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Paulino Capdepon deposited La Orquesta Sinfónica de Madrid y los actos conmemorativos del Centenario de Beethoven de Ludwig van Beethoven (1927) [The Madrid Symphony Orchestra and the Ludwig van Beethoven’s Centenary Celebrations (1927)] in the group
International Musicological Society (IMS) on Humanities Commons 3 years agoAnalysis of the participation of the Orquesta Sinfónica de Madrid in the commemorative events of the first centenary of Beethoven’s death (1927)
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Paulino Capdepon deposited La Orquesta Sinfónica de Madrid y los actos conmemorativos del Centenario de Beethoven de Ludwig van Beethoven (1927) [The Madrid Symphony Orchestra and the Ludwig van Beethoven’s Centenary Celebrations (1927)] in the group
Digital Humanists on Humanities Commons 3 years agoAnalysis of the participation of the Orquesta Sinfónica de Madrid in the commemorative events of the first centenary of Beethoven’s death (1927)
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Paulino Capdepon deposited La Orquesta Sinfónica de Madrid y los actos conmemorativos del Centenario de Beethoven de Ludwig van Beethoven (1927) [The Madrid Symphony Orchestra and the Ludwig van Beethoven’s Centenary Celebrations (1927)] in the group
Arts and Humanities Funding on Humanities Commons 3 years agoAnalysis of the participation of the Orquesta Sinfónica de Madrid in the commemorative events of the first centenary of Beethoven’s death (1927)
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Paulino Capdepon deposited La Real Capilla de Madrid durante el magisterio del compositor italiano Francisco Corselli (1705-1778) [The Madrid Royal Chapel at the time of Italian composer Francesco Corselli (1705-1778)] in the group
Society for Music Theory (SMT) on Humanities Commons 3 years agoBefore arriving in Spain, Francisco Corselli had developed an important career as opera composer and sacred music when he arrived in Spain in 1733 from Parma thanks to his previous relations with Isabella de Farnese, the future queen of Spain, and with the ducal house of Parma. At the Madrid court, he began his career as ‘maestro de música’ for…[Read more]
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Paulino Capdepon deposited La Real Capilla de Madrid durante el magisterio del compositor italiano Francisco Corselli (1705-1778) [The Madrid Royal Chapel at the time of Italian composer Francesco Corselli (1705-1778)] in the group
International Musicological Society (IMS) on Humanities Commons 3 years agoBefore arriving in Spain, Francisco Corselli had developed an important career as opera composer and sacred music when he arrived in Spain in 1733 from Parma thanks to his previous relations with Isabella de Farnese, the future queen of Spain, and with the ducal house of Parma. At the Madrid court, he began his career as ‘maestro de música’ for…[Read more]
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Paulino Capdepon deposited La Real Capilla de Madrid durante el magisterio del compositor italiano Francisco Corselli (1705-1778) [The Madrid Royal Chapel at the time of Italian composer Francesco Corselli (1705-1778)] in the group
Digital Humanists on Humanities Commons 3 years agoBefore arriving in Spain, Francisco Corselli had developed an important career as opera composer and sacred music when he arrived in Spain in 1733 from Parma thanks to his previous relations with Isabella de Farnese, the future queen of Spain, and with the ducal house of Parma. At the Madrid court, he began his career as ‘maestro de música’ for…[Read more]
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Paulino Capdepon deposited La Real Capilla de Madrid durante el magisterio del compositor italiano Francisco Corselli (1705-1778) [The Madrid Royal Chapel at the time of Italian composer Francesco Corselli (1705-1778)] in the group
Arts and Humanities Funding on Humanities Commons 3 years agoBefore arriving in Spain, Francisco Corselli had developed an important career as opera composer and sacred music when he arrived in Spain in 1733 from Parma thanks to his previous relations with Isabella de Farnese, the future queen of Spain, and with the ducal house of Parma. At the Madrid court, he began his career as ‘maestro de música’ for…[Read more]
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Pramod Ranjan deposited Footsteps of post-humanism in the group
Digital Humanists on Humanities Commons 3 years agoDiscourse called post-humanism believes that humanism is a phony notion and an excuse for ruling over the other animals — and that it would eventually invite the destruction of the human race. They draw attention to the scientific fact that man is also an ordinary animal and just like other animals and birds is a small part of the huge e…[Read more]
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José Angel GARCÍA LANDA replied to the topic INTENTIONALITY AND MIND READING in the discussion
Anthropology on Humanities Commons 3 years agoNotas sobre Searle y la construcción de la realidad social: https://personal.unizar.es/garciala/publicaciones/notasSearleIbercampus.pdf
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Paulino Capdepon deposited Die Rezeption der Opern Mozarts in der 1. Hälfte des 19. Jahrhunderts und die Rolle des spanischen Sängers und Komponisten Manuel García (1775-1832) in the group
Society for Music Theory (SMT) on Humanities Commons 3 years agoThis article deals with reception Opera history and shows how influential the Spanish tenor was in bringing Mozart’s operas to audiences especially in Madrid, in London, and in Paris.
