Translation and Annotation of ‘Svarajya Siddhi’ of Gangadharendra Sarasvati from the nineteenth century. This text is considered one of the five Siddhi texts, the other four being Naishkarmya Siddhi, Advaita Siddhi, Ishta Siddhi, and Brahma Siddhi. These texts have a very great value in Advaita Vedanta.

Translation and Annotation of ‘Svarajya Siddhi’ of Gangadharendra Sarasvati from the nineteenth century. This text is considered one of the five Siddhi texts, the other four being Naishkarmya Siddhi, Advaita Siddhi, Ishta Siddhi, and Brahma Siddhi. These texts have a very great value in Advaita Vedanta.

Translation and Annotation of ‘Svarajya Siddhi’ of Gangadharendra Sarasvati from the nineteenth century. This text is considered one of the five Siddhi texts, the other four being Naishkarmya Siddhi, Advaita Siddhi, Ishta Siddhi, and Brahma Siddhi. These texts have a very great value in Advaita Vedanta.

This article focuses on Jewish women’s experiences of the amen meal ritual. The central intention of this meal is to achieve many recitations of the word “amen” in response to benedictions recited for different sorts of food. The women’s voices and experiences, reflected in in-depth interviews with participants and participant observa…[Read more]

Dante Alighieri’s Inferno (1314) portrays Hell as an alienated realm, in which the doomed spirits must spend eternity in isolation and regret. Franz Liszt’s two-movement Dante Symphony (1857), based on the Inferno and Purgatorio, gives musical form to Dante’s textual expressions of agony. These evocations of suffering are enhanced by Lisz…[Read more]

Texto para a edição online da revista Glosas a propósito do motete Heu me Domine para quatro vozes de Vicente Lusitano. Lusitano terá nascido em Olivença (ainda sob o domínio português) tendo desenvolvido a sua carreira musical em Itália e, mais tarde, em Estugarda já convertido ao Protestantismo. Este breve estudo propõe, assim, uma análise d…[Read more]

Syllabus for my course 3UU3, Buddhism in East Asia planned for Winter term 2019

This is the version of the syllabus for Asian Meditation Traditions at the end of the first term in which I offered it–Fall 2018.

Draft version of syllabus for graduate seminar on Nirvana Sutra

This article is a detailed review of Constructions of Space III: Biblical Spatiality and the Sacred, ed. Jorunn Økland, J. Cornelis de Vos, and Karen J. Wenell (Bloomsbury, 2016); and The King and the Land: A Geography of Royal Power in the Biblical World, by Stephen C. Russell (Oxford University Press, 2017).

The paper argues that the pesaḥ is a ritual with no origins in the literature we have, from the earliest recoverable fragment, through the first revision that introduces as many problems as it aims to solve, to subsequent extensions in multiple directions, with no arc, no trajectory, no telos, but recurrent hermeneutic expressive engagement.

This book is one of the few in a great corpus of literature on meditation, that makes understanding meditation effortless. Not posing as a one-cure-for-all instant solution, this book attunes and trains a person’s mind, and makes one ready to get immersed in meditation, which according to Kamlesh D Patel and Joshua Pollock can be done only t…[Read more]

Psychoanalysis and its father in the West, Sigmund Freud, have often been seen as the antitheses of religion and faith. This book seeks to dispel this misconception and place Freud and psychoanalysis as hopes to the faithful and the hedonist alike. Ethics and morality do not get compromised and unethical and immoral behaviour do not get free…[Read more]

An examination of Mourning and Tears in the works of John Chrysostom, with comparison to his classical and hellenistic predecessors (Aristotle, Seneca, Plutarch).

An article on the Armenian manuscripts at the Vatican Library (Biblioteca Apostolica Vaticana).

An examination of the debate over the Theory of Names between Origen and Celsus in Origen’s Contra Celsum and its implications for late antique ritual worship.

A translation and study of seven hymns (madrashe) on vigil of Ephrem the Syrian preserved in Classical Armenian.

El presente trabajo estudia la presencia de comida y bebida en las dos églogas carnavalescas de Juan del Encina (1468-1529), Égloga representada en la noche postrera de Carnal y la de Antruejo o Carnestollendas. El objetivo es establecer una suerte de catálogo provisional de los diversos usos escenográficos de la alimentación, así como su varia…[Read more]

Este trabajo analiza los espacios dramáticos del teatro de Juan del Encina, sus funciones y su potencialidad escénica. La noción de «espacio dramático» deriva de la teoría semiótica, que considera las referencias locativas en el texto dramático como parte del espacio ficticio teatral y examina el modo en el que todas ellas conjugan el espacio…[Read more]

Me propongo en estas páginas realizar un análisis de los elementos teatrales preservados en la Égloga de Cristino y Febea de Juan del Encina. El objetivo de este trabajo es recuperar los elementos teatrales de la Égloga de Cristino y Febea para demostrar que, pese a la casi ausencia de acotaciones explícitas, Juan del Encina sí tiene prese…[Read more]