Av. Duque d’Avila 24 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98462953) . 4 September 2022. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively…[Read more]

Palacete na Rua Dr Alexandre Braga ODIVELAS PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q66814413). 10 October 2021. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture…[Read more]

Parque de Delfim Guimaraes AMADORA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98940408). 29 September 2018. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain…[Read more]

Quinta das Ameias, Areeiro, LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98286048). Ruins. (Quinta das Ameias, aka Casal Vistoso, aka Antigo Solar da Boa Vista). 7 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and…[Read more]

Igreja do Antigo Convento de Arroios LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q74474004). Current Ukrainian Church in Lisbon. 25 May 2022. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of…[Read more]

Ermida de Sao Marcos, CACEM & SAO MARCOS, PORTUGAL, Photographed by Ph.G. de MENDONCA (Wikidata Q98427581). (Chapel / Church). Ermida de São Marcos, Cacém e São Marcos, PORTUGAL, Photographed by Ph.G. de MENDONCA (Wikidata Q98427581). 25 May 2022. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at…[Read more]

Campo dos Martires da Patria 11 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98969072). Palacete no Campo dos Mártires da Pátria 11 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98969072). 20 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the re…[Read more]

Antiga Fabrica de Gas da Matinha LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q90334721). Conjunto de estruturas industriais na área da antiga Fábrica de Gás da Matinha (gasómetro). 8 May 2022. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and comm…[Read more]

Palácio da Flor da Murta LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q10343989). 29 May 2022. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively w…[Read more]

Liceu Passos Manuel LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q10317952). 29 May 2022. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively with…[Read more]

Atrium Saldanha LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q757743). 6 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively with…[Read more]

Av. Duque d’Avila 28-30 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98462938). 6 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain…[Read more]

Av. Duque d’Avila 26 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98462943). 6 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively…[Read more]

In this paper, I interview Dr Helen Wickstead, director of Recycle Archaeology about the reuse of usually discarded archaeological materials as an alternative to disposal. I explain through recent pilot projects partnered with Recycle Archaeology, how archaeological materials can be used by students, researchers, artists and the public to create…[Read more]

A selection of more than 5000 place Spanish Names from the Iberian Peninsula, presented in alphabetic order and showing their meaning when well established, or listing the known alternatives in cases where a single etymology cannot be ascertained.

A venezuelana Margot Benacerraf realizou, nos anos 1950, dois filmes de grande repercussão. As relações entre tais obras, o projeto de cinema da diretora e o Nuevo Cine Latinoamericano (NCL) são muitas. Porém, Benacerraf quase não é citada nas publicações sobre esse movimento. Pretendemos, neste artigo, demonstrar que: 1) Benacerraf é uma (não)…[Read more]

Este artículo se propone reflexionar sobre los vínculos entre historia, memoria y subjetividad en los documentales “Cuchillo de palo” (Renate Costa, 2010), “Sibila” (Teresa Arredondo, 2012) y “Os dias com ele” (Maria Clara Escobar, 2013), que entablan un diálogo con la memoria colectiva a partir de recuerdos personales e historias de vida, y cu…[Read more]

Lucrecia Martel has made only four feature films to date, but has nonetheless become one of the world’s most admired directors. Her work is extraordinarily sensitive to the limits of sensory perception, the limits imposed by gender roles, and the limits of empathy and affect across social divisions. This edited collection broadens the critical c…[Read more]