Published in Amsterdamer Beiträge zur älteren Germanistik 76 (2016), 435–438.

Published in English Studies 96 (2015), 225–226.

Published in English Studies 94 (2013), 733–734.

Published in English Studies 92 (2011), 100–102.

Published in English Studies 92 (2011), 693–694.

Published in English Studies 94 (2013), 235–237

A pesar que puga semblar una mica pueril, crec que he de començar aquest treball amb una asseveració rotunda: el Cancionero general no es va editar a València per casualitat. Les edicions de 1511 i 1514 no van ser solament el resultat del moltes vegades problemàtic pelegrinatge vital dels erudits literaris de l’època que, com Hernando del Castil…[Read more]

El 22 de desembre de 1509, l‘erudit castellà Hernando del Castillo, el mercader genovés Lorenzo Ganoto i l’impressor Cristóbal Cofman firmaven a la ciutat de València, davant el notari Joan Casanova, el contracte de la primera edició del Cancionero general, que va veure la llum finalment l’any 1511. En esència, la distribució del treball era…[Read more]

El presente trabajo presenta un panorama de síntesis biográfica con respecto a los poetas valencianos presentes en el Cancionero general de Hernando del Castillo. Asimismo, los poemas que contienen temas típicos de Valencia también son analizados, con el objetivo de estimular un mayor conocimiento de los hombres y la ciudad en cuyo entorno cul…[Read more]

Semesterprogramm, Literaturliste und Liste der Übersetzungen zum ÄdL-Proseminar ‘Neidhart-Lieder’ aus dem Sommersemestern 2022 (RWTH Aachen)

This article analyses orthographic variation in the Linear B tablets from the Mycenaean palace of Pylos. Despite the general consistency in spelling found in Linear B texts from all sites, variation was in certain cases both permissible and entirely normal, even within the work of a single writer. Examining the patterns of orthographic variation…[Read more]

This study presents a reconstruction of the performance of the melancholic character in Golden Age theater. It argues that critics have overlooked the way this character type was acted on the original stage. Using Lope’s El Príncipe melancólico [The Melancholic Prince] as a case-study to speculate on the actor’s paralinguistic gestures and movem…[Read more]

The CNTC’s 2017 production of La dama duende presented the transition between the two main characters’ rooms in the third jornada using two illuminated windows at the rear wall of the stage. The comparison between this rendition and other modern productions reveals two problems in adaptation: the fidelity with the original and the und…[Read more]

This paleographic comparison serves to support my argument in the following publication:

Van Rooy, Raf. Accepted. “Ippolita Maria Sforza, student and patroness of Greek in Milan (ca. 1465).” Renaissance Quarterly.

The text on Nestor’s Cup (750-700 BCE) is not Greek as many claim but is actually Alphabetic Akkadian. Its three-line text is a debate about the cause of a drought. The first line blames the life network goddess Ayu and her eagle vultures while the second line blames emotion magic with its owls (like the Athenian owl). Alphabetic Akkadian was t…[Read more]

The chapter discusses recently developed computational techniques providing concrete help in addressing various tasks in historical language comparison, focusing specifically on those tasks which are typically subsumed under the framework of the comparative method. These include the proof of relationship, cognate and correspondence detection,…[Read more]

The horror of the situation at the center of the story of Abraham’s near-sacrifice of Isaac in Genesis has historically prompted a myriad of attempts to reconcile the apparently sadistic demands of God with normal human sensibilities. The tension–both in the story itself and in critical reactions to the story–is inherently dramatic, but the…[Read more]

GB Folengo Commentry on Psalm 51, translated into English with brief annotations

Heroes and Demons entered the northern Mediterranean culture between 600 and 500 BCE when the culture was transforming from the magical Ancient Pagan Paradigm to a lordified Paradigm which forced deity personification making them lords in a royal pantheon instead of powers. This caused an explosion in the number of deities and other divine realm…[Read more]