Global Indigeneity
Considers theoretical and political questions raised by the model of “trans-indigeneity” paying attention to indigenous mythologies, histories of settler colonialism, and questions of comparison, translation, resistance, language, and appropriation. 300-word abstract and short bio.
Deadline for submissions: Friday, 20 Mar…[Read more]

Global Indigeneity
Considers theoretical and political questions raised by the model of “trans-indigeneity” paying attention to indigenous mythologies, histories of settler colonialism, and questions of comparison, translation, resistance, language, and appropriation. 300-word abstract and short bio.
Deadline for submissions: Friday, 20 Mar…[Read more]

Global Indigeneity
Considers theoretical and political questions raised by the model of “trans-indigeneity” paying attention to indigenous mythologies, histories of settler colonialism, and questions of comparison, translation, resistance, language, and appropriation. 300-word abstract and short bio.
Deadline for submissions: Friday, 20 Mar…[Read more]

Global Indigeneity
Considers theoretical and political questions raised by the model of “trans-indigeneity” paying attention to indigenous mythologies, histories of settler colonialism, and questions of comparison, translation, resistance, language, and appropriation. 300-word abstract and short bio.
Deadline for submissions: Friday, 20 Mar…[Read more]

Global Indigeneity
Considers theoretical and political questions raised by the model of “trans-indigeneity” paying attention to indigenous mythologies, histories of settler colonialism, and questions of comparison, translation, resistance, language, and appropriation. 300-word abstract and short bio.
Deadline for submissions: Friday, 20 Mar…[Read more]

Giovanni Boccaccio, Decameró, translated into Catalan by Maria Aurèlia Capmany

Juan Ruiz may or may not be the author of the Libro de buen amor (‘Book of Good Love’) (ca. 1335), a confusing miscellany of songs, fables, and first-person misadventures of a priest very much unlucky in love.

The English version has an introduction and notes in English, with the primary text in facing medieval Castilian/English translation.…[Read more]

Don Juan Manuel’s Conde Lucanor (ca. 1335) is a frametale or collection of tales contained within another tale. The fictional Count Lucanor’s advisor, Patronio, narrates to the Count a series of exemplary tales meant to teach the audience how to navigate to one’s advantage a number of political situations. Here editors Savo and Cossío present a…[Read more]

Don Juan Manuel’s Conde Lucanor (ca. 1335) is a frametale or collection of tales contained within another tale. The fictional Count Lucanor’s advisor, Patronio, narrates to the Count a series of exemplary tales meant to teach the audience how to navigate to one’s advantage a number of political situations. Here editors Savo and Cossío present a…[Read more]

This is a pedagogical edition of a selection of el Cantar de Mio Cid (ca. 1200) with a short general introduction, notes, and brief bibliography. The edition and translation are by Matthew Bailey (2019). This unit is part of Open Iberia/América, an open access, online teaching anthology of texts from the premodern Hispanic world.…[Read more]

Edition and Translation of el Cantar de Mio Cid, a 12th/13th-century epic poem from Castile, Spain. Edition and translation by Matthew Bailey, 2019. This is a pedagogical edition/translation with a short general introduction, notes, and a bibliography of relatively accessible chapters and books. This unit is part of Open Iberia/américa, an…[Read more]

Edition and Translation of el Cantar de Mio Cid, a 12th/13th-century epic poem from Castile, Spain. Edition and translation by Matthew Bailey, 2019. This is a pedagogical edition/translation with a short general introduction, notes, and a bibliography of relatively accessible chapters and books. This unit is part of Open Iberia/américa, an…[Read more]

Don Juan Manuel’s Conde Lucanor (ca. 1335) is a frametale or collection of tales contained within another tale. The fictional Count Lucanor’s advisor, Patronio, narrates to the Count a series of exemplary tales meant to teach the audience how to navigate to one’s advantage a number of political situations. Here editors Savo and Cossío present a…[Read more]

Don Juan Manuel’s Conde Lucanor (ca. 1335) is a frametale or collection of tales contained within another tale. The fictional Count Lucanor’s advisor, Patronio, narrates to the Count a series of exemplary tales meant to teach the audience how to navigate to one’s advantage a number of political situations. Here editors Savo and Cossío present a…[Read more]

This is a pedagogical edition of a selection of el Cantar de Mio Cid (ca. 1200) with a short general introduction, notes, and brief bibliography. The edition and translation are by Matthew Bailey (2019).

This unit is part of Open Iberia/América, an open access, online teaching anthology of texts from the premodern Hispanic world.…[Read more]

This article reviews With Great Power Comes Great Pedagogy: Teaching, Learning, and Comic Books, edited by Susan E. Kirtley, Antero Garcia, and Peter E. Carlson (University Press of Mississippi, 2020). The book covers a wide range of approaches, pedagogical techniques, and uses of comics and graphic novels, as well as making comics, in the…[Read more]