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Richard Bossons deposited MAN WITH A MOVIE CAMERA: the first cinema screening in the group
Film Studies on Humanities Commons 5 years agoThe definitive timeline for the early screening of Dziga Vertov’s 1929 masterpiece has been established for the first time. This illustrated paper looks at the details of the first showing of the film in Kyiv, Kharkiv, Moscow, and Germany. The earliest (pre-release) review of the film in 1928 has been translated into English for the first time,…[Read more]
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Richard Bossons deposited MAN WITH A MOVIE CAMERA: the film locations in the group
Film Studies on Humanities Commons 5 years agoFollowing extensive research and detective work, most of the locations used in Dziga Vertov’s 1929 masterpiece have been discovered. Described by leading film academics as ‘extraordinary and exciting research’ and ‘a huge step ahead in knowledge of the film’ the paper describes each location in detail including contemporary and current views. The…[Read more]
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Natascha Drubek deposited Filme über Vernichtung und Befreiung. Die Rhetorik der Filmdokumente aus Majdanek 1944-1945 in the group
Film Studies on Humanities Commons 5 years agoIn July 1944, the Red Army was advancing through Eastern Poland when they discovered the first traces of the camps. On reaching Lublin they found an enormous compound behind barbed wire in the city’s suburb of Majdanek. Embedded with the Soviet army were film crews, who made the first images of a Nazi camp, among them the “flight survivors” Olga a…[Read more]
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José Angel GARCÍA LANDA deposited El espectador real (Siendo leídos) in the group
Narrative theory and Narratology on Humanities Commons 5 years agofrom
A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY
http://bit.ly/abibliog
Spanish abstract: En su ‘Teoría de los sentimientos morales’ habla Adam Smith de cómo en la comunicación pública el espectador virtual que emana de nuestro discurso puede no coincidir con los receptores reales de dicho discurso. Y ve Smith en esa no coi…[Read more] -
Anne Eakin Moss deposited The Camera Shot and the Gun Sight in the group
Film Studies on Humanities Commons 5 years agoThis article examines the link posited by Virilio and others between the camera shot and gun shot, arguing that this link operates differently in the context of Soviet vs. Western fantasies of agency, community and technology. Comparing THE LOST PATROL (USA 1934, John Ford) with TRINADTSAT (THIRTEEN, UdSSR 1936, Mikhail Romm), it asks what kind of…[Read more]
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Thomas Kilduff deposited The Gift of the Gab: Exploring the Audiobook and the Festive Direction in the American Library in the group
Narrative theory and Narratology on Humanities Commons 5 years agoThe audiobook, in its modern form, was created in the 1930s to assist the blind community, World War I veterans and others unable to engage in Sustained Silent Reading (SSR). This dissertation investigates exactly how the audiobook and, to a lesser extent, the podcast have been received and celebrated by the world of library and information…[Read more]
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Thomas Kilduff deposited Gift of the Gab: Exploring the Audiobook and the Festive Direction in the American Library in the group
Narrative theory and Narratology on Humanities Commons 5 years agoAbstract
The audiobook, in its modern form, was created in the 1930s to assist the blind community, World War I veterans and others unable to engage in Sustained Silent Reading (SSR). This dissertation investigates exactly how the audiobook and, to a lesser extent, the podcast have been received and celebrated by the world of library and…[Read more]
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Sérgio Dias Branco deposited Laughing in Friendship: The Intimate Ensemble Comedy of “Friends” in the group
Film Studies on Humanities Commons 5 years, 1 month agoThis paper analyses the sitcom “Friends” (1994-2004) and its performance motifs.
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Sérgio Dias Branco deposited Being Her/She in “Who Are You?” in the group
Film Studies on Humanities Commons 5 years, 1 month agoAnalysis of the episode from television series “Buffy the Vampire Slayer”, “Who Are You?” (4.16).
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Sérgio Dias Branco deposited “The Urban and the Domestic: Spaces of American Film Noir” in the group
Film Studies on Humanities Commons 5 years, 1 month agoUrban and domestic spaces are at the core of the American film noir developed in the 1940s and 50s. The connection between such spaces and noir cannot be considered only as motivational (an association between city and crime) or protective (a separation between home and violence). The context of this genre must be considered more largely as the…[Read more]
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