Cultural Studies
New Book: Festschrift for Jürgen Thym–Music: A Connected Art (on Lieder, etc.)
1 voice, 0 replies
Viewing 0 reply threads
Viewing 0 reply threads
- You must be logged in to reply to this topic.
Cultural Studies
Tagged: Broadway musicals, concert life, Fanny Hensel, Faust in opera, festschrift, Franz Schubert, German lieder, Johann Sebastian Bach, John Cage, Joseph Maria Müller-Blattau, Jürgen Thym, Louise Otto, Ludwig van Beethoven, Manfred Winkler, Marie Hinrichs, music and psychology, music history, musical cryptography, musicology, Niels Gade, Nineteenth-century music, origins of music, pedagogy of music history, Robert Schumann, Sarah Nemtsov, Simone Vesi, William Albright, word-music relations
PUBLICATION ANNOUNCEMENT
New book…..
Music: A Connected Art / Die Illusion der absoluten Musik: A Festschrift for Jürgen Thym on His 80th Birthday
–Jürgen Thym, longtime musicology professor at the University of Rochester’s Eastman School of Music, just turned 80, and a festschrift in his honor—written and edited over the past three years—was officially published on the same day. https://www.liquidmusicology.org/aktuelles/2023jul-festschrift-juergen-thym/
–The (double-)title of the book is Music: A Connected Art / Die Illusion der absoluten Musik.
–Six of the 28 chapters are in German, the remaining 22 are in English. The book also contains greetings and reminiscences from other colleagues, including the late Robert S. Freeman, longtime Director of the Eastman School. The contributors and their topics are at the link given above. To whet the appetite, the names of the contributors are given below as well. (The co-editors, each of whom also contributed a chapter, are Ulrich J. Blomann, David B. Levy, Ralph P. Locke, and Frieder Reininghaus.)–No surprise, many of the most distinguished scholars working on nineteenth-century German and Austrian music, especially art song, have contributed. (JT is perhaps most widely known for his studies of text-music relations in German lieder.)–But there are also chapters on Broadway musicals, on musical life during the Nazi era, about the future viability of classical-music concerts, about the origins of music-making among the earliest humans, about the pedagogy of music history, about recent composers (e.g., William Albright, Sarah Nemtsov, John Adams, Leonardo Balada), early music (e.g, Simone Vesi and J. S. Bach), and much, much more.–A special feature: the volume also includes two new piano pieces written for the occasion by renowned composers Samuel Adler and Luca Lombardi.
–Here are the authors of the 28 chapters.
Theodore Albrecht
David Beach
Ulrich J. Blomann
Lorraine Byrne Bodley
Seth Brodsky
Michael Broyles
Caroline Ehman
Wilfried Gruhn
Rufus Hallmark
Rob Haskins
Hanns-Werner Heister
Kim H. Kowalke
Harald Krebs
David B. Levy
Ralph P. Locke
Yonatan Malin
Hartmut Möller
Mary Natvig
Douglas Reed
Frieder Reininghaus
Albrecht Riethmüller
Marie Rolf
Jennifer Ronyak
Stephen Rodgers
Kerala J. Snyder
Larry Todd
Matthew Valverde
Susan Youens
–The full table of contents is attached. It can also be found, along with the Introduction by the four co-editors, at https://www.liquidmusicology.org/aktuelles/2023jul-festschrift-juergen-thym/.
—Copies can be purchased directly from the publisher (Verlag Valentin Koerner, Baden-Baden: https://www.koernerverlag.de/) or, in time, from booksellers elsewhere.
For the four co-editors,
Ralph P. Locke
Emeritus Professor of Musicology, Eastman School of Music/University of Rochester
Research Affiliate, University of Maryland/College Park
Series Editor, Eastman Studies in Music (University of Rochester Press)
Advisory Editor, Music & Musical Performance: An International Journal
Selected list of publications: https://www.esm.rochester.edu/directory/locke-ralph/.