An analysis of criticism of Charles Dickens by his contemporaries G. H. Lewes and Hippolyte Taine. Both assessments address Dickens’s popularity by relying on commonplace concepts from Victorian anthropology. However, Lewes argues for a new form of critical practice addressed to popular fiction and addresses the inadequacy of existing critical…[Read more]

This is the typescript of the Introductory chapter of the book, THE INVENTION OF RACE IN THE EUROPEAN MIDDLE AGES, published on March 8, 2018 by Cambridge UP (503 pp., 8 chapters, 10″ x 7″ format). The book discusses Jews, Muslims, Africans and blackness, Native Americans, Mongols, and the Romani (“Gypsies”) in 7 chapters, including a critical…[Read more]

Analysis of the story of David and the Gibeonites, argues that two different stories have been spliced together.

This New Rheto rical Continuum Chart for Fiction shows a spectral range between individual (New Critical, structuralist, formalist) approach to group-based (socio-rhetorical) approach to fiction in the 21st Century.

This is one of a series of film reviews of Black Panther (2018), directed by Ryan Coogler.

This paper takes a new approach to the contentious area of the etymology of Metatron, applying the lessons learnt from biblical folk-etymologies which have been shown to actively influence the writing of narratives. In the first section one such possible folk-etymology is proposed, based around the sequence TTR as a Divine Name in Metatron, along…[Read more]

A Robert Brownian Dramatic Dialogue

A Robert Brownian Dramatic Dialogue

Whatever your theory and whatever your fandom, you don’t have to abandon it to do affect theory. This is because affect theory isn’t about telling you which side to pick in an agonistic contest; it’s about finding out what a body can do as it moves with other bodies in entangled states, whether or not we notice them. Affect theory offers more…[Read more]

This article examines Sphinx, the debut novel of the French novelist Anne Garréta, which was recently published in English translation in 2015. The reception of Sphinx in both French and English has focused primarily on Garréta’s virtuosic removal of gender from a love story, passing over a caricatural and crude rendering of racial difference tha…[Read more]

Theoretical discussion of law and narrative and their interaction in biblical historiography.

Literary and historical analysis of the passage at Num 9:1–14

Presents a new compositional history of the centralization law.

In this essay I sketch an outline of how the book of Isaiah presents its politics, working from the assumption—based on the research of Peter Ackroyd and others—that the presentation of Isaiah, the prophet, in the book’s opening chapters is key. I end up arguing that the book advocates for Davidic politics, as others have claimed, but that its d…[Read more]

In this essay I sketch an outline of how the book of Isaiah presents its politics, working from the assumption—based on the research of Peter Ackroyd and others—that the presentation of Isaiah, the prophet, in the book’s opening chapters is key. I end up arguing that the book advocates for Davidic politics, as others have claimed, but that its d…[Read more]

In this essay I sketch an outline of how the book of Isaiah presents its politics, working from the assumption—based on the research of Peter Ackroyd and others—that the presentation of Isaiah, the prophet, in the book’s opening chapters is key. I end up arguing that the book advocates for Davidic politics, as others have claimed, but that its d…[Read more]

Applies theory of literature as simulation speech to argue that knowledge of the Lord is not reflected in texts of the Hebrew Bible but created by them.

Applies theory of literature as simulation speech to argue that knowledge of the Lord is not reflected in texts of the Hebrew Bible but created by them.

Applies theory of literature as simulation speech to argue that knowledge of the Lord is not reflected in texts of the Hebrew Bible but created by them.