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Sérgio Dias Branco deposited “The Class of Images: Sketch for a Research Project” in the group
Film Studies on Humanities Commons 5 years, 1 month agoThe concept of class has been progressively erased in contemporary discussions around art — and other topics. The explanatory power of this economic and social category, as articulated by Karl Marx, has been annulled precisely at a time when the contradictions of late capitalism are growing, composing an ideological background that creates c…[Read more]
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Sérgio Dias Branco deposited “‘Being Open to Possibilities That We Can’t Know Yet’: An Interview with Catherine Grant” in the group
Film Studies on Humanities Commons 5 years, 1 month agoInterview with Catherine Grant about her move to Birkbeck, teaching and research, the project [in]Transition, changes in scholarship, and technology and the humanities.
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Sérgio Dias Branco deposited “The Work of Cinematic Art: Art as Work and Work as Art” in the group
Film Studies on Humanities Commons 5 years, 1 month agoLeaning into the work of Marx, Engels, Lenin, Vertov, and Cunhal, I present a critical analysis of the dialectic of work and art.
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Sérgio Dias Branco deposited Divinely Human: Robert Bresson’s Spiritual Reflections in the group
Film Studies on Humanities Commons 5 years, 1 month agoThis talk reads Robert Bresson’s Notes on the Cinematographer, not as a mere collection of thoughts, but as spiritual reflections. These brief meditations record aspects of his film practice in condensed form and reveal the connection between contemplation and action. The contemplative tone of the book becomes perceptible through the careful o…[Read more]
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Sérgio Dias Branco deposited On Essentialism: Thoughts Between Nöel Carroll and Stanley Cavell in the group
Film Studies on Humanities Commons 5 years, 1 month agoNöel Carroll has been one of the most eloquent proponents of an anti-essentialist view of art, in particular, of cinema. He seems to think that Stanley Cavell holds an essentialist view of film, put forward in his foundational work, The World Viewed, and developed in later essays and books. While Carroll admires Cavell’s philosophical readings of…[Read more]
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Sérgio Dias Branco deposited Labyrinths of the Self: Different Characters, Identical Bodies in “Battlestar Galactica” in the group
Film Studies on Humanities Commons 5 years, 1 month agoPaper on performance and personal identity in the television series “Battlestar Galactica”.
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Manfred Engel deposited Mediating the Dream / Les genres et médias du rêve. Ed. by Bernard Dieterle and Manfred Engel. Würzburg: Königshausen & Neumann 2020 (Cultural Dream Studies; 4) — Contents and Preface in the group
Film Studies on Humanities Commons 5 years, 1 month agoRepresentations of dreams – no matter if factual or fictional – are influenced not only by cultural patterns but also by the specific opportunities offered and the specific challenges posed by the genre or medium which was chosen for them. The essays in this volume consider, in detailed case studies, variants of factual dream reports and fic…[Read more]
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Luis Ernesto Paz Enrique deposited PROCESINF:Oferta de información para la documentación audiovisual en televisoras locales in the group
Film Studies on Humanities Commons 5 years, 1 month agoEl diseño de ofertas de información centradas en el usuario favorece la satisfacción de los mismos. Se identificó que en los canales de televisión locales se realiza un incorrecto tratamiento de la documentación audiovisual, fundamentalmente por la carencia de personal especializado. Se plantean como objetivos del estudio: 1) diagnosticar las n…[Read more]
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Luis Ernesto Paz Enrique deposited The role of audiovisual production researcher in the treatment of audiovisual documentation in the group
Film Studies on Humanities Commons 5 years, 1 month agoThe roles in the treatment of audiovisual documentation have a great variety of denominations. Among the most common are Production Researcher, TV Researcher, Film Researcher, Program Researcher and Video Librarian. Although the names vary, the functions are limited to the processing, storage, custody and dissemination of audiovisual collections.…[Read more]
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