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Zachary Kendal changed their profile picture on Humanities Commons 3 years ago
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Zachary Kendal's profile was updated on Humanities Commons 3 years ago
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Zachary Kendal deposited Science Fiction’s Ethical Modes: Totality and Infinity in Isaac Asimov’s Foundation Trilogy and Yevgeny Zamyatin’s Мы (We) in the group
Utopian Studies on Humanities Commons 4 years agoThis chapter asks whether science fiction (SF) has a predisposition to a particular ethical orientation. Rather than seek a single answer to this question of SF’s ethics, Kendal examines two classic SF texts and the traditions they represent: Isaac Asimov’s Foundation trilogy (1951–1953), one of the most iconic series of SF’s American “golden…[Read more]
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Zachary Kendal deposited Science Fiction’s Ethical Modes: Totality and Infinity in Isaac Asimov’s Foundation Trilogy and Yevgeny Zamyatin’s Мы (We) in the group
Speculative and Science Fiction on Humanities Commons 4 years agoThis chapter asks whether science fiction (SF) has a predisposition to a particular ethical orientation. Rather than seek a single answer to this question of SF’s ethics, Kendal examines two classic SF texts and the traditions they represent: Isaac Asimov’s Foundation trilogy (1951–1953), one of the most iconic series of SF’s American “golden…[Read more]
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Zachary Kendal deposited Science Fiction’s Ethical Modes: Totality and Infinity in Isaac Asimov’s Foundation Trilogy and Yevgeny Zamyatin’s Мы (We) on Humanities Commons 4 years ago
This chapter asks whether science fiction (SF) has a predisposition to a particular ethical orientation. Rather than seek a single answer to this question of SF’s ethics, Kendal examines two classic SF texts and the traditions they represent: Isaac Asimov’s Foundation trilogy (1951–1953), one of the most iconic series of SF’s American “golden…[Read more]
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Zachary Kendal's profile was updated on Humanities Commons 4 years ago
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Zachary Kendal changed their profile picture on Humanities Commons 4 years ago