In this introduction to the digital humanities (DH), we will approach the field via a Caribbean Studies lens, exploring how an understanding of the digital based in the growing area of digital Caribbean studies might shape the larger field of DH.

The course aims to provide a landscape view of DH, paying attention to how its various approaches…[Read more]

This essay analyzes contemporary politics of truth across overlapping contexts: the predicament of whistleblowers, the proliferation of digital disinformation, the extractive imperatives of data economies, and the impossibility of exposing the truth when exposé becomes itself a game. The essay reads the recent cultural and political interest in…[Read more]

From the volume’s introduction: “Il primo capitolo di Charles L. Leavitt IV introduce la sezione ricostruendo il contesto culturale del ‘neo-umanesimo’ esistenzialista che si diffuse nell’immediato dopoguerra e che influì profondamente sul modo di raccontare e comprendere lo sterminio nazista. Vedendo in Elio Vittorini un autore che si inserì nel…[Read more]

Prendendo spunto dal sonetto 94 delle Rime di Gaspara Stampa, il mio saggio si propone di analizzare l’atteggiamento di sottomissione nei confronti dell’amato da parte della poetessa, contrastandolo con i momenti in cui Stampa ricatta l’amato, minacciando di offuscarne la gloria grazie al proprio ruolo di autrice. A partire da queste dichi…[Read more]

Composed during the most difficult years of Ludovico Ariosto’s relationship with the Este court, the Satire are known for presenting a picture of their author as a simple, quiet-loving man, and also as a man who can speak only the truth. However, the self-portrait offered by the Satire of the author as a man incapable of lying stands in direct c…[Read more]

The Oulipo has claimed that foreign member, Italo Calvino, was a key proponent of the clinamen, a purposeful deviation from the strict constraints in which the group specializes. However, upon closer inspection, Calvino’s Oulipian production during his Paris period does not seem to advance a formalized definition of this tool of constrained w…[Read more]

This article reconsiders the post-war reaction against Benedetto Croce, focusing on the critical reappraisal of Crocean historicism that followed the defeat of Italian Fascism. Motivated by a growing sense of historical uncertainty, Italians increasingly dissented from Croce, but they remained more wedded to Crocean thought – and in particular t…[Read more]

Largely ignored by scholarship and increasingly occluded in historical memory, Tombolo was once so central to Italian culture and politics that even allusive references to the term could conjure the doubt, anxiety, and indignation of a society working to recover after the war. A pine grove located between Pisa and Livorno, Tombolo housed a large…[Read more]

In composing The Woman of Rome (La Romana, 1948), I argue in this chapter, Moravia was attempting to redress the twinned traumas of national history and personal memory. The novel’s protagonist, a Roman prostitute, serves as the symbolic incarnation of-as well as the developing resistance to-bourgeois corruption and Fascist coercion. An intricate…[Read more]

Among the most iconic images in world cinema, the final shot of Rossellini’s Rome Open City has inspired an effusion of critical commentary but little critical consensus, instead giving rise to opposing interpretations. I argue that the shot, in which the camera pans to follow a band of children as they march on a hillside overlooking the city of…[Read more]

This essay examines the cultural practices and prejudices that shaped the Italian reception of German Neue Sachlichkeit in the 1920s and explores their role in the development of Italian Neorealism in the 1940s. I argue that, precisely because Italian critics approached the German critical category – and indeed all critical categorisation – wit…[Read more]

The search for a methodology for reading world literature largely entails the development of new critical paradigms, but it has also occasioned a re-examination and rehabilitation of world literature’s historical formulations. This essay reclaims a forgotten milestone, the 1946 essay “La ‘letteratura mondiale'” by the eminent Italian philologist…[Read more]

Scholarship has for decades emphasized the significant continuities in Italian culture and society after Fascism, calling into question the rhetoric of post-war renewal. This article proposes a reassessment of that rhetoric through the analysis of five key metaphors with which Italian intellectuals represented national recovery after 1945:…[Read more]

In the aftermath of the Second World War, Italian intellectuals participated in Italy’s reconstruction
with an ideological commitment inspired by the African-American struggle for equal rights in the
United States. Drawing on the work of many of the leading figures in postwar Italian culture,
including Italo Calvino, Giorgio Caproni, Cesare P…[Read more]

In this essay, I argue that the post-war critical re-interpretation of Boccaccio’s oeuvre was central to the theory and practice of Italian Neorealism. What is more, I maintain that Neorealism significantly influenced Boccaccio studies, shaping critical approaches to Boccaccio for decades after 1945. Reading scholarly and critical studies of…[Read more]

Primo Levi, ‘La treva’

Review of Primo Levi, ‘Si això és un home’