Wissenschaftler und Denker haben sich widerstandslos für die Durchsetzung der herrschenden Corona-Agenda einspannen lassen.

Der durch das Coronavirus veranlasste Lockdown hat nicht nur unsere körperliche Freiheit ausgehöhlt, sondern auch unsere geistige Freiheit untergraben. In vielen Ländern wurde für das Denken Käfighaltung angeordnet. Offen…[Read more]

Although he obtained a medical degree at the University of Caen in 1618, Isaac Beeckman never practised medicine. Instead, he developed an atomistic conception of Galenic physiology by discussing, throughout his notebook, the constituents and functioning of the living body. Interestingly, Beeckman applied his atomistic interpretation to the notion…[Read more]

Although he obtained a medical degree at the University of Caen in 1618, Isaac Beeckman never practised medicine. Instead, he developed an atomistic conception of Galenic physiology by discussing, throughout his notebook, the constituents and functioning of the living body. Interestingly, Beeckman applied his atomistic interpretation to the notion…[Read more]

The rise of global Shakespeare as an industry and cultural practice—the incorporation of Shakespearean performance in cultural diplomacy and in the cultural marketplace—is aided by digital tools of dissemination and digital forms of artistic expression. Shakespeare has evolved from a cultural nomad in the past centuries—a body of works with no pe…[Read more]

Lynn Margulis’s writing about symbiosis has profoundly influenced contemporary evolutionary theory, as well as continental and analytic philosophy of science, the materialist turn, and new materialism. Nonetheless, her work, and all symbiosis or evolution, is founded on a paradox: symbiosis fictionalizes customary accounts of the origin and e…[Read more]

The screen as an interface immerses audiences in an alternate universe. As a result, that interface seems transparent. Through analyses of performances that call attention to filmic genres, such as Edgar Wright’s parody film, Hot Fuzz (2007), and the Wooster Group’s multimedia production, Hamlet (2007), as well as (meta)theatrical operations on…[Read more]