William Mason
,@willmasonmusic
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14
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Erika Supria Honisch's profile was updated on Humanities Commons 7 years, 11 months ago
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Gabrielle Cornish's profile was updated on Humanities Commons 7 years, 11 months ago
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Ryan Williams replied to the topic test in the discussion
Test Group on MLA Commons 7 years, 11 months agotest
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Ryan Williams's profile was updated on Humanities Commons 8 years ago
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William O'Hara's profile was updated on Humanities Commons 8 years ago
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Erika Supria Honisch's profile was updated on Humanities Commons 8 years ago
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Erika Supria Honisch's profile was updated on Humanities Commons 8 years ago
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Erika Supria Honisch's profile was updated on Humanities Commons 8 years ago
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Ryan Williams's profile was updated on Humanities Commons 8 years ago
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Eamonn Bell's profile was updated on Humanities Commons 8 years ago
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Eamonn Bell deposited The consort fantasias of William Byrd: The application of a new quantitative technique to describe fuga subject deformation on Humanities Commons 8 years ago
The polyphonic music of William Byrd (c. 1543–1623) poses significant challenges to analysts of early music. The category of ‘imitative’ polyphony, which suggests a mode of analysis that seeks to identify successive identical (or at least, very similar) entries of a clearly-defined subject, is ill-fitting. Byrd’s polyphony is varied and discurs…[Read more]
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Eamonn Bell's profile was updated on Humanities Commons 8 years ago
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Eamonn Bell's profile was updated on Humanities Commons 8 years, 1 month ago
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Megan Lavengood's profile was updated on Humanities Commons 8 years, 1 month ago
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Erika Supria Honisch deposited Drowning Winter, Burning Bones, Singing Songs: Representations of Popular Devotion in a Central European Motet Cycle in the group
Religious Studies on Humanities Commons 8 years, 1 month agoIn 1587 the Flemish composer Carolus Luython, employed by Holy Roman Emperor Rudolf II, published an unusual motet collection in Prague. Titled Popularis anni jubilus, the collection describes the sounds and rituals beloved by Central European peasants, recasting them as the ecstatic songs of rustic laborers (jubilus) famously celebrated by Saint…[Read more]
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Erika Supria Honisch deposited Drowning Winter, Burning Bones, Singing Songs: Representations of Popular Devotion in a Central European Motet Cycle in the group
Music and Sound on Humanities Commons 8 years, 1 month agoIn 1587 the Flemish composer Carolus Luython, employed by Holy Roman Emperor Rudolf II, published an unusual motet collection in Prague. Titled Popularis anni jubilus, the collection describes the sounds and rituals beloved by Central European peasants, recasting them as the ecstatic songs of rustic laborers (jubilus) famously celebrated by Saint…[Read more]
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Karen Cook's profile was updated on Humanities Commons 8 years, 1 month ago
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Erika Supria Honisch's profile was updated on Humanities Commons 8 years, 1 month ago
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Erika Supria Honisch deposited Drowning Winter, Burning Bones, Singing Songs: Representations of Popular Devotion in a Central European Motet Cycle on Humanities Commons 8 years, 1 month ago
In 1587 the Flemish composer Carolus Luython, employed by Holy Roman Emperor Rudolf II, published an unusual motet collection in Prague. Titled Popularis anni jubilus, the collection describes the sounds and rituals beloved by Central European peasants, recasting them as the ecstatic songs of rustic laborers (jubilus) famously celebrated by Saint…[Read more]
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Erika Supria Honisch's profile was updated on Humanities Commons 8 years, 1 month ago
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