Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Dear scholars in post-1945 music,

Please consider submitting your published articles or book chapters for consideration for the SMT Post-1945 Music Analysis Interest Group Publication Award. Details below:

The Post-1945 Music Analysis Interest Group is a discursive space for scholars of music after 1945, with an emphasis on the modernist,…[Read more]

I’m hoping to be able to find a list of all all-trichord (or at least ten-trichord, omitting {036} and {048}) row-classes. I believe that Daniel Starr’s 1980 dissertation contained it in an appendix, but as an “independent scholar,” I have access only to journals through JPASS/JSTOR. Might anyone in the group have such a list to share?

Thank you, all, for your comments regarding the IG’s bylaws and for your participation in our survey.
Here are the main takeaways:

• Bylaws were ratified on December 15, 2020 (by 11 votes, which is 15% of the current membership).  If necessary, we can adjust/amend the wording at the next year’s business  meeting. You can find the document on o…

[Read more]

Hello everyone,

Please don’t forget to vote to ratify our new bylaws and also fill out the post-meeting survey! The deadline is Monday, Dec. 14, and we would really like to see high participation!

Best,

Tara (and Laura)

Hi everyone,

Thanks for your input on the bylaws. Here is a link to the final draft. The only non-cosmetic change made since the third draft is that “20th and 21st music” has been replaced with “music after 1945,” as Timothy Johnson suggested.

Please follow this link to vote on the bylaws and take the post-meeting survey. The deadline to…[Read more]