Presented at the Creative Commons Global Summit, in Lisbon, 2019, this presentation highlights the importance of options for retaining copyright for authors especially in the context of new university and funder OA policies that require faculty to retain some rights to make works openly accessible. The session will explore considerations that went…[Read more]

Taking the idea of a “radical ethnomusicology” from Ed Emery (2017), I want to expose that the fact there is not a normal academic situation for ethnomusicology in the Balearic Islands it is also an opportunity to develop a radical and transforming scholar field, and I also rise some questions that I believe a radical Catalan ethnomusicology…[Read more]

One could call «industrial musicology» the study of the musical life in factories and workshops. Unlike agrarian societies, there are very few works about industrial workers’ musical activity, neither at the Catalan Countries nor Europe. Based on British and Catalan scholars’ few theoretical works, our research Música popular i indust…[Read more]

Baltasar Samper i Marquès (1888-­1966), from Majorca, was one of the most promi­nent musicians of the first third of the 20th century, forming part of the musical elite of Catalonia until the outbreak of the Spanish Civil War. A long exile, first in France and later in Mexico, from where he was never to return, pushed him into the background an…[Read more]

Assignment completed for module INM303 Information Organisation.
A proposed outline taxonomy structure, displayed hierarchically, for an allotment website. It shows nine top terms with the hierarchy completed to the lowest level for one of the terms and this section is also shown as a thesaurus fragment. The remaining top terms are shown up to…[Read more]

Open access publishing (OA) not only removes price and permission restrictions to academic research, but also represents an opportunity to reassess what publishing means to the humanities. OA is increasingly on the agenda for humanities researchers in the UK, having been mandated in various forms by universities and governmental funders strongly…[Read more]

This research will attempt to evaluate how the thinking of Floridi, especially his emphasis on information, could in some way affect the way we approach art practice. It rests upon an existing body of study about art practice, pursued through a selective literature review of the works of Floridi. As artists rediscover the notion of participation,…[Read more]

The report takes a brief look into Lai Yung-Hsiang’s New Classification Scheme for Chinese Libraries. I will start by giving a short account of its histories and context followed by its current status and use, as well as a description of its basic principles. In particular, I would like to compare it with Liu Guojun’s classification for Chinese…[Read more]

This essay looks at the ways in which library services relate to the visual culture of the 21st Century. I will begin by discussing what is meant by visual culture followed by brief reports of the current trends. An account of current library practice will be given, along with a short photo essay depicting the changes in the world of libraries. I…[Read more]

This paper looks at the idea of digital libraries as social systems. It gives a short account of what it means to define digital libraries as social systems, including the view of digital libraries as ecosystems or ecologies.
A focus on R. David Lankes’ idea of libraries as facilitators of conversation leads us to the sociology of Niklas Luhmann…[Read more]

The movement for open access publishing is often said to have its roots in the scientific disciplines, having been popularised by scientific publishers and formalised through a range of top-down policy interventions. But there is an often-neglected pre-history of open access that can be found in the early DIY publishers of the late ‘80s and e…[Read more]

Shipibo indigenous people perform a sophisticated array of vocal musical genres, including short ‘laughing songs’ called osanti. These song-jokes make fun of certain non-humans, mostly animals. They are by definition sung from within the non-humans’ perspective. Osanti are only performed by trained specialists in indigenous medicine and sorce…[Read more]

Der Beitrag thematisiert das innovative Tagungsformat eines Barcamps am konkreten Beispiel der im Rahmen des Forschungsverbundes Marbach Weimar Wolfenbüttel durchgeführten Veranstaltung “Data and Demons: Von Bestanddaten zu Services”. Ziel war es, Vertreter/innen der verschiedenen Fachdisziplinen an Bibliotheken, Archiven und Museen z…[Read more]

Previous theories emphasize tonal jazz’s undeniable continuity with European tonality. Here, I argue that some of its features are better understood as developments of the African-American musical tradition. As a simple example, consider the gesture ^3–1 to end a phrase. Schenkerian theory would explain this as an elided ^3–2–1, a gesture commo…[Read more]

Course Description:

In a rapidly changing digital era, the need for information professionals to keep up-to-date
with the requirements and expectations around the development of digital
collections is imperative. The course serves as an introduction and overview to the
research, development, application and practice of creating and…[Read more]

Publishing a journal is about more than simply putting ink to paper (or pixels to screen). It is a collaboration between you and your readers. Two critical aspects of this relationship are, first, making your journal visible to your prospective audience. By putting your content online and making it freely available through open access, you can be…[Read more]

The foundation of archival methodology is influenced by colonialism and imperialism. This paternalistic system has created a hegemonic environment that has directly influenced archivists working with Indigenous materials. While positive steps have been made, such as the enactment of the Native American Graves Protection and Repatriation Act (1990)…[Read more]

What is “research data” for music researchers and performers? How can music librarians develop their knowledge and skills to better meet the research data needs of their constituents, and contribute to the data-intensive turn in academia? This panel will explore the research data movement in libraries and its relevance to music librarians. Pan…[Read more]

What is “research data” for music researchers and performers? How can music librarians develop their knowledge and skills to better meet the research data needs of their constituents, and contribute to the data-intensive turn in academia? This panel will explore the research data movement in libraries and its relevance to music librarians. Pan…[Read more]