Due to the great interest for the first two sessions of the Digital Humanities Doctoral Seminar, we are very happy to announce two new online sessions on August 3rd & 4th and on September 3rd & 4th. This doctoral seminar is an introduction to Digital Humanities defined as the application of methods and tools from Information and Communication…[Read more]

Buena Risa Social Club es un performance humorístico-musical del cantautor cubano-mexicano Alejandro García Villalón “Virulo”, quién lo presentó en el Café Antropía (León de Los Aldama, Guanajuato, México) el 30 de noviembre de 2018. Al tener en cuenta los pocos estudios realizados sobre sus composiciones performativas, para la presente com…[Read more]

“El humor en estos tiempos da cólera” (ca. 1986) es uno de los performances que escribió, musicalizó y dirigió el cantautor Alejandro García Villalón Virulo para el Conjunto Nacional de Espectáculos de Cuba. De éste se conserva una adaptación televisiva del Instituto Cubano de Radio y Televisión, que no ha sido abordada en investigacion…[Read more]

En la actualidad se manifiesta una pluralidad discursiva en la música cubana, donde la diversificación de sus soportes de difusión juega un papel fundamental para que determinados músicos sean tenidos como populares. Bajo esa tesitura, los Premios Lucas brindan una variedad de fuentes primarias incomparables, poco abordadas como objetos de est…[Read more]

Con el presente trabajo se busca allanar la zanja que existe entre los abordajes tradicionales del discurso musical y los estudios de performance. Para la realización de investigaciones artísticas sobre performances musicales se debe tener en cuenta dicha expresión como subjetividad cambiante a lo largo de su devenir histórico, construido en las…[Read more]

La pluralidad discursiva manifiesta en la música cubana se ha encontrado enmarcada en una realidad estético-musical cambiante, causada por una postmodernidad social cada vez más abierta a la globalización de las expresiones culturales de los pueblos. Es dentro de esta dinámica creativa que se encontraron inmersos los performances musicales del…[Read more]

Essay analyzing Syrian wedding singer Omar Souleyman’s popularity in rave, techno, and other popular Western music markets.

This first note introduces the need to flush out a robust interdisciplinary method to analyse fragmentary manuscript corpora in general and the Judaean Desert Scrolls and Cairo Genizah manuscripts in particular.

Slides for the paper’s companion presentation.

The Solid Rock Greek New Testament: Scholar’s Edition offers a reconstructed text of the New Testament based on Byzantine priority theory and expands upon the work of the SBL Greek New Testament by comparing the readings of over 10 major critical editions at nearly 8000 units of textual variation. In this survey, we will discuss the goals,…[Read more]

Supplementary material for the SBL Annual Meeting 2020 talk “The open-cbgm Library: Design and Demonstration.” This document presents a brief introduction to the Coherence-Based Genealogical Method (CBGM), intended to bring newcomers and those in need of a refresher up to speed on the basics of the method. It is divided into sections organized…[Read more]

This article asks the question how post-exilic readers would have read 1-2 Samuel in Yehud. It answers the question by looking at ancient Mediterranean models of textual authority and education.

Scholars have long noted the deeply intertextual features of Simaetha’s monologue in Idyll 2, including its Homeric, Sapphic and tragic resonances. In this contribution, however, I focus on an underexplored connection between Theocritus’ speaker and the Odyssean Penelope. I first highlight the Idyll’s pervasive engagement with heroic epic, dwell…[Read more]

The relationship of the Hebrew Bible to the New Testament is explored by means of apocryphal and pseudepigraphical texts, using the ethical issue of interpersonal forgiveness as a test case.

Contemporary aspects of consumerism are considered through biblical reflections (HB/OT and NT) on the analysis of Colin Campbell of five common critiques of consumerism.

In the first decade of the twenty-first century, a young generation of Syrian experimental composers conceived a space for musiqa mu‘asira, or contemporary art music. Informed by debates on critical aesthetics, modernity, and subjectivity in the Arab world and beyond, these composers drew on particular compositional devices and techniques to m…[Read more]

This essay is an examination of Udjahorresnet’s Persian identity. Best known from the inscription on his naophorous statue now in the Vatican, Udjahorresnet was a high-ranking courtier in Egypt under the Saite pharaohs Amasis and Psamtik III, and subsequently under the Persian kings Cambyses and Darius. While his statue’s form, function and ins…[Read more]

The publication of Thomas A. Wayment’s The New Testament: A Translation for Latter-day Saints is a significant event that occasions not only a close examination of his work but also a discussion of how it fits into the complex relationship The Church of Jesus Christ of Latter-day Saints has long shared with Bible translation.