Partiendo de la dualidad del texto dramático, como texto literario y espectacular, y con la convicción de que para estudiar el género teatral, en especial el quinientista, es necesaria una mirada bajo la óptica de la semiótica, este trabajo focaliza un análisis del Auto del repelón de Juan del Encina desde la perspectiva del carácter plurisí…[Read more]

Topografías literarias: el espacio en la literatura hispánica de la Edad Media al siglo XXI

Desde la convicción de la dualidad del texto dramático, como texto literario y espectacular, y del convencimiento de que para estudiar el género teatral, en concreto el quinientista, es necesaria una mirada bajo la óptica de la semiótica, este trabajo focaliza el análisis del corpus teatral del dramaturgo Juan del Encina a partir la persp…[Read more]

RESUMEN El presente trabajo pretende estudiar la existencia de una configuración tópica del pastor teatral conformado a lo largo de las obras dramáticas de Juan del Encina. Para ello, analizo la vestimenta pastoril más frecuente en el personaje mediante el rastreo de las diversas didascalias icónicas implícitas que recorren los diálogos. Desde…[Read more]

RESUMEN Asumiendo los planteamientos de la semiótica teatral, que defiende la dualidad del texto dramático, este trabajo de investigación focaliza el análisis del texto espectacular de la Comedia de BrasGil y Beringuella de Lucas Fernández (1474-1542), publicada en la imprenta salmantina de Lorenzo Liom Dedei en 1514 junto con el resto de sus obra…[Read more]

Resumen Este trabajo examina las relaciones entre el teatro castellano y el teatro portugués mediante el análisis del espacio escenográfico de la Representación a la Pasión y muerte de Nuestro Redentor de Juan del Encina, del Auto de la Pasión de Lucas Fernández y del Auto da Alma de Gil Vicente. Para ello, se emplea una metodología eclécti…[Read more]

What can be said about the “style” of academic discourse at the present time, especially in relation to historical method, theory, and reading literary and historical texts? Is style merely supplemental to scholarly substance? As scholars, are we “subjects” of style? And what is the relationship between style and theory? Is style an object,…[Read more]

עיונים וביאורים הערות וציונים על מסכת יבמות

The essays, manifestos, rants, screeds, pleas, soliloquies, telegrams, broadsides, eulogies, songs, harangues, confessions, laments, and acts of poetic terrorism in these two volumes — which collectively form an academic “rave” — were culled, with some later additions, from roundtable sessions at the International Congress on Medieval Studies…[Read more]

A response to papers presented as part of “Cy-Curious: Machines in religious imagination”: “Academic Assemblages in a Cyborgean Garden,” Lise Miltner (Brown University); “Bioethics, Human Nature, and the Enhancement Debate,” Joseph Fisher (Columbia University); and “Technoscience in Tolkien: How Fictional Worldviews Facilitate Reflection on the…[Read more]

Drawing on rabbinic sources redacted in the early third and late fourth/ early fifth centuries, this paper tracks the intertwined lives of divine image-things and rabbis living in late Roman and Byzantine period Palestine. The paper argues that the religious image-things of others (or avodah zarah, in rabbinic terms) pressed in different ways on…[Read more]

The editors of the present volume convened an international conference on “Yoga in Transformation: Historical and Contemporary Perspectives on a Global Phenomenon” at the University of Vienna, which took place on 19–21 September 2013.2 For the sake of coherence and optimisation of synergies, its focus was on the exploration of the phenomenon of yo…[Read more]

Little India is a rich historical and ethnographic examination of a fascinating example of linguistic plurality on the island of Mauritius, where more than two-thirds of the population is of Indian ancestry. Patrick Eisenlohr’s groundbreaking study focuses on the formation of diaspora as mediated through the cultural phenomenon of Indian ancestral…[Read more]

This special issue of Religions of South Asia is born out of this expanding area of study and collaboration between contemporary practitioners and established academic methods of study. Most of articles in this volume were first presented at an international ‘Yoga Darśana, Yoga Sādhana’ conference hosted in Kraków, Poland in May 2016. The Krakow…[Read more]

How should we read claims about health and well-being which defy common sense? Are claims of extreme longevity to be viewed as fraudulent, or as pushing the boundaries of possibility for the human body? This article will consider the narrative and context around a particularly well-publicized incident of rejuvenation therapy, advertised as…[Read more]

This course is an introduction to the theory and practice of meditation systems in Asia taught at McMaster University in Fall 2018

Section 295-C of Pakistan’s penal code prohibits insulting the Prophet and carries a mandatory death penalty. This law was passed based on a claim of ijma‘ (consensus among Islamic scholars) that such an offense is subject to a hadd (divinely fixed) punishment. Nearly half of those charged under this statute crimes of hadd are Christians, who mak…[Read more]

In this course, students will analyze texts that Americans have treated as “scripture.” Students will read texts that present themselves as scripture, such as selections from the Book of Mormon and a Holy Sacred and Divine Roll and Book (a Shaker text). They will also read texts that have attained a sort of canonicity within American culture, such…[Read more]

The Gospel of John is not unique in representing Jesus as performing miracles, but the way that John uses signs to point to Jesus’s Christological identity stands out among the canonical gospels. In John, when Jesus is called χριστός—Christ, messiah—it is often in the context of a sign being performed. However, the relationship between Jesus…[Read more]

The poetry of Teimuraz I’s marks a turning point in Georgian literary history. From 1629–34, the poet-king of Kartli and Kaxetia (eastern Georgia) undertook to produce a Georgian equivalent to Niẓāmī Ganjevī’s famed quintet (khamsa) that stands as one of the major achievements of classical Persian literature. While Teimuraz I imitated the form…[Read more]