Hand-drawn illustration of a ‘Iudaea Capta’ coin, after LIMC ‘IUDAEA’ 14 (and BMCRE 117)

This report presents preliminary results of experimental archaeological investigations on the reproduction of the Roman porridge puls. The archaeological experiment “LNF2012” was performed under laboratory conditions as part of the “Lange Nacht der Forschung” 2012 on April 27, at the Department of Classical Archaeology of the University of Vie…[Read more]

This is a combined museum catalogue entry discussing coins from ancient Egypt.

The development of the use of computers and software in art from the Fifties to the present is explained. As general aspects of the history of computer art an interface model and three dominant modes to use computational processes (generative, modular, hypertextual) are presented. The “History of Computer Art” features examples of early…[Read more]

The core of the Conceptual artists (Mel Bochner, Sol LeWitt; the Siegelaub group with Robert Barry, Douglas Huebler, Joseph Kosuth, Lawrence Weiner; English and American members of Art & Language) is situated in the art context of the late sixties and the first half of the seventies. The self-positioning of the Conceptual artists within the art…[Read more]

The outline of the development of Performance Art features happenings in New York and Vienna in the sixties as well as body art and performances with closed circuits in the seventies (among others). Action Art, Environmental Theater and Intermedia are the terms defining the main characteristics of the works discussed. The research method is mainly…[Read more]

These are the slides from a talk given at the JACT Summer School, Bryanston, on 1/8/2018.
How did ancient Greek writers and poets use imaginary cities to think about how to live well, what kind of community to develop, and how to maintain relationships between individual, community and cosmos? From Homer to Aristotle, the imaginary city provides…[Read more]

Article from the proceedings of the conference “Europa baut auf Biographien”

Behind every printed national biography is a board of editors responsible for finding established scholars to write the biographies. The personal and institutional networks, the scientific and ideological socialization of these authors have a significant influence on the biographical constructs and narratives they have designed, and thus also…[Read more]

These slides accompany my talk ‘The Fragility of Democracy’, presented at the Faculty of Classics, Oxford Open Day, 27th June 2018, and also at other venues and events.

An essay on the Greeks in Egypt during the Archaic and Classical periods.

The resemblance between the Gospel story about Jesus stilling a storm in the Sea of Galilee (Mt. 8:18, 23-27, Mk. 4:35-41, Lk. 8:22-25) and the Jonah story (Jon. 1:1-16) has been long acknowledged by scholars. This article contends that since the relations between the two stories are those of polar opposition, it should be possible, by way of…[Read more]

This paper assesses the evidence for the collapse or otherwise of the northern frontier of Britannia, including Hadrian’s Wall, relative to received paradigms of ‘the end’ of Roman Britain.

Review of Jenny Strauss Clay, Irad Malkin, Yannis Z. Tzifopoulos (ed.), Panhellenes at Methone: graphê in Late Geometric and Protoarchaic Methone.
Trends in classics – supplementary volumes, 44 .

During most of Antiquity, the Greek-speaking kingdoms in Cyprus used syllabic writing systems for the Cypriot dialect. Paphos, which was one of the most powerful kingdoms in the island, used a special variant of the Cypriot syllabary. Although the circumstances seemed to favour the adoption of the Greek alphabet as a writing system, the Paphians…[Read more]

From 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) – who held a stately sanctioned monopoly – organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]

From 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) – who held a stately sanctioned monopoly – organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]

The following text presents an online project, which has been developed since April 2007 with a duration of five years on the initiative of the Kunstgeschichtliches Institut in Frankfurt and the Kunsthistorisches Institut in Florence, together with the partner institutions Städel Museum and Historisches Museum in Frankfurt and jointly financed by…[Read more]

The following text presents an online project, which has been developed since April 2007 with a duration of five years on the initiative of the Kunstgeschichtliches Institut in Frankfurt and the Kunsthistorisches Institut in Florence, together with the partner institutions Städel Museum and Historisches Museum in Frankfurt and jointly financed by…[Read more]