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Paulino Capdepon deposited Die Rezeption der Opern Mozarts in der 1. Hälfte des 19. Jahrhunderts und die Rolle des spanischen Sängers und Komponisten Manuel García (1775-1832) in the group
International Musicological Society (IMS) on Humanities Commons 3 years agoThis article deals with reception Opera history and shows how influential the Spanish tenor was in bringing Mozart’s operas to audiences especially in Madrid, in London, and in Paris.
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Johann-Mattis List deposited Computer-Assisted Approaches to Rule-Based Phonological Reconstruction in the group
Digital Humanities East Asia on Humanities Commons 3 years agoThe formalization of sound changes as finite state transducers is implicit already in the Neogrammarians. For at least six decades scholars have recognized the potential of transducers for improving the speed and rigor of research in historical linguists, but almost no historical linguists actually use them. This article identifies the obstacles…[Read more]
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Johann-Mattis List deposited Computer-Assisted Approaches to Rule-Based Phonological Reconstruction in the group
Digital Humanists on Humanities Commons 3 years agoThe formalization of sound changes as finite state transducers is implicit already in the Neogrammarians. For at least six decades scholars have recognized the potential of transducers for improving the speed and rigor of research in historical linguists, but almost no historical linguists actually use them. This article identifies the obstacles…[Read more]
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José Angel GARCÍA LANDA replied to the topic INTENTIONALITY AND MIND READING in the discussion
Anthropology on Humanities Commons 3 years agoAtención a la atención https://literarytheory.hcommons-staging.org/2023/01/29/atencion-a-la-atencion/
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Pramod Ranjan deposited पत्रकार नवल किशोर को मिली धमकियों से संबंधित तथ्य in the group
Political Philosophy & Theory on Humanities Commons 3 years agoजून, 2018 के पहले सप्ताह में फारवर्ड प्रेस के पत्रकार नवल किशोर कुमार फोन पर सैकडों लोगों ने जान से मारने की धमकियां दी थीं। उन्हें ये धमकियां रणवीर सेना के कुख्यात सुप्रीमो ब्रह्मेश्वर मुखिया के बारे में फेसबुक पोस्ट लिखने के कारण दी गईं थीं। फारवर्ड प्रेस के तत्कालीन प्रबंध संपादक प्रमोद रंजन का यह लेख उन धमकियों के संदर्भ में है।
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Pramod Ranjan deposited Threats issued to Naval Kishore Kumar: Setting the record straight in the group
Political Philosophy & Theory on Humanities Commons 3 years agoForward Press is not a novice when it comes to getting threats. Our Hindi editor Naval Kishore Kumar, who is at the receiving end this time, is not only a journalist but also a sensitive poet. Brahmeshwar Mukhiya, on the other hand, is a synonym for terror and has shamed humanity.
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Koca Mehmet Kentel deposited YILLIK: Annual of Istanbul Studies 4 (2022) Foreword in the group
Urban Studies on Humanities Commons 3 years agoThe foreword of YILLIK: Annual of Istanbul Studies 4 (2022)
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M. Bryn Brody deposited Ratchet Feminism on TikTok: Visual Culture Resistance to Oppression in the group
Global Digital Humanities Symposium on Humanities Commons 3 years agoDigital visual culture in cyberspace creates new methods for Black queer women to resist the oppression of controlling images. As cyborg beings, Black queer women perform their identities in creative and boundary-breaking ways, often using sexually explicit lyrics and dance to resist white normativity and heteronormativity. Multinational social…[Read more]
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Andreas Wagner started the topic [CfP] Workshop on Extracting Heterogeneous Reference Data (15/16 May 2023) in the discussion
Digital Humanists on Humanities Commons 3 years agoCall for Participation: (Hybrid) Workshop on Extracting Heterogeneous Reference Data (Frankfurt, Germany, 15/16 May 2023)
https://mpilhlt.github.io/reference-extraction/workshop-2023/cfp/
Recognition and parsing of references to literature is a long-standing problem in the processing of historical or scholarly texts in the domains of the…[Read more]
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Angelo Salatino started the topic [CFP] ACM Hypertext 2023 – Deadline 31 Mar 2023 in the discussion
Digital Humanists on Humanities Commons 3 years ago************************************************************************
ACM Hypertext 2023
4-8 September 2023, Bibliotheca Hertziana, Rome, Italy
Deadline: 31 March 2023 23.59 AOE
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