Translation and Annotation of ‘Svarajya Siddhi’ of Gangadharendra Sarasvati from the nineteenth century. This text is considered one of the five Siddhi texts, the other four being Naishkarmya Siddhi, Advaita Siddhi, Ishta Siddhi, and Brahma Siddhi. These texts have a very great value in Advaita Vedanta.

Translation and Annotation of ‘Svarajya Siddhi’ of Gangadharendra Sarasvati from the nineteenth century. This text is considered one of the five Siddhi texts, the other four being Naishkarmya Siddhi, Advaita Siddhi, Ishta Siddhi, and Brahma Siddhi. These texts have a very great value in Advaita Vedanta.

Translation and Annotation of ‘Svarajya Siddhi’ of Gangadharendra Sarasvati from the nineteenth century. This text is considered one of the five Siddhi texts, the other four being Naishkarmya Siddhi, Advaita Siddhi, Ishta Siddhi, and Brahma Siddhi. These texts have a very great value in Advaita Vedanta.

Translation and Annotation of ‘Svarajya Siddhi’ of Gangadharendra Sarasvati from the nineteenth century. This text is considered one of the five Siddhi texts, the other four being Naishkarmya Siddhi, Advaita Siddhi, Ishta Siddhi, and Brahma Siddhi. These texts have a very great value in Advaita Vedanta.

Translation and Annotation of ‘Svarajya Siddhi’ of Gangadharendra Sarasvati from the nineteenth century. This text is considered one of the five Siddhi texts, the other four being Naishkarmya Siddhi, Advaita Siddhi, Ishta Siddhi, and Brahma Siddhi. These texts have a very great value in Advaita Vedanta.

Translation and Annotation of ‘Svarajya Siddhi’ of Gangadharendra Sarasvati from the nineteenth century. This text is considered one of the five Siddhi texts, the other four being Naishkarmya Siddhi, Advaita Siddhi, Ishta Siddhi, and Brahma Siddhi. These texts have a very great value in Advaita Vedanta.

Translation and Annotation of ‘Svarajya Siddhi’ of Gangadharendra Sarasvati from the nineteenth century. This text is considered one of the five Siddhi texts, the other four being Naishkarmya Siddhi, Advaita Siddhi, Ishta Siddhi, and Brahma Siddhi. These texts have a very great value in Advaita Vedanta.

Translation and Annotation of ‘Svarajya Siddhi’ of Gangadharendra Sarasvati from the nineteenth century. This text is considered one of the five Siddhi texts, the other four being Naishkarmya Siddhi, Advaita Siddhi, Ishta Siddhi, and Brahma Siddhi. These texts have a very great value in Advaita Vedanta.

Study and critical edition of this anonymous elegy written in 1516 shortly after King Ferdinand II of Aragon’s death. This paper focuses on both political and cultural circumstances surrounding the Catholic Monarch’s death, together with the tradition of poetical testaments within Castilian songbook poetry. The edition of the text underscores the…[Read more]

The present article attempts to establish as accurately as possible the chronological trajectory of the unique codex of the Cancionero de Baena (PN1 in the Dutton nomenclature). It begins with a detailed examination of the codicological aspects of the manuscript, which serve to date its origin to around 1465. This origin, combined with the…[Read more]

Se suele señalar a 1385 como uno de los momentos de mayor incertidumbre política, social y económica no solo del medievo peninsular, sino prácticamente de toda la historia de España. En aquella precisa fecha, al factor estructural de lo que se ha venido en llamar la crisis del modelo de producción feudal, se le añadió un factor coyuntural bien co…[Read more]

This paper describes a catalogued but rare manuscript (call number 170/307) held by the Charles Young Research Library at UCLA, in which one can find the by-laws of a barely known medieval confraternity, located in the city of Teruel and devoted to St. Julian.
Most of these by-laws were written around 1402, although it does also…[Read more]

The manuscript Codex germanicus 1 (Cod. germ. 1) of the Staats- und Universitätsbibliothek (State and University Library) Hamburg is a fifteenth-century German-language manuscript. It comprises two codicological units and has an especially complex developmental history. To trace this developmental history, neglected until now in the research…[Read more]

Marco Heiles, The Medial Determination of German Edition Philology, in: Hannes Bajohr, Benjamin Dorvel, Vincent Hessling und Tabea Weitz (Hg.), The Future of Philology. Proceedings of the 11th Annual Columbia University German Graduate Student Conference, Newcastle upon Tyne 2014, S. 183-193.

Edition and commentary of an German chiromantic text from about 1464 in the manuscript Linz, Landesbibliothek, Hs. 139, fol. 1r-5r.

Marco Heiles, Eine bisher unbeachtete deutsche Chiromantie in der Landesbibliothek Linz, in: Zeitschrift für deutsches Altertum und deutsche Literatur 145 (2016), S. 70-81.

Romance as a group of, and label for, some of Shakespeare’s last plays presupposes the influence of later romance kinds, and Shakespeare studies presuppose their influence and preclude the influence of an earlier romance kind, namely, chivalric romance. This sub-genre includes romances like Bevis of Hampton and Guy of Warwick, both popular in S…[Read more]

Modern editors of Othello unanimously and silently adopt the Folio (1623) text as their copy text but emend it in light of the quarto (1622) text at III, iii, 97. Neither of the two reasons for emendation, textual corruption or literary unintelligibility, applies. A critique of textual editing shows that, given knowledge of the many and various…[Read more]

Reviews arguments for identifying Shakespeare’s handwriting to the handwriting of Addition IIc in the Sir Thomas More ms. and, by reference to the concept of a control as the indispensable requirement for such comparison, finds the arguments not only instances of special pleading, but a failure to satisfy this fundamental requirement. Urges…[Read more]

This bibliography is divided into three parts. The first two parts encompass medieval romances first available in English before 1558. Part I includes romances by unknown or little-known authors or translators which others, as noted, regard as romances. Part II includes romances by those who are well known: Caxton, Chaucer, Gower, Henryson,…[Read more]

Uses the survival of the English chivalric romance tradition throughout Shakespeare’s professional lifetime and his exploitation of that tradition especially in his major tragedies to challenge the commonplace distinction between the medieval and the renaissance on the one hand, and to suggest that his openness to that medieval tradition showed…[Read more]