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Wladimir Fischer-Nebmaier deposited Von Einschusslöchern und Gesäßabdrücken. Spuren von MigrantInnen aus der südöstlichen Peripherie in Wiens Großstadttextur um 1900 in the group
Immigration and the Arts on Humanities Commons 6 years, 1 month agoHow did migrants’ presence manifest itself in the Vienna urban space and how can we study it?
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Olivia Louvel deposited The Sculpted Voice: an exploration of voice in sound art in the group
Women in the Arts on Humanities Commons 6 years, 2 months agoThe author is examining the interplay between voice and sculpture, within the field of sound art. The term ‘sculpture’ has been appropriated by many artists to define their work with the voice. Exploring the sculpted voice, three main categories are here identified: the plastic dimension of voice as a sculptable material, the sculptural…[Read more]
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Randye Jones deposited Appendix 8 – Art Songs by African American Composers in Musical Anthologies in the group
Women in the Arts on Humanities Commons 6 years, 3 months agoAvailability of vocal music scores compilations containing art songs by African American composers. Supplemental content accompanying the book, So You Want to Sing Spirituals.
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Swati Arora deposited Be a Little Careful: Women, Violence and Performance in India in the group
Women in the Arts on Humanities Commons 6 years, 6 months agoThe essay analyzes a contemporary Indian feminist performance, Thoda Dhyaan Se (A Little Carefully, 2013), by framing it in the spatial ecosystem of the city of Delhi and explores its engagement with the feminist movement and the national imaginary of India. It examines the workings of the cultural economy of the city to discuss the effect of its…[Read more]
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Mechtild Widrich deposited The Fourth Wall turns Pensive and VALIE EXPORT’s Body Cinema in the group
Art’s Impact on Society on Humanities Commons 6 years, 7 months agoA text on feminist 1970s avant-garde performance for the camera (Hannah Wilke, Birgit Jürgenssen, Ana Mendieta, Eleanor Antin) and the implications of the “wall” (lense) for the relationship between work and audience, as well as a text on VALIE EXPORT’s Touch Cinema (1968).
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Eva Weinmayr deposited Library Underground – a reading list for a coming community in the group
Diversity in the Arts on Humanities Commons 6 years, 7 months ago“In capitalism, institutional libraries, publishers and book traders all have ways to suppress the publishing of, the access to or the distribution of texts and books — rigidities inviting for creative subversion.”
This chapter written in the form of a dialogue presents an informal conversation between Eva Weinmayr and her inner voice about a…[Read more]
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Eva Weinmayr deposited Confronting Authorship, Constructing Practices (How Copyright is Destroying Collective Practice) in the group
Diversity in the Arts on Humanities Commons 6 years, 7 months agoIn this chapter I investigate the coercive relationship between authorship and copyright from the perspective of intersectional feminist and de-colonial knowledge practices. Examining three artistic strategies (Richard Prince, Cady Noland and the Piracy Project) which all try to challenge the close ties between copyright and authorship – a…[Read more]
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Behnam M. Fomeshi deposited The Persian Whitman: Beyond a Literary Reception in the group
Arts and Humanities Funding on Humanities Commons 6 years, 7 months agoWalt Whitman, a world poet and the father of American free verse, has been received by diverse audiences from around the world. Literary and cultural scholars have studied Whitman’s interaction with social, political and literary movements of different countries. Despite his continuing presence in Iran, Whitman’s reception in this country has rem…[Read more]
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Anne Swartz deposited Review: Junctures in Women’s Leadership: The Arts By Judith K. Brodsky and Ferris Olin in the group
Women in the Arts on Humanities Commons 6 years, 9 months agoThis review examines Judith K. Brodsky and Ferris Olin’s book Junctures in Women’s Leadership: The Arts, published by Rutgers University Press in 2018.
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Christina Spiker deposited Nostalgic Femininity / From Flowers to Warriors: Japanese Woodblock Prints in the St. Catherine University Archives & Special Collections in the group
Women in the Arts on Humanities Commons 6 years, 9 months agoThe prints featured in this exhibition are all products of the Meiji period (1868–1912), a time of massive cultural and institutional transformation in Japanese culture. The era is characterized by rapid westernization brought about after the opening of Japanese ports in 1854 and the subsequent restoration of the Meiji Emperor in 1868. The p…[Read more]
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Anne Swartz deposited Karen Finley in the group
Women in the Arts on Humanities Commons 6 years, 10 months agoThis article is an encyclopedia entry in the Grove Encyclopedia of American Art.
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Anne Swartz deposited Louise Fishman in the group
Women in the Arts on Humanities Commons 6 years, 10 months agoThis article is an encyclopedia entry in the Grove Encyclopedia of American Art.
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Anne Swartz deposited Louise Nevelson in the group
Women in the Arts on Humanities Commons 6 years, 10 months agoThis article is an encyclopedia entry in the Grove Encyclopedia of American Art.
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Anne Swartz deposited Lucinda Childs in the group
Women in the Arts on Humanities Commons 6 years, 10 months agoThis article is an encyclopedia entry in the Grove Encyclopedia of American Art.
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Anne Swartz deposited Martha Wilson in the group
Women in the Arts on Humanities Commons 6 years, 10 months agoThis article is an encyclopedia entry in the Grove Encyclopedia of American Art.
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Anne Swartz deposited “Epilogue: The Feminist Art Program” in the group
Women in the Arts on Humanities Commons 6 years, 10 months agoA short discussion of The Feminist Art Project’s inception.
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