A short article about the Nachleben of the Romans and classical antiquity in Anglo-Saxon England.

This article discusses the development of the spelling for the name of Cnut the Great, Viking king of England from 1016 to 1035, from to . The origin of this disyllabic spelling is uncertain and has been attributed to taboo deflection, the simplification of the consonant cluster /kn/ in English and even a pope’s inability to pronounce the name C…[Read more]

This note calls attention to a precursor of the Latin text of Durham Proverb 7 in the ninth-century Collectanea Pseudo-Bedae and, in doing so, sheds some light on the unresolved relationship between the Old English and Latin versions of the Durham Proverbs in general and Durham Proverb 7 in particular.

This note established that an Old English confessional prayer in BL Vespasian D.xx is a close analogue to the Latin text in the Book of Cerne (Cambridge University Library MS L1.1.10). These two text and two other Old English prayers in BL MS Tiberius C.i and the Old English Handbook for the Use of a Confessor may have sprung from a common, Latin…[Read more]

In this chapter, I discuss the use of Anglo-Saxon literature and culture in J.R.R. Tolkien’s The Hobbit.

Although there were many handwritten, often informal catalogues of Sir Robert Cotton’s manuscripts and books during his lifetime and in the years afterwards, the desire for an official printed catalogue which could be circulated in the public realm did not really bear fruit until the late 1600s. And when two versions finally did appear — the…[Read more]

This essay is an attempt to think about melancholy as a shared creative endeavor, as a trans-corporeal blue (and blues) ecology that would bind humans, nonhumans, and stormy weather together in what Tim Ingold has called a meshwork. In this enmeshment of the “strange strangers” of Timothy Morton’s dark ecology, “[t]he only way out is down” a…[Read more]

This special issue of the “Journal of Narrative Theory” represents one of the BABEL Working Group’s first forays into a collaborative and “baggy” humanistic scholarship between medieval studies, more contemporary humanistic studies, and the sciences, with the objective of interrogating together the open terms, “human,” “humanity,” “humanism,”…[Read more]

This essay considers Emmanuel Levinas’s philosophy of hospitality in relation to the “isolated and heroic being that the state produces by its virile virtues,” through an analysis of female Chechen suicide terrorists in contemporary Russia and the figure of Grendel in the Old English poem “Beowulf,” in order to raise some questions about the relat…[Read more]

In a talk he gave in 1995 at a conference at Georgetown University, “Cultural Frictions: Medieval Cultural Studies in Post-Modern Contexts,” Paul Strohm asserted that “postmodernism is preoccupied with history, endlessly obsessed with history, and with the nature of the claims the past exerts upon us; it might almost be called a way of thinking…[Read more]

The essays collected in this volume demonstrate that, when certain medieval and contemporary cultural texts are placed alongside each other — such as a fourteenth-century penitential handbook and the reality television show “Survivor,” or early fifteenth-century Lancastrian statecraft (Henry IV) and the stagecraft of George W. Bush’s presidential…[Read more]

This essay offers a consideration of Levinas’s philosophy of hospitality in relation to the terroristic figure of Grendel in the Old English poem “Beowulf,” in order to raise some questions about the vexed connections between ethics, violence and sovereignty, as well as between ethics and politics, both in the early Middle Ages and in our own t…[Read more]

“Liquid Beowulf” serves as the Introduction to “The Postmodern Beowulf: A Critical Casebook” (Morgantown: West Virginia University Press, 2006), and makes an argument for the Old English poem as a richly inter- and cross-temporal cultural response to historical traumas that still haunt our present moment and which also poses always important (and…[Read more]

The essays, manifestos, rants, screeds, pleas, soliloquies, telegrams, broadsides, eulogies, songs, harangues, confessions, laments, and acts of poetic terrorism in these two volumes — which collectively form an academic “rave” — were culled, with some later additions, from roundtable sessions at the International Congress on Medieval Studies…[Read more]

The work of L.O. Aranye Fradenburg, especially her psychoanalytic criticism of Chaucer, and her formulations of discontinuist historical approaches to the Middle Ages, has been extremely influential within medieval studies for several decades. More recently she has been focusing on more broad defenses of the humanities, especially with regard to…[Read more]

This article considers a recent critical problematisation of the discussion of ›Otherness‹ in Merovingian archaeology (Halsall 2017), and extends this problematisation to the early mortuary archae- ology of post-Roman/early Anglo-Saxon England. The article first examines the literary goals of Gildas’ De Excidio et Conquestu Britanniae, and espec…[Read more]

A half-erased woman’s name is partially legible at the bottom of folio 41 verso of the Anglo-Saxon manuscript we now call the Vercelli Book. Edith – eadgiþ – provides mystery as highly unusual marginalia, an individual name added to and then erased from the manuscript. I argue here that the erased name eadgiþ is direct reference to St. Edith o…[Read more]

The figure of Hrothgar, aging king of the Danes, forces an analysis of the relationships among age, maleness, and masculinity in Beowulf. Masculine characters, while enacting the poem’s complex reciprocities and social transactions in the hall and on the battlefield, accrue status and power through assertions of control and dominance, through…[Read more]

The performances of Christ in the text of The Dream of the Rood construct a masculinity for Christ that is majestic, martial, and specifically heterosexual and that relies on a fragile opposition with a femininity defined as dominated Other in the figure of the Cross. His particularly constructed masculinity, explored rather than merely assumed or…[Read more]