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Yan Brailowsky deposited La nuit genrée ou l’obscure clarté des scènes anglaises in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 11 months agoGendered night, or the nocturnal brightness of the early modern English stage
In French, critics speak of the night using feminine terms, but the term is grammatically neutral in English. Despite this neutrality, night may be gendered. In Romeo and Juliet, virgins hide their shame from their lovers by hiding in the dark. If night is consecrated…[Read more] -
Yan Brailowsky deposited Reconnaissance et « acknowledgment » sur la scène élisabéthaine in the group
Shakespeare on Humanities Commons 5 years, 11 months agoFor poets like Sir Philip Sidney, the numerous incongruities found in Elizabethan drama fly in the face of Aristotelian theory. London audiences in 1580-1600 would have been hard pressed to recognize the time and place of the action represented on stage from one scene to the next. By comparing Greek theory and Elizabethan practice, this paper…[Read more]
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Yan Brailowsky deposited Reconnaissance et « acknowledgment » sur la scène élisabéthaine in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 11 months agoFor poets like Sir Philip Sidney, the numerous incongruities found in Elizabethan drama fly in the face of Aristotelian theory. London audiences in 1580-1600 would have been hard pressed to recognize the time and place of the action represented on stage from one scene to the next. By comparing Greek theory and Elizabethan practice, this paper…[Read more]
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Yan Brailowsky deposited ‘My bliss is mixed with bitter gall’: gross confections in Arden of Faversham in the group
Shakespeare on Humanities Commons 5 years, 11 months agoWhat might strike some as Arden of Faversham’s faulty construction may perhaps be ascribed to the fact that Arden’s murderers, as well as the play’s audience, had to learn how to “temper poison” (i.229). Poison is not simply a means to commit murder, its use also requires great dexterity, one which must be interpreted within a historical and metat…[Read more]
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Yan Brailowsky deposited ‘My bliss is mixed with bitter gall’: gross confections in Arden of Faversham in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 11 months agoWhat might strike some as Arden of Faversham’s faulty construction may perhaps be ascribed to the fact that Arden’s murderers, as well as the play’s audience, had to learn how to “temper poison” (i.229). Poison is not simply a means to commit murder, its use also requires great dexterity, one which must be interpreted within a historical and metat…[Read more]
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Kalle Westerling started the topic Opportunity: Digital Humanities Research Institute, June 15–24, 2020 in the discussion
Open-source historical mapping on Humanities Commons 5 years, 11 months agoDo you want to become a DHRI Community Leader?
Apply now and join us from June 15-24, 2020.
You are invited to apply for the second Digital Humanities Research Institute (DHRI), which will take place at The Graduate Center, City University of New York. This ten-day institute will introduce participants to core digital humanities skills, and help…[Read more] -
Enrico Pasini deposited Kinds of Unity, Modes of Union. in the group
Renaissance / Early Modern Studies on Humanities Commons 6 years, 2 months agoKinds of unity, modes of union—why bother? Does Leibniz ever focus on “union”, anyway? It is not before 1713 that Leibniz gets rid of certain metaphysical concerns which, although secondary for him, were present to his mind since the time of his 1708 answer to Tournemine, who had bespoken a “real union” between the soul and the body (GP VI, 595-9…[Read more]
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Emma Smith deposited Genderqueer Twelfth Night in the group
Shakespeare on Humanities Commons 6 years, 2 months agoHow might the work on gender in Twelfth Night be challenged by trans theory, narratives, and experience?
