A literary and historical introduction to the printed and manuscript materials composing the Great Peace (Taiping 太平) textual corpus, with a critical assessment of several modern Chinese editions thereof, followed by a revised review of THE SCRIPTURE ON GREAT PEACE: THE TAIPING JING AND THE BEGINNINGS OF DAOISM, translated by Barbara Hen…[Read more]

Review of “L’itinéraire de Marco Polo dans sa traversée de la Chine”, by Philippe Ménard (MEDIOEVO ROMANZO, vol. 26 [3rd Series, vol. 7], fasc. 3 [2002]: 321–360).

Historiography, morphological analysis, textual study and full translation into French of Chinese manuscript Stein no. 4226 from Dunhuang in the British Library (Or.8210/S.4226/R.1).

A state-of-the-art study of popular movements and religiosity in Late Antiquity China (1st–2nd cent. CE), focused on issues of theology, practice, sources and terminology, and including a critical assessment of received scholarship.

Review of MAKING TRANSCENDENTS: ASCETICS AND SOCIAL MEMORY IN EARLY MEDIEVAL CHINA. By Robert Ford Campany. Honolulu: University of Hawai‘i Press, 2009. Pp. xviii + 300.

Review of THE CHENWEI RIDDLE: TIME, STARS, AND HEROES IN THE APOCRYPHA. By Licia Di Giacinto. (Deutsche Ostasienstudien, vol. 13). Gossenberg: Ostasien Verlag, 2013. Pp. xi + 332. 25 Figures, 40 Tables, 4 Appendices, List of Illustrations, Bibliography.

Review of AFFILIATION AND TRANSMISSION IN DAOISM: A BERLIN SYMPOSIUM. Edited by Florian C. Reiter. (Abhandlungen für die Kunde des Morgenlandes, vol. 78). Wiesbaden: Harrassowitz Verlag, 2012. Pp. viii + 300 pages.

Review of THE EMERGENCE OF DAOISM: CREATION OF TRADITION. By Gil Raz. (Routledge Studies in Taoism). Abingdon, New York: Routledge, 2012. Pp. 292.

Review of CELESTIAL MASTERS: HISTORY AND RITUAL IN EARLY DAOIST COMMUNITIES. By Terry F. Kleeman. (Harvard-Yenching Institute Monograph Series, 102). Cambridge, MA: Harvard University Asia Center, 2016. Pp. xiii + 425. Maps, illustrations.

A review of THE NORTON ANTHOLOGY OF WORLD RELIGIONS: DAOISM. Edited by James Robson. New York: W. W. Norton & Company, 2015. Pp. xxxii + 754 + A29. Map, illustrations.

In ancient China, portentology was a “science” in its own right, a specialised field of knowledge developed by rational individuals who endeavoured to fathom the concealed mechanisms at work beneath the spectacles of history and the world at large. This paper focuses on the nomenclature of portents (observed phenomena interpreted as auspicious or…[Read more]

Official Chinese historiography is a treasure trove of information on local resistance to the centralised empire in early medieval China (third to sixth century). Sinologists specialised in the study of Chinese religions commonly reconstruct the religious history of the era by interpreting some of these data. In the process, however, the primary…[Read more]

By way of the autobiographical writings of Bruno Schulz and the “resurrection” paintings of Stanley Spencer, this talk sketches out some of the ways in which literature and the fine arts situate themselves within the division, or series of breaks, that Michel de Certeau argued Western historiography inscribes between past and present, between the…[Read more]

By way of the autobiographical writings of Bruno Schulz and the “resurrection” paintings of Stanley Spencer, this talk sketches out some of the ways in which literature and the fine arts situate themselves within the division, or series of breaks, that Michel de Certeau argued Western historiography inscribes between past and present, between the…[Read more]

By way of the autobiographical writings of Bruno Schulz and the “resurrection” paintings of Stanley Spencer, this talk sketches out some of the ways in which literature and the fine arts situate themselves within the division, or series of breaks, that Michel de Certeau argued Western historiography inscribes between past and present, between the…[Read more]

Although the ultimate theme of “The Seven Sleepers” can be located in its medieval Christian doctrine—the bodily resurrection is real, and therefore it is in the afterworld where one finally, really “lives,” with shining body and soul together—I would like to argue that, in the Old English version’s emphasis on the highly individualized emotion…[Read more]

Through an analysis of Tony Kushner’s 2001 play “Homebody/Kabul” and the Old English “Ruin” poem, this essay explores the tension, anxiety, and isolation inherent in the aesthetic and philosophical enterprises of measuring the distance that separates myth from real being (a project that takes place, I would argue, against Levinas, not just o…[Read more]

This essay ruminates the ethics of a co-implicated, bounded dependence between objects (human and otherwise) that are always in some sense withdrawing from each other but also always together in a some-place labeled “here”: the world (where no Absolute or Outside vantage point is possible or habitable). This essay also considers the possibility,…[Read more]

Through a comparative analysis of Chaucer’s “The Clerk’s Tale” and Lars von Trier’s film “Breaking the Waves,” this essay wonders what happens when two texts and one reader happen to each other and open up a singular adventure that is also a moment of ‘futurition’ that opens up new horizons of meaning, both human and inhuman. How can we reckon the…[Read more]

Through a comparative analysis of Chaucer’s “The Clerk’s Tale” and Lars von Trier’s film “Breaking the Waves,” this essay wonders what happens when two texts and one reader happen to each other and open up a singular adventure that is also a moment of ‘futurition’ that opens up new horizons of meaning, both human and inhuman. How can we reckon the…[Read more]