The literary relation between Parvin E’tesami and Walt Whitman remains a largely unexplored field. This article analyzes the connection between “God’s Weaver” and “A Noiseless Patient Spider” to shed light on Parvin’s creative reception of Whitman. Creating a mixed-breed spider, combining characteristics from both
Whitman’s insect and the Persi…[Read more]

This article considers how state-mandated veiling and unveiling reinforce modern capitalism. State regulations regarding veiling incorporate the female body into the political economy of the commodity form. In addition to serving as an empty signifier to be filled with exchange value for the male observer, the veil operates as an ideological…[Read more]

Draft Version des Beitrags: In dem vorliegenden Artikel möchten wir der Frage nach den Möglichkeiten eines weiblichen bzw. feministischen Zugangs zu wissenschaftlicher Forschung in verschiedenen Hinsichten beleuchten. Wir werden uns dem Thema exemplarisch anhand des Forschungsfeldes der Primatologie zuwenden, wobei die Antwort auf die Frage, w…[Read more]

A review of the 2017 retrospective of painter Mernet Larsen at the Tampa Museum of Art.

Her Father’s Name (1876) is one of Marryat’s most radical and intriguing novels, featuring Leona Lacoste, a cross-dressing heroine, and Lucilla Evans, a textbook hysteric who falls in love with her. For centuries, the diagnosis of ‘hysteria’ was conveniently applied to any woman who exhibited transgressive behaviour, whether it be through sexual…[Read more]

Whereas many women writers were reticent on the issue of property, or vehemently opposed to improving the position of wives, Florence Marryat used her public platform to campaign for change. As such, her work forms an important contribution to our understanding of women and property in the nineteenth century. In this paper I discuss the ways in…[Read more]

Florence Marryat (1833-99) was a novelist, editor, playwright, spiritualist, singer and actress. She wrote nearly seventy novels during her varied career, most of which were dismissed by critics but loved by her reading public. Much of the opprobrium aimed at her originated from fellow women authors such as Eliza Lynn Linton and Marie Corelli, but…[Read more]

Reproductive justice and gestational surrogacy are often implicitly treated as antonyms. Yet the former represents a theoretic approach that enables the long and racialised history of surrogacy (far from a new or ‘exceptional’ practice) to be appreciated as part of a struggle for ‘radical kinship’ and gender-inclusive polymaternalism. Recasti…[Read more]

As surrogacy services expand globally, more and more nations are moving to ban the practice. Calls for its abolition couched in feminist terms returned to prominence in international public life in 2012. The resurgence follows a lapse since the heyday of the Feminist International Network of Resistance to Reproductive and Genetic Engineering…[Read more]

This article analyzes the connections between Lorde’s representations of blindness in Zami: A New Spelling of My Name, and its connection to lesbian sexuality.

Feminist resistance has been crucial for Argentina’s recovery from the military dictatorship of 1976-1983. Alicia Partnoy was “disappeared” into one of hundreds of torture centers sardonically called “Little Schools.” After her release and exile to the United States, she published her poetic testimony, The Little School, with Cleis Press in 1986.…[Read more]

Inspired by my work on the Women in Book History Bibliography, this presentation takes a different angle on discussions of women’s texts in digital archives. The WBHB collects secondary sources on women’s writing and labor over a broad range of languages, subjects, geographic locations, and time periods. Because we collect secondary sources, we…[Read more]

This paper highlights the multiple modalities through which writer, activist, and educator June Jordan materialized a placemaking pedagogy, grounded in the art of structural critique and using language in the service of social change. In this paper, I show how Jordan “implicitly instructs” her students and young readers in cultivating a str…[Read more]

Ladies that UX (LTUX) is an international organization focused on mentoring women in the software industry. In order to explore both the mission and the focus of the international organization and smaller, localized chapters of LTUX, we conducted a series of surveys and interviews. These surveys focused on how local groups of LTUX were formed and…[Read more]

This article is a print rendition of a web-based experimental publication which reflects upon and at the same time is itself an example of performative publishing. A performative publication wants to explore how we can bring together and align more closely the material form of a publication with its content. Making use of hypothes.is software, the…[Read more]

Excerpt: Concordance B from L. Ringer, ‘A Select Concordance of Some 400 Middle English Texts: A Study of Wycliffite Discourse with Particular Discussion of the Issues of Contemporary Poverty, Pious Practice, Substantive Law, and Anticlerical Style’ (unpub. Ph.D. thesis, University of Hull, 2007, Supervisor: Veronica O’Mara).

Excerpt: Concordance A from L. Ringer, ‘A Select Concordance of Some 400 Middle English Texts: A Study of Wycliffite Discourse with Particular Discussion of the Issues of Contemporary Poverty, Pious Practice, Substantive Law, and Anticlerical Style’ (unpub. Ph.D. thesis, University of Hull, 2007, Supervisor: Veronica O’Mara).

This paper analyzes the continued propensity of men to cite other men, and more importantly, to NOT cite the work of women, in Communication Studies. After documenting the continued and troubling persistence of the erasure of women’s scholarship, the paper argues for intervening at the points at which the field reproduces itself.

This paper analyzes the continued propensity of men to cite other men, and more importantly, to NOT cite the work of women, in Communication Studies. After documenting the continued and troubling persistence of the erasure of women’s scholarship, the paper argues for intervening at the points at which the field reproduces itself.

This paper discusses the emergence of a women’s diasporic cinema that challenges the representation of Indian women as guardians of Indian values. Through the examination of three films directed by women filmmakers (Mira Nair, Deepa Mehta and Nisha Pahuja), this analysis proposes to delve into the reconfiguration of Indian identity in a context o…[Read more]