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Stefan Münnich deposited Alleviating the Last Mile of Encoding: The mei-friend Package for the Atom Text Editor in the group
Music Encoding Initiative on Humanities Commons 3 years, 8 months agoMEC 2021 BEST PAPER AWARD. Though MEI is widely used in music informatics and digital musicology research, the relative lack of authoring software and the specialised nature of its community have limited the availability of high-quality MEI encodings. Translating to MEI from other encoding formats, or generating MEI via optical music recognition…[Read more]
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Stefan Münnich deposited Encoded Spanish Music Heritage through Verovio: The Online Platforms Fondo de Música Tradicional IMF–CSIC and Books of Hispanic Polyphony IMF–CSIC in the group
Music Encoding Initiative on Humanities Commons 3 years, 8 months agoThis paper presents the recent implementation of encoded music notation in two open access platforms of the Spanish National Research Council (CSIC) devoted to traditional music and polyphony, respectively: Fondo de Música Tradicional IMF-CSIC (FMT)1 and Books of Hispanic Polyphony IMF-CSIC (BHP)2. Even though, at first, both repertories seem…[Read more]
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Stefan Münnich deposited Encoding Polyphony from Medieval Manuscripts Notated in Mensural Notation in the group
Music Encoding Initiative on Humanities Commons 3 years, 8 months agoThis panel submission for the 2021 Music Encoding Conference brings together five short papers that focus on the making of computer-readable encodings of polyphony in the notational style – mensural notation – in which it was originally copied. Mensural notation was used in the medieval West to encode polyphony from the late thirteenth to six…[Read more]
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Stefan Münnich deposited Automatic for the People: Archives and the Future in the group
Music Encoding Initiative on Humanities Commons 3 years, 8 months agoDrawing on collaborative research at The National Archives, including through the UK Arts and Humanities Research Council’s programme Towards a National Collection, this talk explores computational archival science, artificial intelligence, citizen involvement, and post-custodial approaches to challenge doom-laden technological determinism, and h…[Read more]
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Stefan Münnich deposited The Musicology Lab: Teamwork and the Musicological Toolbox in the group
Music Encoding Initiative on Humanities Commons 3 years, 8 months agoMusicology is a small discipline within the wide spectrum of human knowledge, yet it is already divided into various branches […]. Although they share their object of investigation – “the art of music as a physical, psychological, aesthetic, and cultural phenomenon” –, these branches very often ignore one another. Research in musicology is mostly…[Read more]
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Stefan Münnich deposited Foreword in the group
Music Encoding Initiative on Humanities Commons 3 years, 8 months agoForeword of the Music Encoding Conference Proceedings 2021.
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Stefan Münnich deposited Music Encoding Conference Proceedings 2021. 19–22 July, 2021 University of Alicante (Spain): Onsite & Online. Edited by Stefan Münnich and David Rizo in the group
Music Encoding Initiative on Humanities Commons 3 years, 8 months agoConference proceedings of the Music Encoding Conference 2021 with Foreword by Stefan Münnich and David Rizo.
