Psalm 82 has long resisted a consensus regarding its genre. While some scholars have noted that the psalm’s language overlaps with that of the complaint genre, several features of the psalm appear to complicate that reading. As a result, the framework of the divine council is frequently given interpretive priority, which has resulted in a v…[Read more]

These are the introductory chapter and chapter eight of the multi-authored book that I edited on food-music relations in various regions and periods. In the introduction I analyze the phenomenological basis of the unbalanced relations between food and music. Chapter 8 deals with song lyrics about food in Latin American and the Caribbean.

Rabbi Reuven Chaim Klein shows us how to use the Hebrew language as a model for understanding the differences between similar words

This work is a translation of my article “A cidade Remota de Atlântida” to English. It’s my first work about this city and its location.

This work uses Plato’s current geographical knowledge and original writings to search for the location of the remote city of Atlantis

The portuguese version of the article “The remote city of Atlantis”.
Este trabalho utiliza do conhecimento geográfico atual e os escritos originais de Platão para apurar a possível localização da cidade remota de Atlântida

Das vandalische Afrika gilt als Musterbeispiel des „Kirchenkampfs“ zwischen
homöischen Barbaren und katholischen Römern. Kronzeugen sind Victor von Vita,
Fulgentius von Ruspe und Quodvultdeus von Karthago. Etwa 50 Jahre nach dem Ende
der Vandalenkönige inAfrika 533 kam es dagegen in Spanien zum Ausgleich zwischen
Katholiken und Homöer…[Read more]

Book review of new edition and translation of the poetry of Maximianus.

This band was formed in Auckland, New Zealand following the success of an earlier drum and fife band associated with the Ponsonby Boy Scouts Association. It undertook several country-wide tours on both islands during the 1920’s and was a very successful and sought-after musical organisation.

A „Don Juan”-nak szentelt, valójában az önálló mítosszá nőtt Mozart-operához, a Don Giovanni néven jegyzett „dramma giocoso per musicá”-hoz hozzászóló értekezéseikben E. T. A. Hoffman és Søren Kierkegaard nemcsak érzékeny elemzését adják az operának, hanem ezenfelül megörökítik az opera előadásához kötődő élményeiket – Kierkegaard utalásszerűen,…[Read more]

This chapter is an updated and newly illustrated version of “Islam, Sound and Space: Acoustemology and Muslim Citizenship on the Kenyan Coast,” originally published in the volume _Music, Sound and Space: Transformations of Public and Private Experience_ (2013, ed. Georgina Born, Cambridge University Press).