Current debates about Afropolitan literature alternately value it for challenging western stereotypes about Africa and critique it for embracing western capitalism. Chimamanda Ngozi Adichie’s Americanah (2013) complicates these debates by articulating a Nigerian dream that, while imbued with the class mobility of its American counterpart, d…[Read more]

The first section of David Mitchell’s genre-bending novel, Cloud Atlas (2004), purports to be set in 1850. Narrative clues approximately date the intra-diegetic diary object of this chapter to the period 1851–1910. This article argues for the construction of a stylistic historical imaginary of this period’s language that is not based on mimet…[Read more]

The first section of David Mitchell’s genre-bending novel, Cloud Atlas (2004), purports to be set in 1850. Narrative clues approximately date the intra-diegetic diary object of this chapter to the period 1851–1910. This article argues for the construction of a stylistic historical imaginary of this period’s language that is not based on mimet…[Read more]

Nicholas of Cusa’s _De visione Dei sive de Icona_ (1453), in addition to its contribution to the question of the vision of God, engages with numerous debates concerning visibility in general, and thus addresses the dimensions of phenomenality–namely, questions concerning the icon as a type of phenomenon, the reversal of vision into a…[Read more]

Nicholas of Cusa’s _De visione Dei sive de Icona_ (1453), in addition to its contribution to the question of the vision of God, engages with numerous debates concerning visibility in general, and thus addresses the dimensions of phenomenality–namely, questions concerning the icon as a type of phenomenon, the reversal of vision into a…[Read more]

The article examines the Romanian and American reception of Cristian Mungiu’s 4 weeks, 3 months, 2 weeks (2007), arguing that the film’s representational minimalism indirectly caused an excess of interpretation across cultural contexts. This overinterpretation was possible because the film’s aesthetic minimalism encouraged viewers to decode the s…[Read more]

This article compares the 1950s and 1960s short story writing of two influential yet underexamined women writers, Mannu Bhandari (1931–) and R. Chudamani (1931–2010), who are considered key representatives of the Hindi and Tamil literary canons, respectively. Mani demonstrates that from within their specific geographic and historical contexts, Bha…[Read more]

Call for Papers for Peer-Reviewed Edited Volume

Re-Membering Hospitality in the Mediterranean:
Essays in Anglophone Literature, Arts, and Culture

Co-edited by yasser elhariry, Isabelle Keller-Privat & Edwige Tamalet Talbayev

Call for Papers for Peer-Reviewed Edited Volume

Re-Membering Hospitality in the Mediterranean:
Essays in Anglophone Literature, Arts, and Culture

Co-edited by yasser elhariry, Isabelle Keller-Privat & Edwige Tamalet Talbayev

CFP for a special issue of the European Journal of Humour Research

This syllabus is my fifth version of a course aimed at introducing the digital humanities at an undergraduate level. In consultation with my colleagues, I decided that this year’s version should also include a unit that looked at digital objects with a humanities perspective. The course is organized around four projects, each of which is oriented…[Read more]

Seminar paper for ‘Translating the Nonhuman’, organised by Liam Lewis (University of Warwick) and Haylie Swenson (The George Washington University)

Seminar Abstract — This seminar invites participants to consider the connections created by translations of the nonhuman into human languages. To what extent is language the domain of the human,…[Read more]

This is the first version of a larger project that I’ve been working on in my spare time to create a dataset of the guests, songs, books, and luxuries on the long-running BBC radio program Desert Island Discs (https://www.bbc.co.uk/programmes/b006qnmr, https://en.wikipedia.org/wiki/Desert_Island_Discs). Originally, I began with data gathered by…[Read more]

This article positions agency as a necessarily lacunal aspect of Tayeb Salih’s Season of Migration to the North. By allowing the theatricality of doubling and metaphor to overdetermine Mustafa’s narrative, the novel implicitly challenges both the substitution of symbol for material experience and the rational logic of causation. The disruptive pot…[Read more]

An overview of proposed categories for the growing graphic medicine genre of cancer comics (i.e. cancer narratives in comic book form) and an initial theory on the significant linkage between this illness and particular medium.

Durrell subverts the colonial mindset that allows him to define and delineate a foreign landscape for foreign readers, while nonetheless engaging in an attempt at reconciliation—a pilgrimage—between his various adopted ‘homes.’ Focusing on “Oil for the Saint,” I argue that a close examination of the physical landscape of Corfu shows that Durrel…[Read more]