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Natascha Drubek deposited Exegi Monumentum Revolutionis – On Eisenstein’s “October” (1927) on Humanities Commons 5 years, 7 months ago
This essay discusses the cinematic representation of Revolution in Sergei Eisenstein’s film Oktiabr’ / October, a film which had a decisive impact on the revolutionary development of film history and theory. I will explore how Revolution can be re-enacted and shown in the medium of cinema, and how this medium is capable of not only staging his…[Read more]
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Anna Hajkova deposited Den Holocaust queer erzaehlen in the group
Queer and Trans German Studies on Humanities Commons 5 years, 8 months agoThis article is a first original exploration of queer Holocaust history, that is same sex desire between Jews who had been deported to ghettos and concentration camps. The prisoner society in the Nazi camps was characterized by wide-reaching homophobia which used construction of sexual deviance as a tool of othering. It brought about…[Read more]
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Anna Hajkova deposited Den Holocaust queer erzaehlen in the group
Holocaust history on Humanities Commons 5 years, 8 months agoThis article is a first original exploration of queer Holocaust history, that is same sex desire between Jews who had been deported to ghettos and concentration camps. The prisoner society in the Nazi camps was characterized by wide-reaching homophobia which used construction of sexual deviance as a tool of othering. It brought about…[Read more]
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Anna Hajkova deposited Den Holocaust queer erzaehlen in the group
History on Humanities Commons 5 years, 8 months agoThis article is a first original exploration of queer Holocaust history, that is same sex desire between Jews who had been deported to ghettos and concentration camps. The prisoner society in the Nazi camps was characterized by wide-reaching homophobia which used construction of sexual deviance as a tool of othering. It brought about…[Read more]
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This article is a first original exploration of queer Holocaust history, that is same sex desire between Jews who had been deported to ghettos and concentration camps. The prisoner society in the Nazi camps was characterized by wide-reaching homophobia which used construction of sexual deviance as a tool of othering. It brought about…[Read more]
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Anna Hajkova's profile was updated on Humanities Commons 5 years, 8 months ago
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Adelheid Heftberger deposited Den Prozess vom Ende her denken – Digitalisierung von Film zur Sicherung und Zugänglichmachung on Humanities Commons 5 years, 8 months ago
The digitisation of analogue film and the archiving
of the digitised material is a complex task and requires
not only technical decisions but also a discussion on how
to make the resulting digitised material accessible. This
contribution will start by outlining the concept of preservation
for film and then present the current state of…[Read more] -
Adelheid Heftberger's profile was updated on Humanities Commons 5 years, 8 months ago
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Adelheid Heftberger's profile was updated on Humanities Commons 5 years, 11 months ago
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William Farrell's profile was updated on Humanities Commons 5 years, 12 months ago
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Adelheid Heftberger deposited Kollision der Kader: Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities in the group
Soviet and Russian history and culture on Humanities Commons 6 years, 2 months agoThis book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of…[Read more]
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Adelheid Heftberger deposited Kollision der Kader: Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities in the group
Film Studies on Humanities Commons 6 years, 2 months agoThis book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of…[Read more]
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Adelheid Heftberger deposited Kollision der Kader: Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities in the group
Digital Humanists on Humanities Commons 6 years, 2 months agoThis book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of…[Read more]
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Adelheid Heftberger deposited Kollision der Kader: Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities on Humanities Commons 6 years, 2 months ago
This book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of…[Read more]
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William Farrell deposited Review of Tim Hitchcock and Robert Shoemaker, London Lives: Poverty, Crime and the Making of a Modern City, 1690–1800 in the group
Digital Humanists on Humanities Commons 6 years, 4 months agoA review of Tim Hitchcock’s and Robert Shoemaker’s book London Lives: Poverty, Crime and the Making of a Modern City, 1690–1800.
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William Farrell deposited Review of Tim Hitchcock and Robert Shoemaker, London Lives: Poverty, Crime and the Making of a Modern City, 1690–1800 on Humanities Commons 6 years, 4 months ago
A review of Tim Hitchcock’s and Robert Shoemaker’s book London Lives: Poverty, Crime and the Making of a Modern City, 1690–1800.
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A response to criticism of Adam Curtis’ documentary film Bitter Lake about the war in Afghanistan. I argue that Curtis is a practitioner of ‘thick description’ and is pioneering a new form of history through the use of audio-visual archives.
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William Farrell's profile was updated on Humanities Commons 6 years, 7 months ago
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William Farrell deposited What’s in the local history collections? on Humanities Commons 6 years, 7 months ago
An overview of the local history collection in the University of Leicester Library, one of the largest in the U.K. Includes a focus on poll books as a source.
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William Farrell deposited Could library book budgets be used to fund open access monographs? on Humanities Commons 6 years, 7 months ago
There are now several open access book publishers using consortia funding models. But library staff on the ground are not always enthusiastic about re-purposing budgets to fund open access books. This post explores the sources of this scepticism.
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