William Mason
,@willmasonmusic
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14
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Megan Lavengood commented on the doc Working Draft — Proposed Bylaws in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 6 years, 2 months agoHi all, I have made a few changes to reflect what we discussed in our meeting. I have also attempted to resolve the quorum issue we were struggling with. Quorum will only really matter for voting. Based on a suggestion from another interest group, I have added language that states that voting will remain open until 5% of the membership (based on…[Read more]
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Sara Bowden deposited Narrative Transformation and Music in Mediatized Moral Space in Charlie Brooker’s Bandersnatch in the group
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years, 2 months agoBlack Mirror’s Bandersnatch has brought interactive film to the forefront of ludo-entertainment discourse. Released through the Netflix entertainment platform in December 2018, the film features a non-linear script that the viewer guides through a series of choices. By virtue of design, Bandersnatch places a larger emphasis on narratological e…[Read more]
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Sara Bowden deposited Narrative Transformation and Music in Mediatized Moral Space in Charlie Brooker’s Bandersnatch on Humanities Commons 6 years, 2 months ago
Black Mirror’s Bandersnatch has brought interactive film to the forefront of ludo-entertainment discourse. Released through the Netflix entertainment platform in December 2018, the film features a non-linear script that the viewer guides through a series of choices. By virtue of design, Bandersnatch places a larger emphasis on narratological e…[Read more]
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Sara Bowden's profile was updated on Humanities Commons 6 years, 2 months ago
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Miriam Piilonen's profile was updated on Humanities Commons 6 years, 2 months ago
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Megan Lavengood replied to the topic PMIG Meeting Reminder in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years, 2 months agoI’ve just made a Google form for submitting new sources for the bibliography—click here to submit an entry [CORRECTED LINK]
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Megan Lavengood deposited What Makes It Sound ’80s? in the group
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years, 3 months agoPopular music of the 1980s is remembered today as having a “sound” that is somehow unified and generalizable. The ’80s sound is tied to the electric piano preset of the Yamaha DX7 synthesizer. Not only was this preset (E. PIANO 1) astonishingly prevalent—heard in up to 61% of #1 hits on the pop, country, and R&B Billboard charts in 1986—bu…[Read more]
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Popular music of the 1980s is remembered today as having a “sound” that is somehow unified and generalizable. The ’80s sound is tied to the electric piano preset of the Yamaha DX7 synthesizer. Not only was this preset (E. PIANO 1) astonishingly prevalent—heard in up to 61% of #1 hits on the pop, country, and R&B Billboard charts in 1986—bu…[Read more]
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Erika Supria Honisch's profile was updated on Humanities Commons 6 years, 3 months ago
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Megan Lavengood replied to the topic Award Nominations Open for 2019 in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years, 4 months agoNominations are now closed. Winners will be announced at the SMT meeting in Columbus.
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Gabrielle Cornish's profile was updated on Humanities Commons 6 years, 4 months ago
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Eamonn Bell's profile was updated on Humanities Commons 6 years, 4 months ago
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Mariusz Kozak's profile was updated on Humanities Commons 6 years, 4 months ago
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Megan Lavengood replied to the topic Award Nominations Open for 2019 in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years, 4 months agoHi again everyone! The nomination window has been extended. Nominations will be accepted through September 15. Please submit your favorite articles for consideration.
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Mariusz Kozak deposited Enacting Musical Time: The Bodily Experience of New Music in the group
Performance Studies on Humanities Commons 6 years, 4 months agoABSTRACT
What is musical time? Where is it manifested? How does it show up in our experience, and how do we capture it in our analyses? “Enacting Musical Time” offers several answers to these questions by considering musical time as the form of the listener’s interaction with music. Building on evidence from music theory, phenomenology, c…[Read more] - Load More