This reading group accompanies the Post-Publishing research theme at the Centre for Postdigital Cultures. In response to the ongoing enclosure of knowledge infrastructures and services, we will discuss ways to reimagine the relationalities of academic publishing and how to experiment with open, not-for-profit, community-led models based on care and custodianship instead. This reading group is open for all to join.
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Our website with more information on the readings and practicalities: https://cmkp.hcommons-staging.org/
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Annotation via hypothes.is? Use https://via.hypothes.is/ and paste the link of your document in there – easy as pie đ
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Zotero reading group library: https://www.zotero.org/groups/2529654/commoning_the_means_of_knowledge_production
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Virtual meeting room at: http://webinar.coventry.ac.uk/cpc-reading-groups/ (Username of your choice, password: CPCReading20 )
Files List
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Bacevic - Unthinking Knowledge Production: From Post-Covid to Post-Carbon Futures
Bacevic, J. (2021) âUnthinking Knowledge Production: From Post-Covid to Post-Carbon Futuresâ. Globalizations 18 (7), 1206â1218
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Stengers, I. (2017) Another Science Is Possible: A Manifesto for Slow Science.
Stengers, I. (2017) Another Science Is Possible: A Manifesto for Slow Science. 1st edition. trans. by Muecke, S. CambridgeâŻ; Medford, MA: Polity. Chapter 5: ââAnother Science is Possible!â A Plea for Slow Scienceâ.
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Baillot, A. (2023) From Handwriting to Footprinting: Text and Heritage in the Age of Climate Crisis. Open Book Publishers. Chapter 3: What the Climate Crisis Does to Text
This chapter proposes a reassessment of the quality criteria for digital text developed in the previous chapter in the light of the climate crisis. It considers the environmental cost of the quantity, quality, circulation and complexity of information that has now been reached in north-western countries. Elaborating on criteria for measuring the environmental impact of text production, dissemination and preservation, this chapter envisions tomorrow's strategies for textual content in a context of greater respect for the limited natural resources that are at our disposal, arguing that the limited environmental weight of raw digital text calls for a reassessment of its role in preservation strategies. This chapter closes with a self-reflexive case study dedicated to the carbon footprint of the book From Handwriting to Footprinting itself.
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Dissapropriation chapter Rivera Garza
Garza, Cristina Rivera (2020). The Restless Dead: Necrowriting and Disappropriation.
Tennessee: Vanderbilt University Press, 2020.From the chapter on Disappropriation â Writing with and for the Dead, we will read and discuss from page 52 (Disappropriation:A poetics of community) until page 56 (first paragraph, ending with "how the community will produce and reproduce itself". (pp 43-78)
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Introduction Rivera Garza
Garza, Cristina Rivera (2020). The Restless Dead: Necrowriting and Disappropriation.
Tennessee: Vanderbilt University Press, 2020.From the Introduction, we will read and discuss from last paragraph on page 3 ("Writing against the status quo") until page 7 (first paragraph ending:"of what occurs.") (pp 0-20)
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Ken Chen, âAuthenticity Obsession, or Conceptualism as Minstrel Showâ, Asian American Writersâ Workshop, 11 June 2015
Starting from Kenneth Goldsmiths' appropriation of the autopsy of police-murdered Michael Brown as a piece of conceptual poetry, Ken Chen asks challenging questions about the way this incident was not an accident.
From reading this text, we understood that an anti-colonial, feminist practice of Open Content would need to formulate âa politics of appropriationâ. Without it, it risks repeating the colonial/white (?) gesture of treating the world as resource (primary, ârawâ material, dry text, pure content, pure evidence, anthropology), âto render it dumbly into thingsâ, mere material to own; a site of violation; or simply something to instrumentalize (PDF, p.2)
" What is the line separating one writer as a poet of witness and another as a poet of expropriationâand what prevents either from being a producer of the kitsch of atrocity?
Conceptual Poetry has no politics of appropriation. One could say that the movementâs major theoretical texts spend significantly more time discussing, say, John Cage, Sol Le Witt, and Walter Benjamin than they do the power relations of cultural exchange (PDF page 11)"
We would ask you to read the text beforehand, and then when we meet, we will read some parts together more closely.
