Ambrósíus saga og Rósamunda is a post-medieval Icelandic romance which belongs to a group of Scandinavian narratives utilizing the pound of flesh motif. It survives in 19 paper manuscripts from the 18th and 19th centuries, and it has never before been edited. The aim of the present edition is of an introductory nature, primarily to make the sa…[Read more]

Abstract: Sixteenth century Gaelic Ireland is not normally associated with Celtic Studies. The aim of this paper is to show that not only can it be included, but it can also produce many useful insights for Celtic Studies. Using as an illustration a minor skirmish which occurred during the Nine Years War in Ireland, this paper will show how what…[Read more]

The prints featured in this exhibition are all products of the Meiji period (1868–1912), a time of massive cultural and institutional transformation in Japanese culture. The era is characterized by rapid westernization brought about after the opening of Japanese ports in 1854 and the subsequent restoration of the Meiji Emperor in 1868. The p…[Read more]

During the last five decades, public, intellectual, and academic debates have created an increased awareness of so-called transhumanist discourses and social movements accompanied by a diverse body of theoretical works in philosophy, social sciences, and humanities which can broadly be described as posthumanist. Building on a three year long…[Read more]

During the last five decades, public, intellectual, and academic debates have created an increased awareness of so-called transhumanist discourses and social movements accompanied by a diverse body of theoretical works in philosophy, social sciences, and humanities which can broadly be described as posthumanist. Building on a three year long…[Read more]

Essay for the online manual on how to open a pirate kindergarden, commissioned by Soprasotto and WeMake, Milan (IT).

This article examines the Royal Shakespeare Company’s (RSC) recent focus on digital ‘innovation’ by analysing the relationship between their emerging digital-focused business practices and digital performance practice for The Tempest (2016). To assess this relationship, I first review the socioeconomic context of 21st century neoliberal UK econo…[Read more]

The anonymous “Le Sacrifice d’Abraham” performed before Francis I in Paris in 1539 has traditionally been treated–if at all–simply as a variant of an earlier play of the same name published as part of the 15th-century “Mistère du Viel Testament.” More recently, it has been suggested that the play anticipates the direction taken by Théodore de B…[Read more]

The belief that Francis Bacon was, from the start, a stalwart defender of royal absolutism has prevailed in scholarship despite occasional comments about Bacon’s pluralist or collaborative legal and political imagination. Building on recent revisionist work, this article questions the standard historiography. It argues that Bacon’s jur…[Read more]

English Renaissance Theatre is generally dated between 1576-1642: circumscribed by the construction of the Theatre in 1576 and the closing of the public playhouses by Act of Parliament in 1642. ‘Found’ London performance locations in taverns, churches, legal and professional buildings, aristocratic houses, not to mention the streets and wat…[Read more]

The chapter focuses on conceptualizing event and situation for ethnographic knowledge production and development of anthropological theory. Therefore, in a first step, I draw attention to the historical and conceptual importance of the anthropological approaches of “situational analysis” and “extended-case method”, developed by Max Gluckma…[Read more]

A review of the “Season of Love” Tri-Partite Exhibition at the Tampa Museum of Art featuring the work of Patricia Cronin, Yayoi Kusama, and Robert Indiana.

This essay examines the development of prison memoirs in modern Iranian prose, with a focus on how literary texts function as a tribunal, delivering forms of justice missing from the existing legal system. It constructs from the prison memoirs of a range of dissident writers (Dashti, ʿAlavi, and Baraheni) a genealogy of prison consciousness in…[Read more]

Texto para a edição online da revista Glosas a propósito do motete Heu me Domine para quatro vozes de Vicente Lusitano. Lusitano terá nascido em Olivença (ainda sob o domínio português) tendo desenvolvido a sua carreira musical em Itália e, mais tarde, em Estugarda já convertido ao Protestantismo. Este breve estudo propõe, assim, uma análise d…[Read more]

While Anton Chekhov’s influence on Katherine Mansfield is widely acknowledged, the two writers’ settler colonial aesthetics have not been brought into systematic comparison. Yet Chekhov’s chronicle of Sakhalin Island in the Russian Far East parallels in important ways Mansfield’s near-contemporaneous account of colonial life in New Zealand…[Read more]

This paper presents a reading of Sarah (Genesis 11:29-23:19) as a proto-trans(gender) figure. The author addresses the problem of cisnormativity and its impact on biblical interpretation. In particular, throughout this paper Sarah is presented as a character who has been cisnormalised within the literary tradition of the Biblical text in order to…[Read more]

Review Essay of Hamilton: An American Musical

While male illustrators including Alberto Vargas (1896–1982), George Petty (1894–1975), and Gil Elvgren (1914–1980) are synonymous with the field of early-twentieth-century pin-up art, there were in fact several women who also succeeded in the genre. Pearl Frush (1907–1986), Zoë Mozert (1907–1993), and Joyce Ballantyne (1918–2006) each establi…[Read more]