El 1938, en plena guerra civil, la musicòloga, compositora i traductora Palmira Jaquetti Isant va publicar el que seria el seu únic llibre de poemes, “L’estel dins la llar”. Pau Casals i Baltasar Samper varen posar música a quatre d’aquests poemes; en el cas de Samper, ho va fer en un cicle inacabat de cançons per a veu i conjunt instrumental tit…[Read more]

Jean de la Taille’s “Saül le furieux” (1562) has been described as “the most dramatic play produced by the French Renaissance,” and the author’s preface to the play in the printed edition of 1572, “De l’Art de la Tragedie,” as “certainly the best theoretical essay on the theatre written in France before the classical period.” These estimates by…[Read more]

chapter in The Routledge Handbook of Translation & Activism

Introduction to The Routledge Handbook of Translation and Activism

Introduction to The Routledge Handbook of Translation and Activism

Introduction to The Routledge Handbook of Translation and Activism

This co-authored essay reflects on the process of co-translation as a form of co-authorship, drawing on examples taken from Persian poetry and the history of Russian-English literary translation.

This co-authored essay reflects on the process of co-translation as a form of co-authorship, drawing on examples taken from Persian poetry and the history of Russian-English literary translation.

As the Pāṇḍava brothers move through the forest in the third book of the Mahābhārata, they hear stories of fantastic transformations and journeys: a band of gods all masked as the same prince, dice that become thieving birds, a sage turned into a hunted deer, a woman who traverses Yama’s realm. These tales recast and elucidate the condit…[Read more]

As the Pāṇḍava brothers move through the forest in the third book of the Mahābhārata, they hear stories of fantastic transformations and journeys: a band of gods all masked as the same prince, dice that become thieving birds, a sage turned into a hunted deer, a woman who traverses Yama’s realm. These tales recast and elucidate the condit…[Read more]

The hermit-poet of modern Persian literature, Bijan Elahi (1945-2010) was a modernist poet, a prolific translator of Eliot, Rimbaud, Michaux, Hölderlin, and the founder of Other Poetry, the leading avant-garde movement within Persian modernism. Elahi passed the last three decades of his life in seclusion in his house in Tehran. He stopped…[Read more]

The hermit-poet of modern Persian literature, Bijan Elahi (1945-2010) was a modernist poet, a prolific translator of Eliot, Rimbaud, Michaux, Hölderlin, and the founder of Other Poetry, the leading avant-garde movement within Persian modernism. Elahi passed the last three decades of his life in seclusion in his house in Tehran. He stopped…[Read more]

In preindustrial societies, singing and working was – and still is – conceived as part of the same activity, of the same life experience. However, the great social transformation that will imply the industrialization of much of the Catalan Countries at the end of the 19th century, and the progressive impetus of the capitalist production system,…[Read more]

This is the Vol – 2, SPECIAL ISSUE 4: VOL – 2, MARCH 2020 issue.

This is the Vol – 2, SPECIAL ISSUE 4: VOL – 1, MARCH 2020 issue.

In this interview with Full Stop magazine editor Michael Schapira, I introduce my Full Stop fellowship project on translation & activism.

In this interview with Full Stop magazine editor Michael Schapira, I introduce my Full Stop fellowship project on translation & activism.

In this interview with Full Stop magazine editor Michael Schapira, I introduce my Full Stop fellowship project on translation & activism.