This article considers a recent critical problematisation of the discussion of ›Otherness‹ in Merovingian archaeology (Halsall 2017), and extends this problematisation to the early mortuary archae- ology of post-Roman/early Anglo-Saxon England. The article first examines the literary goals of Gildas’ De Excidio et Conquestu Britanniae, and espec…[Read more]

from: A Companion to Sophocles, ed. K. Ormand (Wiley-Blackwell 2012) 440–461

This paper explores how gender can operate as a disguise for class in an examination of the self-sacrifice of the Maiden in Euripides’ Children of Herakles. In Part I, I discuss the role of human sacrifice in terms of its radical potential to transform society and the role of class struggle in Athens. In Part II, I argue that the representation o…[Read more]

Preliminary analysis of the representation of laborers in Greek tragedy and satyr drama.

Discussion of class structure in fifth-century Athens, historical constitution of theater audiences, and the changes in the comic representation of class antagonism from Aristophanes to Menander.

Discussion of the relationship between historical conditions and aesthetic form in Euripidean tragedy.

A brief report on my dissertation research.

A half-erased woman’s name is partially legible at the bottom of folio 41 verso of the Anglo-Saxon manuscript we now call the Vercelli Book. Edith – eadgiþ – provides mystery as highly unusual marginalia, an individual name added to and then erased from the manuscript. I argue here that the erased name eadgiþ is direct reference to St. Edith o…[Read more]

The figure of Hrothgar, aging king of the Danes, forces an analysis of the relationships among age, maleness, and masculinity in Beowulf. Masculine characters, while enacting the poem’s complex reciprocities and social transactions in the hall and on the battlefield, accrue status and power through assertions of control and dominance, through…[Read more]

The performances of Christ in the text of The Dream of the Rood construct a masculinity for Christ that is majestic, martial, and specifically heterosexual and that relies on a fragile opposition with a femininity defined as dominated Other in the figure of the Cross. His particularly constructed masculinity, explored rather than merely assumed or…[Read more]

Traditional equation of women with the feminine and men with the masculine is disrupted when Beowulf is read within the rubric of gender performance as determined by Judith Butler in Gender Trouble and Bodies that Matter. Performativity enables a new way of interpreting the characters of Beowulf; specifically, in the world of the poem masculinity…[Read more]

Throughout the Christian era, literary and artistic representations of the Virgin Mary have been manipulated by a variety of ideologies, religious or political, to define the appropriate positioning and agency of the feminine in a culture. The culture of Anglo-Saxon England, like most others, almost always presented Mary in positive terms,…[Read more]

Like most female characters in Old English poetry, Judith from the Old English poem of the same name has been subject to much scrutiny in recent years. She has been read as a figure of Mother Church, or as a Germanic warrior, or as a warning against rape. Yet Judith’s relationship with her maid, the focus of my analysis of Judith, has been elided;…[Read more]

Feminist and gender scholars working in Anglo-Saxon studies in the past ten years have been asking new and important questions of a variety of Old English and Anglo-Latin texts. Most crucially, this interdisciplinary new work redefines the historiographical paradigms of Anglo-Saxon cultural production and reception so that women must now be…[Read more]

Explores the connections between imperialism, language about the courts, and geographic references within Aeschylus Eumenides, the third play of the Oresteia trilogy.

A Ph.D. dissertation considering nearly 200 sarcophagi from the late ancient necropoleis of Jewish communities at Beth She’arim and Rome. This corpus captures a wide range of the possibilities open to Jewish patrons as they went about acquiring or commissioning a sarcophagus and sculptural program. The variety reflects not only the different…[Read more]

The New Handbook of Syriac Literature (NHSL) is a born-digital TEI-encoded reference work for the study of Syriac literature. The first volume, Bibliotheca Hagiographica Syriaca Electronica, was published by Syriaca.org in 2016 using a simple TEI schema to describe a single genre (hagiography) (Saint-Laurent et al. 2016; see also Saint-Laurent…[Read more]

A paper delivered at in the 2017 Colloquia of the Metropolitan Museum of Art. Considers how a group of sarcophagi from the Jewish catacombs of Rome reflect on the subject of Jewish art and Jewish patrons in Late Antiquity.

What did it mean to ‘be Jewish’ in the Greco-Roman world? Jews, Greeks and Romans will explore the myriad ways that Jewish communities across the Mediterranean engaged with Greco-Roman culture and constructed their own ways of being Jewish. Using texts, artifacts and images–from rabbinic commentaries to Roman catacombs–we will investigate…[Read more]