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Michelle Margolis Chesner deposited Footprints: A New Approach to (Jewish) Book HIstory in the group
Global DH on Humanities Commons 2 years, 10 months agoThis article describes and analyzes the methods of Footprints: Jewish Books Through Time and Place, a digital humanities contribution to book history. Footprints collects and aggregates information about the movement of copies of Hebrew books and books of Judaica in other languages printed in the early modern period (roughly corresponding to the…[Read more]
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Michelle Margolis Chesner deposited Footprints: A New Approach to (Jewish) Book HIstory in the group
Digital Humanists on Humanities Commons 2 years, 10 months agoThis article describes and analyzes the methods of Footprints: Jewish Books Through Time and Place, a digital humanities contribution to book history. Footprints collects and aggregates information about the movement of copies of Hebrew books and books of Judaica in other languages printed in the early modern period (roughly corresponding to the…[Read more]
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Johann-Mattis List deposited Multilingual Computational Linguistics (Lecture, presented at the University of Passau in the Winter Term 2022-2023) in the group
Digital Humanists on Humanities Commons 2 years, 10 months agoWhile the discipline of computational linguistics mostly deals with the modeling and the investigation of individual languages (often “big” languages such as English, German, Arabic, or Chinese), Multilingual Computational Linguistics focuses on the comparison of languages, trying to develop new methods and techniques by which languages can be com…[Read more]
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Kaleb E. Goldschmitt deposited From Miami to Hong Kong SoundingTransnational Queerness and Translation in Moonlight in the group
Ethnomusicology on Humanities Commons 2 years, 10 months agoThrough the example of Barry Jenkins’ choices for Moonlight (2016), this chapter argues that pre-existing musical cues can link a film’s themes to other minority filmmaking traditions. The song at the center of this chapter, “Cucurrucucú Paloma,” exemplifies the kinds of cultural translations common in transnational queer cinema. It was orig…[Read more]
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Kyle Frackman deposited Homemade Pornography and the Proliferation of Queer Pleasure in East Germany in the group
LGBTQ Studies on Humanities Commons 2 years, 10 months agoLike other Eastern Bloc countries, East Germany sought to control even its citizens’ leisure time in the 1960s and 1970s, with the goal of making it useful or at least not subversive to state interests. Certain hobbies, like amateur photography, found support from the state in the form of increased access to equipment and supplies. Other s…[Read more]
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D. Gregory MacIsaac deposited Plato’s Account of Eleaticism: A New Interpretation of Parmenides in the group
Political Philosophy & Theory on Humanities Commons 2 years, 10 months agoI propose a new interpretation of Plato’s Parmenides. I avoid the assumption of Developmentalism, that Plato is criticising his own ‘middle’ theory of forms. Instead, I read the dialogue as Plato’s serious presentation of the Eleatic position. He shows that Eleatics’s counterintuitive thesis follows from the fundamental assumption of qualitati…[Read more]
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Ian Willis deposited Miss Showgirl an enduring anachronism in the group
Urban Studies on Humanities Commons 2 years, 10 months agoOnce again, country show societies are gearing up for the annual New South Wales Miss Showgirl competition. In 2008 500 young women entered the pageant at a local level representing 120 show societies, with the Sydney Royal Easter Show finals. The 2011 Camden Miss Showgirl has attracted seven young local women – four of the seven are university s…[Read more]
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Luis de Orueta deposited CAPRICHO DE LO TRIVIAL in the group
Digital Humanists on Humanities Commons 2 years, 10 months agoEl autor comienza diciendo que antes de nacer vivía con sus padres (claro) y termina su relato 86 años después con una despedida evanescente. En el intervalo: una vida sin huella. ¿Entonces por qué contarla? A falta de mejor respuesta, aduce voces misteriosas en la segunda parte del Fausto de Goethe:
“Redimimos a quien se esfuerza en vano”…[Read more] -
Cagdas Dedeoglu deposited Posthumanism for Sustainability: A Scoping Review in the group
Digital Humanists on Humanities Commons 2 years, 10 months agoThe purpose of this study is to explore the relationship between posthumanism and sustainability and contribute to the interdisciplinary concept of posthuman sustainability. We conducted a scoping review of 45 peer-reviewed journal articles that met our inclusion criteria and employed co-occurrence analysis based on the clustering techniques of…[Read more]
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Carlos A. Pittella deposited Tradições, Transcrições, Traduções: Por um Entendimento Rizomático do Fausto Pessoano in the group
Digital Humanists on Humanities Commons 2 years, 11 months agoThis article invites the reading of Fernando Pessoa’s Fausto as a rhizomatic work, via three different critical lenses that lead to plurality: Traditions, Transcriptions, and Translations. Regarding different Faustian traditions, instead of seeing Pessoa’s Fausto merely as a competition with Goethe (as proposed by Eduardo Lourenço in his pref…[Read more]
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Kristen Mapes deposited Introduction to Digital Humanities Syllabus (Fall 2022) in the group
Digital Humanists on Humanities Commons 2 years, 11 months agoSyllabus for 2022 edition of DH285: Introduction to Digital Humanities, taught at Michigan State University as a required course in the undergraduate Digital Humanities minor. The course is a survey introduction to the field, has no prerequisites, and is open to students from any major. Twenty-eight students were in the course.
