators lay claim to the ethics and ownership of that knowledge, an act that is particularly urgent and meaningful in the age of COVID-19 when we…[Read more]

Animal welfare and animal rights issues have reached the curricula, agendas and priorities of a wide range of educational institutions and initiatives. Their actors are faced with the challenge of not only explaining the relevance of animal ethics and animal rights, but also conceptualising how to teach them: How can animal protection and animal…[Read more]

On the example of “The Walking Dead”, we demonstrate in how far the reception of pop culture narratives can serve not merely trivial entertainment, but epistemological interest as well. For this purpose, we introduce the term pop cultural secondary worlds and formulate the thesis that these can be used analogously to thought experiments. The…[Read more]

Literary translations work with, rather than out of, the space between languages. Translations evolve not only across linguistic and cultural borders but also across time. It is notable that Shakespeare’s own play texts feature translational properties that can be amplified in translation. This translingual property makes Shakespeare’s text inh…[Read more]

कोरोना की आड़ में जो कुछ हुआ है, उस पर नजर रखना आवश्यक है। ऐसी अनेक छोटी-छोटी घटनाएं हैं, जिनकी ओर प्राय: हमारी नजर नहीं जाती। वैश्विक स्वास्थ्य बाजार के किंग पिन माने जाने बिल गेट्स इनमें से अधिकांश घटनाओं से आपको जुड़े हुए दिखाई देते हैं। ऐसा ही एक मामला वीडियो कॉलिंग की सर्विस देने वाले ‘जूम’ से संबंधित था।

वस्तुत: यह सब सिर्फ व्यापा…[Read more]

The idea of the North in Western society has a long and distinguished history. Indeed, the only ‘purely ethnographic treatise that survives from antiquity’ is Tacitus’s Germania, his description of the Germanic peoples (Mellor 1993: 14). Tacitus produced his short treatise as a way of forcing Romans to confront the luxurious decadence that he fe…[Read more]

The metatheatricality of A Midsummer Night’s Dream has invited recent directors to tell particular kinds of socially progressive stories. This article uses the notion of “social reparation” to theorize remedial uses of Shakespeare in adaptations that give artists and audiences more moral agency. By imagining more inclusive local habitations and s…[Read more]