Tritones sounding over subdominant harmony, either as suspensions, accented passing tones, or incomplete neighbors, constitute a class of sonorities regularly heard in film and television music. I collectively refer to these phenomena as “subdominant tritones” (SdTT), and theorize a link between the SdTT and emotions it engenders. The article pre…[Read more]

Eighteenth-century Spanish music experienced a golden age thanks, especially, to the proliferation of centers such as the chapels, which articulated and structured the musical life of our cities: the main sound activity was centered on ecclesiastical music, both liturgical and paraliturgical, with which religious festivities were solemnized.…[Read more]

Without fail a study in any depth of our fondness for music must eventually address the issue of consonance and dissonance. Past approaches to this issue have been bounded by a limited knowledge base and, further, marred by logical flaws, occasional hand waving, and the myopia of reductionism. Despite the explosion of progress in the last few…[Read more]

Stoler, Paul (2023). Some memories of lifetime through years of paintings. In: “Global Humanities and Liberal Arts”, Wang, Lawrence K. (Editor). Volume 2023, Number 6, 2023(6), June 25, 2023, 28 pages. Lenox Institute Press, MA, USA. Lenox.Institute@gmail.com; stolerpaul@gmail.com. ….. ABSTRACT: This work consists of a collection…[Read more]

In lieu of an abstract, here is the beginning of the article… One of the most striking things about speculative literature of the twenty-first century has been its increasingly focussed interest in imagining impending disaster: from the escalating likelihood of biblical deluge on a planetary scale to looming ecocatastrophes of drought and…[Read more]

This article explores an emerging cluster of ecocatastrophe narratives that locate utopian possibility within the Earth’s sub-crustal lithosphere. Texts such as N. K. Jemisin’s “Broken Earth” trilogy (2015–2017), J. G. Ballard’s The Crystal World (1966), Lars von Trier’s film Melancholia (2011), Irene Solà’s Catalan novel When I Sing, Mountains…[Read more]

This Critical Exchange explores the nonhuman condition. It asks: What are the implications of decentering the human subject via a new materialist reading of radical democracy? Does this reading dilute political agency? Or should this be seen, on the contrary, as an invitation for new voices and demands to enter into democratic assemblages? How…[Read more]

An ecosystem theoretical and practical framework is posited for the evaluation and planning of advocacy, communication, public policies, research and teaching programmers, intertwining four dimensions of being-in-the-world (intimate, interactive, social and biophysical), as they combine, as donors and recipients, to induce the events…[Read more]

This map was featured in Mexico’s La Jornada supplement, Ojarasca, in its 312th edition. See article: “Represión en la granja: los cerdos y el mercado mundial” For information regarding sources, please refer to the aforementioned article. You may also consult the article’s English version here: https://doi.org/10.17613/8c2v-j144
English version

This article is a translation of “Represión en la granja: los cerdos y el mercado mundial,” published in Mexico’s La Jornada supplement, Ojarasca, in its 312th edition.
The impacts of pork production in the Yucatan Peninsula and its relationship to the “Mayan” Train, export driven economies, and Mayan communities protecting water and land.

Este mapa salió en la edición número 312 del suplemento de la Jornada, Ojarasca, en el artículo titulado: “Represión en la granja: los cerdos y el mercado mundial”
Para más información de las fuentes, véase el artículo: https://www.jornada.com.mx/2023/04/07/ojarasca312.pdf

This map was featured in Mexico’s La Jornada supplement, Ojarasca…[Read more]

Satire, Humor, and Environmental Crises explores how satire and humor can be employed to address and mitigate ecological crises at individual and collective levels.

Besides scientific and technological endeavors, solutions to ecological crises must entail social and communicative reform to persuade citizens, corporations, organizations, and…[Read more]

This article corrects misconceptions regarding the history of film stereo. I show that the technical and aesthetic innovations regularly credited to Dolby Stereo, to sound designers like Walter Murch, and to films like Apocalypse Now (1979) were not revolutions but extensions of surround-sound practices that Hollywood codified in prior decades. I…[Read more]

In the 1930s, the Academy of Motion Picture Arts and Sciences implemented a technical standard—known as Academy Mono, or the Academy Curve—that dramatically impaired the sound quality of motion pictures. This article accounts for why the major studios agreed to this restrictive standard. I argue that they adopted Academy Mono to curtail the pow…[Read more]

This article corrects misconceptions regarding the history of film stereo. I show that the technical and aesthetic innovations regularly credited to Dolby Stereo, to sound designers like Walter Murch, and to films like Apocalypse Now (1979) were not revolutions but extensions of surround-sound practices that Hollywood codified in prior decades. I…[Read more]