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Stefan Münnich deposited Encoding Scores for Electronic Music on Humanities Commons 3 years, 8 months ago
A perspective on the specific issues of music encoding dealing with Electronic Music is presented. In many cases the works to be discussed exist in a fixed media format and hence no prescriptive score is necessary to facilitate a ‘valid’ performance. While there are a number of descriptive scores for pieces of Electronic Music, these are to be tre…[Read more]
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Stefan Münnich deposited Annotation of Medieval Music Facsimiles Using ‘Good Enough’ OMR on Humanities Commons 3 years, 8 months ago
The Clausula Archive of the Notre Dame Repertory (CANDR) is an in-progress PhD project with the aim of cataloguing, transcribing and analysing digital facsimiles of the thirteenth-century repertory commonly termed Notre Dame polyphony, and a secondary aim of providing new datasets and analytical tools for studying medieval polyphony. This poster…[Read more]
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Stefan Münnich deposited Font Design of Psaltic (Byzantine) Notation for Greek Musical Repertoires on Humanities Commons 3 years, 8 months ago
The possibility of rendering scores of Greek Chant repertoires from the 3rd to the 21st century A.D. with the use of the computer opens new horizons in musicological research. In this poster a synoptic overview concerning the historical development of notational types used for Greek chants is given. This is followed by a record of various fonts…[Read more]
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Stefan Münnich deposited ODD Structures and Where to Find Them on Humanities Commons 3 years, 8 months ago
In the past twenty years, the technical setup of the Music Encoding Initiative (MEI) data framework has been adjusted several times. Each of those transitions was motivated by the wish to improve the ways in which MEI could be integrated with other formats, to simplify the maintenance of MEI, and to encourage more people to actively contribute to…[Read more]
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Stefan Münnich deposited Diagrammatic Analysis of J.S. Bach’s The Well-Tempered Clavier Fugues, BWV 846–851 on Humanities Commons 3 years, 8 months ago
The field of musicology is constantly being enriched with digital, searchable music data. This trend opens new research possibilities; conversely, it requires new abilities to work with numerous data sets efficiently. Digital tools facilitate searching large music corpora and serve music analysis well. Nevertheless, there is still a potential to…[Read more]
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Stefan Münnich deposited Visualizing Harmony Using Chordal Glyphs and Color Mapping on Humanities Commons 3 years, 8 months ago
Musical scores are frequently annotated with harmonic information, but widely used text-based methods rely on a limited number of visual channels. Though glyph-based methods exploit more channels, existing systems often violate perceptual design principles when employing color and rarely capture the frequency of chordal changes or their harmonic…[Read more]
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Stefan Münnich deposited Towards a Unified Model of Chords in Western Harmony on Humanities Commons 3 years, 8 months ago
Chord-based harmony is an important aspect of many types of Western music, across genres, regions, and historical eras. However, the consistent representation and comparison of harmony across a wide range of styles (e.g., classical music, Jazz, Rock, or Pop) is a challenging task. Moreover, even within a single musical style, multiple theories of…[Read more]
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NFDI4Culture is the consortium for research data on material and immaterial cultural heritage and offers a user-centered and research-led infrastructure. By focusing on the digital capture as well as data-based research of cultural assets, NFDI4Culture brings together different disciplines in their research interests but also in terms of their…[Read more]
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BEST POSTER AWARD.
The OpenScore Lieder Corpus is a collection of over 1,200 nineteenth century songs encoded by a dedicated team of mostly volunteers over several years. Having reported on the initial phase, motivations, design, and community-oriented aspects of the project before, we present here the first, stable, large-scale release of this…[Read more] -
Stefan Münnich deposited The PROFMUS Application: Development, Status, and Future Progress on Humanities Commons 3 years, 8 months ago
PROFMUS is a collaborative project that aims to carry out the research and consolidation of information to support further research about the Portuguese musicians active in the period from 1750 to 1986. The information to be collected must include as many relevant attributes as possible, especially about their academic background, professional…[Read more]
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Stefan Münnich deposited Beethoven in the House: Digital Studies of Domestic Music Arrangements on Humanities Commons 3 years, 8 months ago
Performance of music in the home was the means by which most works were received before the advent of audio recordings and broadcasts, yet the notation sources that form our primary record of this culture have not been the subject of comprehensive or methodical study. Choices made by arrangers adapting music for domestic consumption – of i…[Read more]
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Stefan Münnich deposited United, Linked, Connected – A Data Model for the Inventory of the Former Detmold Court Theatre (1825–1875), or: How Library Inventory History Can also Be Told on Humanities Commons 3 years, 8 months ago
Library forms of cataloging may differ greatly from the cataloging requirements of musicological research projects: They are often not detailed enough and do not take a close enough look at aspects of content relevant to research, such as handwritten entries in materials, etc. Library catalog entries of individual documents stand on their own for…[Read more]
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Metadata are a very broad and extremely differentiated subject and ranges from rudimentary catalog data to deeply indexed scientific catalogs (e.g., catalogs of works). In this paper, the concept of metadata in the context of MEI is first examined, before two examples are used to show that metadata are more than just rudimentary descriptions.…[Read more]
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