Presentation given as part of a panel session on Research Data Management and Music Data at the 2019 Music Library Association (MLA) annual meeting. Presentation given Friday, Feb 22, 2019. File includes slides and notes.

What is “research data” for music researchers and performers? How can music librarians develop their knowledge and skills to better meet the research data needs of their constituents, and contribute to the data-intensive turn in academia? This panel will explore the research data movement in libraries and its relevance to music librarians. Pan…[Read more]

Im vorliegenden Dokument wird ein Teil der Ergebnisse der Unterarbeitsgruppe „Open Access-Awareness/Nicht-kommerzielle Open Access-Infrastrukturen und Services“ des Teilprojekts 4 „Förderung von Open Access-Publikationen und alternativen Open Access-Publikationsmodellen“ des Hochschulraumstrukturmittelprojekts Austrian Transition to Open Access (…[Read more]

As educators, we recognize that it can be challenging to translate the research methods we learned in graduate school to our contemporary students, who are accustomed to the constantly shifting information buffet provided by sites such as Wikipedia, YouTube, SoundCloud, and the International Music Score Library Project (IMSLP). Students can…[Read more]

In this article, I examine the nonfunctional harmony of three tunes from the mid-1960s by Wayne Shorter from the perspective of transformational theory. While some transformational approaches to jazz have taken the seventh or ninth chord as the basic unit, I use the more inclusive and abstract concept of a “chord scale” to encompass more of the…[Read more]

This article discuss the ways rhythm changes can be used in music theory instruction.

This chapter proposes an application of topic theory to jazz improvisation. It introduces the concept of a “groove topic” and defines the expressive correlations of a variety of common jazz grooves. The chapter then traces the unfolding groove topics in Miles Davis’s celebrated 1964 solo on “My Funny Valentine.”

When it comes to Japanese literary heritage, why and how are we able to access it? The shape of what is preserved and available is driven by and in turn dictates the shape of our canon(s). Yet we often do not think of the labor and social networks behind the reprinting and digitizing that allows us to access literature in the first place, whether…[Read more]

Data that is automatically generated by users in an academic library as they engage with various library resources is often held in disparate systems. This prevents library staff from knowing how an individual uses these resources in combination and therefore opportunities to provide more targeted support or information may be missed. This case…[Read more]

This chapter details the development of the Penn Libraries’ Japanese Naval Collection, from its inception in a student’s scrapbook discovery to the iterative process of searching for and purchasing Imperial Japanese Navy Training Fleet materials and related items. It also encompasses promotion of the collection online by making digital fac…[Read more]

This paper explores the role of mobile telecommunication and technology firms (MTTs) in the distribution of recorded music in Ghana and Kenya. These countries both have vibrant music markets with weak formal distribution networks. Limited enforcement of copyright regimes and weak market regulation created new entrepreneurial business models. While…[Read more]

An essay written for the catalog for the exhibition, “Benga: Kenyan Kaleidoscope” (Bureau Sepän). Originally written in English; French translation by Gabriella Seemann.

Abstract from the catalog:
Se référant à une performance musicale à laquelle il a assisté et impliquant l’un des musiciens les plus en vue du Kenya, Dan Aceda, dans cet ess…[Read more]

Introduction. Open access to digital research output is increasing, but academic library policies can place restrictions on public access to libraries. This paper reports on a preliminary study to investigate the correlation between academic library access policies and institutional positions of openness to knowledge. Method. This primarily…[Read more]

As Library and Information Science research has evolved, new domains of interest have shaped the field, and with them comes a need to question the appropriateness of applying traditional methodologies to these new domains. This panel focuses on the methodological realities of studying fun life-contexts and will address how researching a new domain…[Read more]

In this paper we attempt the beginning of a critical study of Amir Khusrau’s contributions to Indian music. A very important book Hazrat Amīr Khusro kā ‘ilm-e-musīqī (The Music of Amir Khusrau), by Rashid Malik, exists in Urdu, which deals extensively with this subject. Unfortunately it is still unavailable in English. This paper draws heavily…[Read more]

In this article we propose to reignite a debate regarding the origin shawm (śahnāī or surnā) that had been started by Nazir Jairazbhoy in 1970 , and taken up by him again in 1980, in response to interesting suggestions by Deva and Dick.

Die Präsentation gibt einen Überblick über Neuigkeiten zu Aktivitäten und Initiativen zum Thema “Open Access in Österreich”. (The presentation provides an overview of current activities and initiatives regarding the topic “Open Access in Austria”.)

This presentation discusses a new digital initiative undertaken by the authors to study Depression-era housing in Cleveland through the Ernest J. Bohn Collection, which is held by Case Western’s Kelvin Smith Library Special Collections. Bohn, who directed the Cleveland Metropolitan Housing Authority from 1933–1968, was instrumental in est…[Read more]

Academic libraries in the UK are placing an increased emphasis on engagement and partnership building with academics. Attempts to articulate what is meant by this engagement rely on analogies from the commercial world, notably from sales- driven environments. This language can prove counteractive to true faculty engagement. It retains a focus on a…[Read more]