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Extinction Internet - Geert Lovink
Extinction Internet is Geert Lovinkâs inaugural lecture, held on November 18, 2022 as Professor of Art and Network Cultures, within Modern and Contemporary Art History, Faculty of Humanities, University of Amsterdam.
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Constant, CC4r
Constant, âCC4r * Collective Conditions for Re-Useâ, 6 October 2020.
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Jara Rocha and Seda GĂźrses, âA Catalog of Formats for Digital Discomfortâ
Jara Rocha and Seda GĂźrses, âA Catalog of Formats for Digital Discomfortâ (The Institute for Technology in The Public Interest/Digital Life Initiative, 2021). Constant, âCC4r * Collective Conditions for Re-Useâ, 6 October 2020, https://constantvzw.org/wefts/cc4r.en.html.
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Rita Raley, Tactical Media (Minneapolis: University of Minnesota Press, 2009).
Tactical media describes interventionist media art practices that engage and critique the dominant political and economic order. Rather than taking to the streets and staging spectacular protests, the practitioners of tactical media engage in an aesthetic politics of disruption, intervention, and education. From They Rule, an interactive map of the myriad connections between the worldâs corporate and political elite created by Josh On and Futurefarmers, to Black Shoals, a financial market visualization that is intended to be both aesthetically and politically disruptive, they embrace a broad range of oppositional practices. In Tactical Media, Rita Raley provides a critical exploration of the new media art activism that has emerged out of, and in direct response to, postindustrialism and neoliberal globalization. Through close readings of projects by the DoEAT group, the Critical Art Ensemble, Electronic Civil Disobedience, and other tactical media groups, she articulates their divergent methods and goals and locates a virtuosity that is also boldly political. Contemporary models of resistance and dissent, she finds, mimic the decentralized and virtual operations of global capital and the post-9/11 security state to exploit and undermine the system from within. Emphasizing the profound shift from strategy to tactics that informs new media art-activism, Raley assesses the efficacy of its symbolic performances, gamings, visualizations, and hacks. With its cogent analyses of new media art and its social impact, Tactical Media makes a timely and much needed contribution to wider debates about political activism, contemporary art, and digital technology.
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Jeff Pooley, âSurveillance Publishingâ.
Pooley, J. (2022) âSurveillance Publishingâ. The Journal of Electronic Publishing [online] 25 (1). available from
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'Misleading metrics' and the ecology of scholarly publishing.
Kirsten Bell. 2018. 'Misleading metrics' and the ecology of scholarly publishing. In Predatory Publishing. Post Office Press, Rope Press and punctum books, pp. 26-33. https://doi.org/10.17613/M6N58CK3D
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An Instrument for Adoration: A Mini-Manifesto Against Metrics for the Humanities
Eileen A. Fradenburg Joy, ââAn Instrument for Adorationâ: A Mini-Manifesto Against Metrics for the Humanities (To Be Elaborated Upon at a Further Date),â in Humane Metrics/Metrics Noir (Coventry: Post Office Press, 2018), pp 26-33. https://hcommons-staging.org/deposits/item/hc:19823/.
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Number crunching: transforming higher education into âperformance dataâ
Number crunching: transforming higher education into âperformance dataâ
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Trying to Say âNoâ to Rankings and Metrics Case Studies from Francophone West Africa, South Africa, Latin America and the Netherlands
Trying to Say âNoâ to Rankings and Metrics
Case Studies from Francophone West Africa, South Africa, Latin America and the Netherlands -
Marres and De Rijcke, âFrom Indicators to Indicating Interdisciplinarity'
Marres, Noortje, and Sarah de Rijcke. âFrom Indicators to Indicating Interdisciplinarity: A Participatory Mapping Methodology for Research Communities in-the-Makingâ. Quantitative Science Studies, 29 June 2020, 1041â55.
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Extract from Sharpe, Christina Elizabeth. 2016. In the Wake: On Blackness and Being. Durham: Duke University Press.
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Love (2010) Truth and Consequences: On Paranoid Reading and Reparative Reading
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Sedgwick, E. 1997. âParanoid Reading and Reparative Reading, or, Youâre so Paranoid, You Probably Think This Introduction Is about Youâ.
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Zaveri (2020) Gender and Equity in Openness: Forgotten Spaces