This paper explores the methodological and discursive transition in Aurel Voina’s theoretical conceptualisation of cosmetic science. The primary focus is the rewriting of personal and professional identity, assessing how Aurel Voina negotiated his conceptual and practical expertise from his role as eugenics ideologue and policy maker in the i…[Read more]

This paper draws on the letters and messages and newspaper clipping held by the BBC Written Archives Centre in relation to the 1954 adaptation of Nineteen Eighty-Four as a case study for considering how we understand the historical reception of programming. This production is particularly useful in this regard because it achieved a certain…[Read more]

This paper draws on the letters and messages and newspaper clipping held by the BBC Written Archives Centre in relation to the 1954 adaptation of Nineteen Eighty-Four as a case study for considering how we understand the historical reception of programming. This production is particularly useful in this regard because it achieved a certain…[Read more]

This paper draws on the letters and messages and newspaper clipping held by the BBC Written Archives Centre in relation to the 1954 adaptation of Nineteen Eighty-Four as a case study for considering how we understand the historical reception of programming. This production is particularly useful in this regard because it achieved a certain…[Read more]

‘Folk horror’ has often been considered, following Mark Gatiss’ description of the genre, as centrally focused on a particular ‘obsession with the British landscape, its folklore, and superstitions’. While these elements are clearly significant, they become more problematic when opening up the genre to include texts from beyond Britain. Not only…[Read more]

‘Folk horror’ has often been considered, following Mark Gatiss’ description of the genre, as centrally focused on a particular ‘obsession with the British landscape, its folklore, and superstitions’. While these elements are clearly significant, they become more problematic when opening up the genre to include texts from beyond Britain. Not only…[Read more]

‘Folk horror’ has often been considered, following Mark Gatiss’ description of the genre, as centrally focused on a particular ‘obsession with the British landscape, its folklore, and superstitions’. While these elements are clearly significant, they become more problematic when opening up the genre to include texts from beyond Britain. Not only…[Read more]

Appearing for the first time in English, Art and the Working Class is the work of Alexander Bogdanov, a revolutionary polymath and co-founder, with Vladimir Lenin, of the Bolshevik faction of the Russian Social Democratic Labor Party. Bogdanov was a strong proponent of the arts, co-founding the Proletarian Culture (Proletkult) organization to…[Read more]

This paper examines the influence of urban fashion ideas disseminated worldwide from France and how they impacted the Romanian ideas of style and beauty, as well as the nature of the communication between Paris and the Little Paris. My aim is to decode the interwar Romanian interpretation of the new woman notion and assess what type of role…[Read more]

This paper examines the influence of urban fashion ideas disseminated worldwide from France and how they impacted the Romanian ideas of style and beauty, as well as the nature of the communication between Paris and the so-colled ”Little Paris”. My aim is to decode the interwar Romanian interpretation of the new woman notion and assess what typ…[Read more]

The newly formed Greater Romania engaged in a process of modernization, with Bucharest as its flagship metropolis, striving to be recognized internationally and reach economic stability. Women’s fashion became a marker in substantiating Romania’s self-assertion as a modern state, with great emphasis on creating a viable textile industry. This occ…[Read more]

This paper proposes a journey between Bucharest viewed as Little Paris and the original Paris, to determine the way in which the two capitals communicated with each other, whether it was based on dynamic interactions, beyond a simplistic Parisian dialogue. I will interpret Little Paris as an identity construction, clearly mirrored in the universe…[Read more]