The term “Paranomia” has multiple meanings, one of them being that which exists alongside the normative.  In his inquiry into the entangled aspects of science and contemporary art, Christoph Keller draws a compelling outline of how knowledge is derived in these respective fields. The present publication assembles a series of texts, interviews, works, and projects around this topic.

With contributions by Bernard Blistène, Horst Bredekamp, Jimena Canales, Sarah Demeuse, Heike Catherina Mertens, Ana Teixeira Pinto, Manuel Raeder, Detlef Thiel, and Joseph Vogl.