Drei digitale Kunstprojekte aus den Jahren 2015 und 2016 werden in diesem Text vorgestellt und verglichen, Game Over Facebook, WrongGrid und Curating Money. Ihnen ist gemeinsam, dass sie in Konfrontation zu ihrem jeweiligen technischen und ästhetischem Kontext stehen, beispielsweise zu den digitalen Plattformen, auf denen sie gespeichert sind,…[Read more]

Am 11.10.2014 erschien im Feuilleton der Frankfurter Allgemeinen Zeitung ein Artikel von Gina Thomas über die derzeitige Intensivierung der wissenschaftlichen Arbeit zum Kunstmarkt. Der Titel lautete: Wie der Kunsthandel die Wissenschaft erobert. Auf diese Bestimmung eines Verhältnisses und die gebrachten Beispiele soll hier reagiert werden.

In Along an African Border, anthropologist Sónia Silva examines how the Angolan refugees living in Zambia during the Angolan civil war used their divination baskets to cope with daily life in a new land. To many people, these baskets are capable of thinking, hearing, judging, and responding. They communicate by means of small articles drawn in…[Read more]

Sónia Silva is an Associate Professor of anthropology at Skidmore College. Drawing on ethnographic fieldwork in Zambia, as well as museum work in Europe and the USA, Silva’s research deals with materiality, material religion, the notion of the fetish, ritual and religion, divination, witchcraft, violence, and museums. Silva is the author of Alon…[Read more]

Based on a case study, the paper analyses the possibilities of social media as a tool for science communication in the context of information and communication technology (ICT) usage in archaeology. Aside from discussing the characteristics of digital archaeology, the social networking sites (SNS) Twitter, Sketchfab, and ResearchGate are…[Read more]

Throughout historic developments, the publicly ascertained and published price of an artwork repeatedly served as a reference point for art theoretical discussion. Particular importance was attached to the auction sale price, since this financial evaluation of art was of such a public nature. While there is a long history of these ideas about the…[Read more]

The city of Lucca was never limited to the urban area within the walls. Autumn and winter would be lived in the city palazzo, with life concentrating upon commercial activities enlivened by entertainments such as music and theatre. In spring and summer life was relocated en masse to the villa. This article outlines the essentials of Lucchese…[Read more]

The garden theatre can take many forms: it can erupt forth in an explosion of water and sound as in the teatro d’acqua; it can appear carved into a hedge as a teatro di verzura; or it can calmly wait to be filled with performers as in a teatro avanti il palazzo. The garden theatre was first a feature of the Baroque garden in Italy, before f…[Read more]

Aristotle’s account of kingship in Politics 3 responds to the rich discourse on kingship that permeates Greek political thought (notably in the works of Herodotus, Xenophon and Isocrates), in which the king is the paradigm of virtue, and also the instantiator and guarantor of order, linking the political microcosm to the macrocosm of the u…[Read more]

This course explores the art, archaeology, and culture of the Greek world from the prehistory to the Roman period. The course focuses on architecture, sculpture, painted pottery, and wall painting as its main object classes and situates artistic and stylistic developments within their social, political, and historical context. We will consider…[Read more]

This first-year seminar provides an introduction to the archaeology and urban development of the city of Rome from antiquity through to the present day. Students will survey the period from the foundation of the city through to the twenty-first century with an eye toward understanding the urbanism and material culture of the city of Rome. Case…[Read more]

This provocation contests the familiar construction of classical Athens as an ideal exemplar of democratic politics through a focus on the city’s material fabric, its visual artworks, and the performances which took place within its public spaces. It highlights the city’s ongoing process of material re-building (particularly following the Per…[Read more]

Um den verschiedenen Prinzipien offener Wissenschaftskommunikation – wie auch dem ganzen Konzept »open science« als solchem – gerecht zu werden, ist eine nachhaltige Disseminations- und Archivierungsstrategie für digitale Forschungsdaten zwingend nötig. Maßnahmen zur langanhaltenden Gewährleistung der freien Verfügbarkeit in Form von Parametern…[Read more]

A short paper about some preliminary results of the excavation seasons 2014 and 2015 at the roman rural site of Molino San Vincenzo in Tuscany.

The present article seeks to dig into Gustave Doré’s (1832-1883) vision of the Wood of the Suicides from his illustrations of the Divine Comedy (d. 1861), establishing a comparison between its critical reception, the works that have illustrated the chant over the centuries and Doré’s works themselves. A goal here is to glimpse if negative criti…[Read more]

This study tells the story of Architectural Forum magazine during the Time Inc. ownership period, 1932-64. Why and how did this episode in American discursive life come about? What were its failures and successes, lessons, potential legacy? In answering these questions, the author describes the unusual building industry-wide sense of community…[Read more]

This paper studies the creation, circulation, and reception of two groups of photographs of Ludwig Mies van der Rohe’s iconic Farnsworth House, both taken by Hedrich Blessing. The first set, produced for a 1951 Architectural Forum magazine cover story, features curtains carefully arranged according to the architect’s preferences; the Museum of…[Read more]

Book review of The Republican Aventine and Rome’s Social Order, by Lisa Marie Mignone , 2016. Ann Arbor (MI): University of Michigan Press; ISBN 978-0-472-11988-2 hardback $70.00; 264pp., 12 figures, 2 tables

Book review of The Republican Aventine and Rome’s Social Order, by Lisa Marie Mignone , 2016. Ann Arbor (MI): University of Michigan Press; ISBN 978-0-472-11988-2 hardback $70.00; 264pp., 12 figures, 2 tables

The scholarly approach to the Roman villa finds itself at something of a crossroads, particularly with respect to the villas of the Republican period in Italy. This chapter explains the archaeology of villas in Republican Italy, highlighting debates that center on questions related to the origins of villa architecture, the morphology of villas,…[Read more]