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Emma Smith deposited On Editing in the group
Shakespeare on Humanities Commons 6 years, 3 months agoCovering the changes in Shakespeare editorial theory and practice over the decades between the publication of the Oxford Shakespeare (1986) and the New Oxford Shakespeare (2016), this article surveys a range of modern texts with different rationales and aimed at different readerships. The article has three sections: the imagery associated with…[Read more]
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Roger Gillis deposited Historic Nova Scotia: Briding the Gap with Digital Storytelling in the group
Open-source historical mapping on Humanities Commons 6 years, 3 months agoHistoric Nova Scotia is a digital humanities and public history project that aims to bring community histories to life online (https://historicnovascotia.ca/). This paper will explore how collaborative, digital-storytelling can help bridge the gap between heritage theory and practice. We will provide an overview of the project followed by specific…[Read more]
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Enrico Pasini deposited La Philosophie des Mathématiques chez Leibniz. Lignes d’investigation in the group
Renaissance / Early Modern Studies on Humanities Commons 6 years, 4 months agoThis study of Leibniz’s philosophical views on mathematics starts from the rank he assigned to them in the encyclopedia of knowledge. Mathematics, in many Leibnitian writings, is proposed to other disciplines as an example to follow: they are an essential component of the new, at the same time encyclopaedic and demonstrative knowledge he is…[Read more]
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Enrico Pasini deposited Arcanum Artis Inveniendi: Leibniz and Analysis in the group
Renaissance / Early Modern Studies on Humanities Commons 6 years, 4 months agoLeibniz was undoubtedly a many-sided man, and a polymathic mind, if ever there was one. The concept of analysis is notoriously, for its part, a polycephalous monster, and nearly all its meanings are spread through Leibniz’s works, in juridical, scientific, mathematical, or philosophical contexts, under different conditions and with different p…[Read more]
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Rafael M. Giron-Pascual deposited Capital comercial, capital simbólico. El patrimonio de los cargadores a Indias judeoconversos en la Sevilla de los siglos XVI y XVII in the group
Renaissance / Early Modern Studies on Humanities Commons 6 years, 5 months agoIn Castile, where the purity of blood supposedly did not allow the merchants access to the privileged, we found an extremely powerful and rich group, the Cargadores a Indias. This group was made up of international merchants, almost all from humble origins, in many cases converso, who rose socially in a vertiginous way. For this, they were…[Read more]
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Michael Von Cotta-Schönberg deposited Oration “Audivi” of Enea Silvio Piccolomini (16 November 1436, Basel). Edited and translated by Michael von Cotta-Schönberg Final edition, 2nd version. (Orations of Enea Silvio Piccoomini / Pope Pius II; 2) in the group
Renaissance / Early Modern Studies on Humanities Commons 6 years, 5 months agoOn 16 November 1436, Enea Silvio Piccolomini delivered the oration Audivi to the fathers of the Council of Basel, concerning the venue for the Union Council between the Latin Church and the Greek Church. He argued for the City of Pavia in the territory of the Duke of Milan. The oration reflected the tensions between conciliarism and the Papacy,…[Read more]
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Enrico Pasini deposited Foreword to the special issue: Another 18th-Century German Philosophy? Rethinking German Enlightenment in the group
Renaissance / Early Modern Studies on Humanities Commons 6 years, 7 months agoThe foreword (here in pre-print version) introduces the scope of this special issue, that is, a re-interpretation of the development of 18th-century German philosophy. We aim in particular at identifying naturalistic and ‘scientific’ tendencies, which evolved alongside the well-studied mainstream currents. In our view, this long-overshadowed man…[Read more]
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Eileen Joy deposited This Is Not My (or, Our Time), so Please Take Ecstasy With Me: The Necessity of Generous Reading in the group
Renaissance / Early Modern Studies on Humanities Commons 6 years, 7 months agoA plea for more generous modes of reading each other’s scholarship in order to arrive at a University that values productive dissensus within a framework of shared endeavor and solidarity. The essay also argues for new relational modes in which personal, professional and other identities would be rejected in favor of cruising each other’s thought and work.
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Eileen Joy deposited The Work, or the Agency, of the Nonhuman in Premodern Art in the group
Renaissance / Early Modern Studies on Humanities Commons 6 years, 7 months agoAn overview of the “state of the field” of critical post/humanist studies that also argues for the important intervention of premodern studies into contemporary post/humanist studies, and which serves as the Introduction (with chapter summaries) to “Fragments for a History of a Vanishing Humanism,” eds. Myra Seaman and Eileen A. Joy (Ohio State…[Read more]
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RONALD VINCE deposited Two Short Plays by André de la Vigne: in the group
Renaissance / Early Modern Studies on Humanities Commons 6 years, 7 months agoAndré de la Vigne (1470?-1526?) in the manuscript of his “Mystère de Saint Martin,” performed in the town of Seurre in October 1496, also included a “moralité” and a “farce.” Although they are positioned at the conclusion of the “mystère,” these short plays were undoubtedly integral to the larger performance. At the same time they are via…[Read more]
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Enrico Pasini deposited Alles begann mit Tschirnhaus in the group
Renaissance / Early Modern Studies on Humanities Commons 6 years, 7 months agoDid it all begin with Tschirnhaus? This paper (here in pre-print version) discusses the exemplary role that Tschirnhaus could play in the reconstruction of an empirically oriented, scientific, somewhat radical and variously unorthodox current in 18th-century German philosophy, starting from 18th-century characterizations of his intellectual image.
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Enrico Pasini deposited A Prodigious Bodily Nature. Debates on Albinism 1609-1745 in the group
Renaissance / Early Modern Studies on Humanities Commons 6 years, 7 months agoFrom Spanish and Portuguese travelers to Maupertuis, the problem of albinos, or ‘white Negroes’, as they would be called, has been an epitome of strangeness, a disturbing and/or marvelous appendix to human essence, and has often been instrumental to various definitions of identity. Some major historical and cultural episodes concerning the int…[Read more]
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