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Eliseo Ferrer deposited Eliseo Ferrer / Preámbulo del libro «Sacrificio y drama del Rey Sagrado». Una visión diferente de los orígenes cristianos. in the group
Anthropology on Humanities Commons 2 years, 11 months agoPreámbulo del libro SACRIFRICIO Y DRAMA DEL REY SAGRADO, de Eliseo Ferrer. (Se añade índice y bibliografía).
Vaya por delante que ésta no es una obra de consenso académico; y tampoco una obra guiada por la fe religiosa, ni por los presupuestos decimonónicos del ateísmo antirreligioso y anticristiano. Decía el mitólogo Joseph Campbell que la hu…[Read more] -
Eliseo Ferrer deposited Eliseo Ferrer / El significado del Mito en las culturas primitivas, como paradigma de realidad y explicación del cosmos. in the group
Anthropology on Humanities Commons 2 years, 11 months agoLas filosofías racionalistas y la teología de la Iglesia ocultaron a lo largo de dos mil años el verdadero significado de los mitos y de la mitología antigua, para reducir su significado a aquello que, presentado como verdad aparente en un discurso, resultaba ser falso en realidad. En este sentido, un mito vendría determinado por la narr…[Read more]
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Paulino Capdepon deposited La capilla musical de la colegiata de Talavera de la Reina en la primera mitad del siglo XIX in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoAfter the period of splendour experienced by the musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina during the 18th century, we witnessed a period of decline, which was part of the crisis experienced by Spanish religious music during the 19th century. The effects of the War of Independence, the successive…[Read more]
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Paulino Capdepon deposited La capilla musical de la colegiata de Talavera de la Reina en la primera mitad del siglo XIX in the group
Music and Sound on Humanities Commons 2 years, 11 months agoAfter the period of splendour experienced by the musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina during the 18th century, we witnessed a period of decline, which was part of the crisis experienced by Spanish religious music during the 19th century. The effects of the War of Independence, the successive…[Read more]
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Paulino Capdepon deposited Música de tecla en la España del siglo XVIII: Domenico Scarlatti y el padre Antonio Soler in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThis article focuses on Spanish music in the 18th century, which experienced one of the most brilliant periods in its history. This was undoubtedly due to the splendour achieved by keyboard music, which reached an extraordinary level of development after the arrival in Spain of the Neapolitan composer Domenico Scarlatti (1685-1757), harpsichord…[Read more]
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Paulino Capdepon deposited Música de tecla en la España del siglo XVIII: Domenico Scarlatti y el padre Antonio Soler in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 11 months agoThis article focuses on Spanish music in the 18th century, which experienced one of the most brilliant periods in its history. This was undoubtedly due to the splendour achieved by keyboard music, which reached an extraordinary level of development after the arrival in Spain of the Neapolitan composer Domenico Scarlatti (1685-1757), harpsichord…[Read more]
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Paulino Capdepon deposited El Patrimonio musical de Talavera de la Reina in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThe musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina is a significant case of how an ecclesiastical institution articulates the musical life of a city: in this sense, it can be stated that the main musical activity in the aforementioned Toledan city has revolved around the chapel of the Collegiate Church…[Read more]
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Paulino Capdepon deposited El Patrimonio musical de Talavera de la Reina in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 11 months agoThe musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina is a significant case of how an ecclesiastical institution articulates the musical life of a city: in this sense, it can be stated that the main musical activity in the aforementioned Toledan city has revolved around the chapel of the Collegiate Church…[Read more]
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Paulino Capdepon deposited La recepción cervantina en el Romanticismo: la ópera Don Chisciotte de Manuel García (1826) [The reception of Cervantes in Romanticism: the opera Don Chisciotte by Manuel García] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThe publication of Cervantes’ Don Quixote served as inspiration from the very moment of its creation for a whole series of artistic manifestations, among which those related to the art of sound stand out. Among the famous Spanish composers of Romanticism, the Sevillian composer Manuel del Pópulo García shines and stands out with his own light. H…[Read more]
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