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Geraldine Auerbach started the topic Putting COZ to bed in the discussion
Jewish Music on Humanities Commons 3 years, 3 months agoPutting COZ to Bed
Dear Friends and Colleagues
Although you said you would like COZ to continue, in practical terms, we find that our lives, and probably yours too, have filled up and we are simply not able to run the programme going forward. So, COZ will be on Sabbatical for the moment.
We are gratified to know that COZ has served a…[Read more]
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Geraldine Auerbach started the topic ECA Cantors Convention, Budapest 2-7 November 2022 in the discussion
Jewish Music on Humanities Commons 3 years, 4 months agoDear Friends
I thought some of you will be interested in attending the ECA 14th Cantors Convention, to be held in Budapest from Wednesday 2 November (12:00) – to Monday 7 November (13:00) Celebrating the 150th anniversary of the Rumbach synagogue.
This feast of the very best in the music of Jewish prayer is open to everybody – not just c…[Read more]
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Geraldine Auerbach replied to the topic COZ this comng week in the discussion
Jewish Music on Humanities Commons 3 years, 7 months agoDear friends and colleagues
Don’t miss the last meeting this season
COZ 85, Tuesday June 28György Kurtág’s Kafka
William Kinderman discusses with Malcolm Miller
Alienation and Consolation in Kurtág’s Kafka Fragments for Soprano and ViolinMore details here: https://jewishmusic.hcommons-staging.org/coz-85-tuesday-28-june-2022/
If you…[Read more]
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Geraldine Auerbach replied to the topic COZ this comng week in the discussion
Jewish Music on Humanities Commons 3 years, 7 months agoDear friends and colleagues,
Please join us TOMORROW for
COZ 83, Tuesday June 14Laughing at Hitler: Soviet Yiddish
Music and Humour during WWIIA lecture-concert with
Anna Shternshis and
Psoy KorolenkoBased on a recently discovered archive in the Ukrainian National library, this lecture-concert presents a number of Yiddish songs…
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Geraldine Auerbach replied to the topic Synagogue Music Interest in the discussion
Jewish Music on Humanities Commons 3 years, 7 months agoDear Colleagues and Friends
we are happy to announce the 14th ECA Cantors Convention, 2022 that will take place at the Rumbach Street Synagogue, Budapest
Wednesday 2 November (13:00) – Monday 7 November (13:00)
Re-invigorating Nusach for the 21st Century
Faculty includes
Asher Hainovitz (Jerusalem), Benny Rogosnitzky (New York) Beny Maissner (…[Read more] -
Geraldine Auerbach replied to the topic COZ this comng week in the discussion
Jewish Music on Humanities Commons 3 years, 7 months agoDear friends and colleagues,
Please join us TOMORROW for
COZ 82, Tuesday June 7Composer in focus
Michael Hunter Ochs in conversation with Lorry Black
In this session, famed composer of both synagogue and popular music, Michael Hunter Ochs will be in conversation with Dr Lorry Black, to discuss how we write, arrange, and continue to develop new…[Read more] -
Geraldine Auerbach replied to the topic COZ this comng week in the discussion
Jewish Music on Humanities Commons 3 years, 8 months agoDear friends and colleagues,
Please join us for
COZ 81, Tuesday May 31
Jewish music investigations from scholars of the American Musicological Society
Moderated by Mark Kligman (UCLA) features
Amanda Ruppenthal Stein, Ann Glazer Niren, Samantha M CooperAmanda Ruppenthal Stein (Carroll University)
Judentum and Das Judentum: Rethinking the…[Read more] -
Geraldine Auerbach replied to the topic COZ this comng week in the discussion
Jewish Music on Humanities Commons 3 years, 8 months agoDear friends and colleagues,
Please join us for
COZ 80, Tuesday May 24
The Music of Paul ShapiroPaul Shapiro in conversation with
Jeff JaneczkoClick here to find out more
‘Conversations on Zoom’
Every Tuesday: 09:00 Pacific time / 12.00 Eastern USA / 17:00 UK / 18:…[Read more] -
Stefan Münnich deposited Encoding Scores for Electronic Music in the group
Music Encoding Initiative on Humanities Commons 3 years, 8 months agoA perspective on the specific issues of music encoding dealing with Electronic Music is presented. In many cases the works to be discussed exist in a fixed media format and hence no prescriptive score is necessary to facilitate a ‘valid’ performance. While there are a number of descriptive scores for pieces of Electronic Music, these are to be tre…[Read more]
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Stefan Münnich deposited Annotation of Medieval Music Facsimiles Using ‘Good Enough’ OMR in the group
Music Encoding Initiative on Humanities Commons 3 years, 8 months agoThe Clausula Archive of the Notre Dame Repertory (CANDR) is an in-progress PhD project with the aim of cataloguing, transcribing and analysing digital facsimiles of the thirteenth-century repertory commonly termed Notre Dame polyphony, and a secondary aim of providing new datasets and analytical tools for studying medieval polyphony. This poster…[Read more]
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Stefan Münnich deposited Font Design of Psaltic (Byzantine) Notation for Greek Musical Repertoires in the group
