David Alan Rich
,@davrich
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9
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William Farrell deposited People vs. things: the Worshipful Company of Weavers and regulation in eighteenth-century London on Humanities Commons 3 years, 5 months ago
This paper compares the efforts of the Worshipful Company of Weavers in London to control the movement of technology and textiles with its more laissez – faire management of migrant weavers, over the long eighteenth century. From the introduction of the engine loom in the 1670s, the Weavers’ Company regulated new technology in the London textile i…[Read more]
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Samantha Lomb's profile was updated on Humanities Commons 4 years, 5 months ago
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J.D. Schnepf's profile was updated on Humanities Commons 4 years, 7 months ago
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Natascha Drubek's profile was updated on MLA Commons 4 years, 9 months ago
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Adelheid Heftberger deposited Archiving For an Unknown Future. The State Film Documentation of the GDR (SFD) in the group
Film Studies on Humanities Commons 4 years, 10 months agoI will mainly focus on a collection of films made between 1972 and 1985 by the Staatliche Filmdokumentation (SFD)—the State Film
Documentation unit—which survived as part of the collection of the Staatliches Filmarchiv der DDR (SFA), the former national film archive
of the GDR. -
Adelheid Heftberger deposited Archiving For an Unknown Future. The State Film Documentation of the GDR (SFD) in the group
Digital Humanists on Humanities Commons 4 years, 10 months agoI will mainly focus on a collection of films made between 1972 and 1985 by the Staatliche Filmdokumentation (SFD)—the State Film
Documentation unit—which survived as part of the collection of the Staatliches Filmarchiv der DDR (SFA), the former national film archive
of the GDR. -
Adelheid Heftberger deposited Archiving For an Unknown Future. The State Film Documentation of the GDR (SFD) in the group
Archives on Humanities Commons 4 years, 10 months agoI will mainly focus on a collection of films made between 1972 and 1985 by the Staatliche Filmdokumentation (SFD)—the State Film
Documentation unit—which survived as part of the collection of the Staatliches Filmarchiv der DDR (SFA), the former national film archive
of the GDR. -
Adelheid Heftberger's profile was updated on Humanities Commons 4 years, 10 months ago
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Adelheid Heftberger deposited Archiving For an Unknown Future. The State Film Documentation of the GDR (SFD) on Humanities Commons 4 years, 10 months ago
I will mainly focus on a collection of films made between 1972 and 1985 by the Staatliche Filmdokumentation (SFD)—the State Film
Documentation unit—which survived as part of the collection of the Staatliches Filmarchiv der DDR (SFA), the former national film archive
of the GDR. -
William Farrell's profile was updated on Humanities Commons 4 years, 10 months ago
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Natascha Drubek deposited Filme über Vernichtung und Befreiung. Die Rhetorik der Filmdokumente aus Majdanek 1944-1945 in the group
Soviet and Russian history and culture on Humanities Commons 4 years, 11 months agoIn July 1944, the Red Army was advancing through Eastern Poland when they discovered the first traces of the camps. On reaching Lublin they found an enormous compound behind barbed wire in the city’s suburb of Majdanek. Embedded with the Soviet army were film crews, who made the first images of a Nazi camp, among them the “flight survivors” Olga a…[Read more]
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Natascha Drubek deposited Filme über Vernichtung und Befreiung. Die Rhetorik der Filmdokumente aus Majdanek 1944-1945 in the group
Holocaust history on Humanities Commons 4 years, 11 months agoIn July 1944, the Red Army was advancing through Eastern Poland when they discovered the first traces of the camps. On reaching Lublin they found an enormous compound behind barbed wire in the city’s suburb of Majdanek. Embedded with the Soviet army were film crews, who made the first images of a Nazi camp, among them the “flight survivors” Olga a…[Read more]
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Natascha Drubek deposited Filme über Vernichtung und Befreiung. Die Rhetorik der Filmdokumente aus Majdanek 1944-1945 in the group
Film Studies on Humanities Commons 4 years, 11 months agoIn July 1944, the Red Army was advancing through Eastern Poland when they discovered the first traces of the camps. On reaching Lublin they found an enormous compound behind barbed wire in the city’s suburb of Majdanek. Embedded with the Soviet army were film crews, who made the first images of a Nazi camp, among them the “flight survivors” Olga a…[Read more]
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Natascha Drubek deposited Filme über Vernichtung und Befreiung. Die Rhetorik der Filmdokumente aus Majdanek 1944-1945 on Humanities Commons 4 years, 11 months ago
In July 1944, the Red Army was advancing through Eastern Poland when they discovered the first traces of the camps. On reaching Lublin they found an enormous compound behind barbed wire in the city’s suburb of Majdanek. Embedded with the Soviet army were film crews, who made the first images of a Nazi camp, among them the “flight survivors” Olga a…[Read more]
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J.D. Schnepf's profile was updated on Humanities Commons 5 years, 5 months ago
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William Farrell's profile was updated on Humanities Commons 5 years, 5 months ago
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Natascha Drubek deposited Exegi Monumentum Revolutionis – On Eisenstein’s “October” in the group
Soviet and Russian history and culture on Humanities Commons 5 years, 7 months agoThis essay discusses the cinematic representation of Revolution in Sergei Eisenstein’s film Oktiabr’ / October, a film which had a decisive impact on the revolutionary development of film history and theory. I will explore how Revolution can be re-enacted and shown in the medium of cinema, and how this medium is capable of not only staging his…[Read more]
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Natascha Drubek deposited Exegi Monumentum Revolutionis – On Eisenstein’s “October” in the group
History on Humanities Commons 5 years, 7 months agoThis essay discusses the cinematic representation of Revolution in Sergei Eisenstein’s film Oktiabr’ / October, a film which had a decisive impact on the revolutionary development of film history and theory. I will explore how Revolution can be re-enacted and shown in the medium of cinema, and how this medium is capable of not only staging his…[Read more]
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Natascha Drubek deposited Exegi Monumentum Revolutionis – On Eisenstein’s “October” in the group
Film Studies on Humanities Commons 5 years, 7 months agoThis essay discusses the cinematic representation of Revolution in Sergei Eisenstein’s film Oktiabr’ / October, a film which had a decisive impact on the revolutionary development of film history and theory. I will explore how Revolution can be re-enacted and shown in the medium of cinema, and how this medium is capable of not only staging his…[Read more]
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