El proyecto ETSO: Estilometría aplicada al Teatro del Siglo de Oro surge del interés del investigador Álvaro Cuéllar y del catedrático Germán Vega García-Luengos en aplicar las nuevas herramientas informáticas a los numerosos problemas de autoría que presenta el teatro del Siglo de Oro español. Este portal trata de ofrecer análisis que puedan arr…[Read more]

Finding the accurate date of texts is one of the most puzzling challenges in the study of Spanish aurisecular theater. Stylometry, the computer technique centered on the comparison of texts based on their writing, which has been successfully used in recent years to solve authorship questions, can also serve to shed light on this issue. In this…[Read more]

Claramonte is one of the playwrights who has had the most unusual fate in our theatrical heritage. Reviled by early scholars as a plagiarist, recaster and, ultimately, a second-order author, in recent decades he has reemerged as a possible author of capital works of our theatre. Using stylometric techniques that have been proven to be effective…[Read more]

This article proposes the inclusion in Lope’s repertoire of La francesa Laura, a comedia preserved in an anonymous manuscript of the BNE, never before related to the playwright. The investigation started thanks to the results of the process in the Transkribus and ETSO platforms, which pointed out the close relationship of the lexicon with the…[Read more]

La datación supone una de las cuestiones con más interrogantes en el estudio del teatro aurisecular español. La estilometría, técnica informática basada en la comparación de textos en función de sus usos escriturales y que está utilizándose con aparente acierto en los últimos años para arrojar luz sobre el problema de la autoría, puede servir…[Read more]

Claramonte es uno de los dramaturgos que más extraña suerte ha corrido de nuestro patrimonio teatral. Vilipendiado por los primeros estudiosos como plagiario, refundidor y, en definitiva, autor de segundo orden, en las últimas décadas ha resurgido como posible responsable de obras capitales de nuestro teatro. A través del empleo de técnicas estil…[Read more]

La refundición supone un fenómeno recurrente en el teatro aurisecular español. Existen numerosos casos en los que un dramaturgo parte de un texto previo y lo modifica para conformar una nueva obra reutilizando un cierto número de versos. En ocasiones, el paso del tiempo confunde la obra primigenia con la refundición y resulta complicado esta…[Read more]

The Covid-19 pandemic, though less prominent in the headlines than in 2020 and 2021, is still with us today and has become part of our cultural memory. This essay looks at the loftily titled Decameron Project (2020), an international volume of what may be called ‘lockdown fiction’, commissioned by The New York Times Magazine. Special attention is…[Read more]

The article discusses valuation models for the following products: power financial indices swap contracts (PWR-SWAP), power financial transmission rights contracts (PWRSWAP- FTR), power physical delivery contracts (PWR-PHYS) and power physical transmission contracts (PWR-TR-SPREAD). All products have similar valuation structure – index swap (or s…[Read more]

Un elevado porcentaje de impresos y manuscritos teatrales del periodo aurisecular no ha sido nunca transcrito en un formato analógico ni, por supuesto, digital. Es imposible, por tanto, emplear estos documentos para realizar búsquedas de nuestro interés o para los valiosos análisis informáticos (estilometría, topic modelling, detección de sentim…[Read more]

“Itsas Hondarra” es una ficción dialogada escrita en Euskara. Su asunto surge de la lectura de un pasaje de “Gero” en el que Pedro de Axular explica que a los que mueren en el mar, sin poderse confesar, les basta el arrepentimiento sincero para salvar su alma.

El trabajo propone que se considere la inclusión en el repertorio de Lope de La francesa Laura, una comedia conservada en un manuscrito anónimo de la BNE, nunca antes relacionada con el dramaturgo. La investigación se inició a la vista de los resultados de su procesamiento en las plataformas Transkribus y ETSO, que señalaban la estrecha rela…[Read more]

I lay out what I believe ethnographers of AI who engage with large language models (LLMs) might want to pay attention to in the next couple of years.
My starting point is that it would be helpful to explore how people are responding to ChatGPT in terms of genre, that people’s reactions to ChatGPT is to treat it at its core as though it is a g…[Read more]

This conversation revolves around Dora Apel’s work in the field of art and memory. Memory, in its mediating force, is critical for our understanding of the present and the construction of a future, or, rather, as Dora Apel posits it in her recent book Calling Memory Into Place: “Memory effects are not about the past. How do they shape the pre…[Read more]

This paper provides a background on the life and times of Graeme Clark, a founder of the area of biomedical engineering and the cochlear implant, who grew up in the small town of Camden, NSW.
The life and times of Professor Graeme Clark, the pioneer of the Cochlear Implant, are part of the Camden story. He was a local boy who made good, improved…[Read more]

This paper provides a background on the life and times of Graeme Clark, a founder of the area of biomedical engineering and the cochlear implant, who grew up in the small town of Camden, NSW.
The life and times of Professor Graeme Clark, the pioneer of the Cochlear Implant, are part of the Camden story. He was a local boy who made good, improved…[Read more]

We offer a hybrid (trinomial tree plus semi-analytic formulas) pricing method for FX Double Window Double Barrier option . Currently, the model uses spot implied volatility for the first time window, and forward implied volatility for the second time window. These are Black-Scholes implied volatilities from traded vanilla European options, but,…[Read more]

A Cultural History of the Sea in the Medieval Age, ed. by Elizabeth Lambourn.

The cultural history of the sea during the Middle Ages is a young and dynamic field. Born only recently in the literary criticism of European sources, this innovative volume pushes out beyond this European heartland to explore the shape and potential of a cultural…[Read more]