Music Encoding Initiative on Humanities Commons 3 years, 8 months agoThe possibility of rendering scores of Greek Chant repertoires from the 3rd to the 21st century A.D. with the use of the computer opens new horizons in musicological research. In this poster a synoptic overview concerning the historical development of notational types used for Greek chants is given. This is followed by a record of various fonts…[Read more]
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Stefan Münnich deposited ODD Structures and Where to Find Them in the group
Music Encoding Initiative on Humanities Commons 3 years, 8 months agoIn the past twenty years, the technical setup of the Music Encoding Initiative (MEI) data framework has been adjusted several times. Each of those transitions was motivated by the wish to improve the ways in which MEI could be integrated with other formats, to simplify the maintenance of MEI, and to encourage more people to actively contribute to…[Read more]
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Stefan Münnich deposited Diagrammatic Analysis of J.S. Bach’s The Well-Tempered Clavier Fugues, BWV 846–851 in the group
Music Encoding Initiative on Humanities Commons 3 years, 8 months agoThe field of musicology is constantly being enriched with digital, searchable music data. This trend opens new research possibilities; conversely, it requires new abilities to work with numerous data sets efficiently. Digital tools facilitate searching large music corpora and serve music analysis well. Nevertheless, there is still a potential to…[Read more]
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Stefan Münnich deposited Visualizing Harmony Using Chordal Glyphs and Color Mapping in the group
Music Encoding Initiative on Humanities Commons 3 years, 8 months agoMusical scores are frequently annotated with harmonic information, but widely used text-based methods rely on a limited number of visual channels. Though glyph-based methods exploit more channels, existing systems often violate perceptual design principles when employing color and rarely capture the frequency of chordal changes or their harmonic…[Read more]
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Stefan Münnich deposited Towards a Unified Model of Chords in Western Harmony in the group
Music Encoding Initiative on Humanities Commons 3 years, 8 months agoChord-based harmony is an important aspect of many types of Western music, across genres, regions, and historical eras. However, the consistent representation and comparison of harmony across a wide range of styles (e.g., classical music, Jazz, Rock, or Pop) is a challenging task. Moreover, even within a single musical style, multiple theories of…[Read more]
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Stefan Münnich deposited MEI Meets NFDI4Culture in the group
Music Encoding Initiative on Humanities Commons 3 years, 8 months agoNFDI4Culture is the consortium for research data on material and immaterial cultural heritage and offers a user-centered and research-led infrastructure. By focusing on the digital capture as well as data-based research of cultural assets, NFDI4Culture brings together different disciplines in their research interests but also in terms of their…[Read more]
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Stefan Münnich deposited The OpenScore Lieder Corpus in the group
Music Encoding Initiative on Humanities Commons 3 years, 8 months agoMEC 2021 BEST POSTER AWARD. The OpenScore Lieder Corpus is a collection of over 1,200 nineteenth century songs encoded by a dedicated team of mostly volunteers over several years. Having reported on the initial phase, motivations, design, and community-oriented aspects of the project before, we present here the first, stable, large-scale release…[Read more]
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Stefan Münnich deposited The PROFMUS Application: Development, Status, and Future Progress in the group
Music Encoding Initiative on Humanities Commons 3 years, 8 months agoPROFMUS is a collaborative project that aims to carry out the research and consolidation of information to support further research about the Portuguese musicians active in the period from 1750 to 1986. The information to be collected must include as many relevant attributes as possible, especially about their academic background, professional…[Read more]
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Stefan Münnich deposited Beethoven in the House: Digital Studies of Domestic Music Arrangements in the group
Music Encoding Initiative on Humanities Commons 3 years, 8 months agoPerformance of music in the home was the means by which most works were received before the advent of audio recordings and broadcasts, yet the notation sources that form our primary record of this culture have not been the subject of comprehensive or methodical study. Choices made by arrangers adapting music for domestic consumption – of i…[Read more]
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Stefan Münnich deposited United, Linked, Connected – A Data Model for the Inventory of the Former Detmold Court Theatre (1825–1875), or: How Library Inventory History Can also Be Told in the group
Music Encoding Initiative on Humanities Commons 3 years, 8 months agoLibrary forms of cataloging may differ greatly from the cataloging requirements of musicological research projects: They are often not detailed enough and do not take a close enough look at aspects of content relevant to research, such as handwritten entries in materials, etc. Library catalog entries of individual documents stand on their own for…[Read more]
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